Tag Archives: Todd Family Chronicles

Hey, hey … we weren’t The Monkees after all.

Bloody awful weather, isn’t it? Nobody knows better than my brother band-mate Matt, out every day in the great outdoors, slogging from bird’s nests to beaver ponds, feeding everything in sight. Damn, I get the chills just thinking about it. But then, I am a basement dweller by day … and by night, often times, twiddling dials on the seemingly never-ending album project Big Green is stumbling through.

Got to give him a lot of credit – he works like a dog, and yet still somehow finds the time and energy to write songs by the dozen. I mean, it’s not like we’re living in some communal band-house like The Monkees, every day full of hijinx and lip-syncing singalongs. Though, to be honest, that’s kind of how we started out.

Brokerton-On-Hudson

Picture this, people: a time long before nearly everyone had a high-def global network-connected video camera in their pocket. Can you see it? And do you hate it as much as we did? My guess is yes. Well, that’s when we started the scrum of washed-out musicians that eventually became Big Green.

Yes, we did have a Monkees-like communal band house. It was in a town called Castleton-on-Hudson, maybe ten miles south of Albany. We didn’t have a funky Monkees-like car, just a beat-up old Maverick, a 1968 Nova, and a capped C-10 pickup so ramshackle we called it “Ruck” (i.e. one letter short of a truck). Do three junks add up to a Monkees mobile? Ask your mother. Better yet, ask your grandmother.

Anyway, it was our practice space, songwriting retreat, whatever. We played a handful of gigs, made rough recordings, and did stupid shit, like stuffing pillows under our shirts and pretending we had gained 50 pounds overnight, just to freak the neighbors out. (Our guitarist, the late great Tim Walsh, was particularly good at this prank. So was our drummer back at that time, Mr. Phil Ross, seen on the inside cover of the collection – this post’s header image – hitting Tim over the head with a guitar, El Kabong style.)

What can I say? We were broke and easily amused.

Self-made bootlegs

Now, because this was indeed a time before digital photography (early 1980s), there’s little record of this time in our arrested development. A year or so after we left Castleton, though, Matt pulled together a compilation he called “The Todd Family Chronicles” which is a cassette collection of the songs – covers and originals – we played during that time and shortly thereafter.

Why “The Todd Family”? Experts disagree. Back in the day, Matt invented this joke character called “Toddy Ham” – an irritating little welp of the type we knew back in our suburban white-boy school days. (Toddy Ham is the kid with the whistle on the cobbled-together cassette cover shown above.)

The archeological record

What happened to the recordings? They’re still extant, if very fuzzy. I think the earliest thing we’ve posted is probably Silent As A Stone, which I talked about in a post back in 2022. But in reality, “The Todd Family Chronicles” wasn’t really a bootleg in a distributive sense – there were only a couple of copies. Not like the Christmas tapes, which Matt replicated in slightly larger quantities, or our EP tapes like “Songs That Remind Lincoln of the War”.

Photos? Very few, and most are just cheap photocopies of photos. We’re talking 43 years ago. Total miracle that we’re still producing something you can loosely describe as music, but there you have it.

Dictating machine.

Hmmmm…. damn thing won’t upload. Stupid internets! Marvin – are you on the phone again? You’re supposed to wait until I’m done using the web. Stupid phone!

Man, I’ll tell you – it’s not easy living in an abandoned hammer mill. None of the familiar modern conveniences of American life. No wi-fi, no broadband, no blender, no dry ice … I could go on. But we’re used to that sort of thing. As you know, Big Green has always flown pretty low to the ground. That’s why so many of our contemporaries have become famous while we remain in the alt-pop toilet. When we go low, they go high. It’s like a freaking see-saw. (Did you see what I saw?)

Anyhow, people like us, we learn to do without. When Matt and I were piecing together the first iteration of this band, back in the late seventies / early eighties, we had the cheapest equipment any band ever thought of using. Our PA speakers sounded like kazoos. Our guitar and keyboard amps were underpowered and flaccid. Even worse, we never had anything decent to record on. One stereo reel-to-reel deck followed us around for a while, but it was of little use beyond serving as a tape echo. A friend of our early eighties drummer, Phil Ross, gave us his old dictaphone mono take deck, which we used to record demos of songs we might take into the studio if we could get the scratch together (which we did, eventually).

Yeah, that's the shit.It took a couple of years, but at some point we moved up to a Panasonic audio cassette deck, the kind that you would use in a home stereo system. We used that and a couple of mics to record ourselves playing in the living room, etc. (Excerpts of those sessions made it on to Matt’s very early compilation, “The Todd Family Chronicles”.) Matt got a second deck and started bouncing tracks, overdubbing, then around 1985 he bought his first cassette portastudio. That kind of took us to a different place musically, though where that place is, I’m not entirely certain. As we could, we got better gear, but our songwriting and recording process has remained about the same as it was with that first portastudio.

Now we record like everybody else does – on a freaking computer. Fact is, a depiction of pretty much any profession now looks like somebody sitting at a freaking computer.