Tag Archives: This Is Big Green

Trans martian insertion.

What the f…! Did you see that, Mitch? I tried to swear just then and nothing came out! How the f…. am I going to make it in this…. this… ?? D… ! It happened again! This can only mean one thing. We’re being EDITED FOR TELEVISION!

Sorry for all the yelling and gesticulation (though you probably didn’t see the latter). You always seem to catch me at a bad time. In any case, as you can see, some alien intelligence appears to be manipulating our speech in real-time. When I say “alien intelligence”, I probably should be saying “corporate overlords,” as in the ne’erdowells who run our label, Hegemonic Records and Worm Farm, Inc. It’s a lot more likely that they are behind this sanitization of our every utterance. You have to ask yourself, after all … who benefits? Who else? Motherf…ers! (Oooh, man, that’s irksome.)

I am told that the gosh-darned blaggards (See: now I’m self editing. This is how tyranny starts!) are looking to put us on tour, but only if we clean up our behavior a bit. Hegemonic is dead set against obscenity of any kind, unless the obscenities in question are being perpetrated upon the bodies of trade union leaders or disobedient peasants who dwell by some geographical accident on top of the company’s most coveted mineral reserves. Shooting, garoting, and the like have their place (namely, in the toolbox of their security contractors). But there’s no excuse for foul language… This is a FAMILY company!

They must have gotten word that the Curiosity Rover has actually turned up an opportunity or two for us on Mars, thanks to Mitch Macaphee’s timely intervention through use of advanced telemetry. Nothing a record company like more than free advance work (except perhaps free other work). Anyway, looks like we might be heading to the red planet once we get this album Cowboy Scat: Songs in the Key of Rick mixed and in the can. They say Mars looks a lot like west Texas this time of year. Neither is the kind of place to raise your kids. And there’s no one there to raise them if… well, you know.

Oh, great. Now Marvin (my personal robot assistant) is humming “Rocket Man” in the mistaken belief that I was asking him to. Jesus F… ing Christ on a bike!

Mars calling.

Looks good, Mitch. Can you make it move forward a little bit? You know… just roll a little towards that crater-like object. That’s a crater? No lie? Hmmm….

Oh, hello. Just watching the Curiosity rover on Mars. No, we’re not glued to the NASA web site staring at the same low rez images everyone else is poring over. God, no. When you have friends in the world of science, that gets you access, my good fellow. Big Green, of course, has an official mad science advisor in the form of Mitch Macaphee, inventor of Marvin (my personal robot assistant) and thrice honored diplomate of the international college of lunatic physicists. When he heard about this Mars rover at a recent loony conference, he built himself a little home made telemetry device that allows him to … well … take command of the Mars rover. (“Oh, no you didn’t!” we said. But oh, yes he did. )

This telemetry thing isn’t about science, though. Don’t say it’s about science. It’s about much more selfish pursuits. Let us face it – Big Green is hungry, friends …. hungry as a dog. We haven’t had a paying gig since… well, since last year. Our promoters at Hegemonic Records and Worm Farm, Inc., have yet to shell out the money for an interstellar tour. Plainly, Big Green has to take matters into its own hands. And whereas some bands turn to their trusted manager, agent, tour promoter, etc., we have only Mitch Macaphee. And as mentioned before, he’s freaking crazy. That’s what is called a telemetry-producing situation.

So how do we leverage this? Well, I’m trying to get Mitch to send commands to the Curiosity rover. We need it to be our arms and legs on Mars. Why? Because there’s this little venue at the foot of Mount Olympus (tallest known mountain in the solar system) that would hire us for a three-night run if we could just get their attention. Can’t afford to ride out there ourselves. (Not in this economy, damnit.) Curiosity can act as our booking agent on Mars. And before you ask, don’t sweat it. We’ll give him the standard 15%. We’re not bad people.

So, okay, Mitch … can you make the Rover say, “private dressing room, behind the stage”? How about, “pitcher of gin and tonic every half hour”? Well, try again, damn your eyes! He’s letting that owner off way too easy.

All about process.

Thursday night is still good for me. What about the rest of the week? I’m busy, that’s what. Man’s got to sleep sometime, you know. Blame it on the diurnal rotation of the earth and the fact that my ancestors evolved on this miserable pimple of a planet! (Oh, crikey … now I’m borrowing throwaway phrases from minor characters in Lost in Space.)

What do you say to someone who sleeps six and a half days a week? WAKE UP! That might work. I’ve got a little problem in that direction, I admit. It’s prompted me to ask Mitch Macaphee to install some kind of alarm clock function in Marvin (my personal robot assistant). He gave me a look that would melt iron, but w.t.f. – why shouldn’t I expect a sophisticated robot to have a level of functionality one might expect from a ten dollar wristwatch? (Mitch told me to go out and buy a ten dollar wristwatch, actually. He has a point.)

What’s this got to do with Big Green, the larger world of indie music, and the fate of the universe in general? Over here at the Hammer Mill, we’re always hashing out when to do what. Thursday night is usually the time Matt and I get together to work out arrangements, record, etc. That’s happening at something of a snail’s pace by most people’s standards – by Big Green standards, however, it’s greased lightning. Just look at our discography. Two albums in 15 years, plus some assorted EP and single releases. It took us five years – FIVE YEARS – to record, mix, master, and release our last album, International House. Every time I hear it, I am reminded of …. well, just about everything that happened during that five years. Talk about a mnemonic device!

Anyhow, our upcoming album – Cowboy Scat: Songs in the Key of Rick – is coming along a hell of a lot faster than that. We’ve got basic tracks for all of the songs recorded; mostly tweaking to do from this point forward. Most of the songs have been featured in first draft form on our podcast, THIS IS BIG GREEN, so you can hear proto-mixes of almost the entire album if you can stand listening to us gab hours on end. And do bad imitations of famous people. And sing impromptu songs. And insult the dead.

Okay… so you probably haven’t heard the first drafts. Just look for the finished product. Now if you’ll excuse me, I have some sleeping to do.

All’s well that ends.

That’s no good. They will certainly have lifted the phonograph needle by that point. The phonograph needle… you know… the thing that scratches along the record and makes the music come out. Don’t you know anything about technology?

Oh, hello. Didn’t see you there, peering in from the void of cyberspace. Just working my way through some technical issues relating to our upcoming album, Cowboy Scat: Songs in the Key of Rick. Getting into the minutiae with our mad science advisor, Mitch Macaphee, who will actually be making the records this time out. Yes, we do have a corporate label – Hegemonic Records and Worm Farm, Inc., a.k.a. Hegephonic Records – but they are kind of a “hands off” outfit (unless you owe them money; then it’s another story … one involving off duty military personnel, typically …. I’ll stop there).

What all that means is simply this: under our “contract”, we make the product from start to finish. We write the songs, record them, cut the discs, package them, carry them to all of the stores, etc.  Hegephonic does the rest. (That is to say, they rest up until there’s some looting to do. It’s complicated.) So, we’re just trying to work out a few of the details with Mitch, who apparently has never heard of the gramophone record. Have you been to the talkies yet, Mitch? They’re like a freaking conjurer’s trick!

The fact is, Matt and I prefer to concentrate on more artistic matters… like what’s going to happen at the end of every song. Sure, most pop songs just fade away, but the story doesn’t end there, my friends. Indeed, a lot of meaning is lost in that fade-out groove. Big Green, for its part (which part I decline to say), is dedicating itself to recovering some of that lost value for the benefit of listeners everywhere. And we’re going to do that by putting them out on the interwebs – a collection of last gasps, as it were. Some funky, so sullen, some so bizarre even I can’t fathom the implications of their existence. It cannot be so! I find myself shouting when I hear them. And yet it is so.

So…. something to look forward to. That’s what we like to hear. Now … about those photographic plates…. Don’t drop them! They’re glass, you know.

Poditis.

How do you spell XML again? Does it rhyme with “smell”? No coincidence, I suspect. Jesus christ on a bike. Technology is for fools. And forever a fool I shall be.

Oh, hi. Just got done cobbling together this month’s episode of THIS IS BIG GREEN, our notorious podcast, and placing it online with the technological equivalent of stone knives and bearskins. My approach to programming is akin to placing several monkeys at computers loaded with self-peeling banana screensavers. Trial and error… but mostly trial. Anyway, it got done, and that’s just as well, because this month’s episode is chock full of something. Yes, friends, it’s full of ingredients. It contains contents. Should I draw you a picture?

Right. You’ll see from the program notes that there are not one but TWO new songs from Cousin Rick Perry, governor of Texas. These are two more in a series of “first draft” recordings that will comprise (in a more finished form) Big Green’s upcoming album, tentatively named Cowboy Scat: Songs in the Key of Rick. Our cousin has inspired an album’s worth of material, to be sure, including one jaunty little number called “Awesome Hair”:

It once adorned Reagan, now on your head it sits
and not on that wanna-be latter day Mitt’s.
When you’re nonsensically talking, it especially fits
If anyone tries to muss it up, you mess with their shit.

Pure audio dynamite, that’s what that is.

Thankfully, things were a little quieter around the hammer mill this week. Marvin (my personal robot assistant) finally gave up any idea of going to robot camp for the summer. “Just because all of the neighbors’ robots are doing something,” I heard myself telling him, “that doesn’t mean you have to do it, too. If they all rolled into the car-crusher, would you follow them?” At that point, Marvin emitted a metallic cluck and rolled his eyes. I just can’t say anything right, it seems. (He’s at that difficult age when robots start pushing the boundaries a little bit. )

One other thing about the podcast, before I forget. You might want to listen to it with something running in the background, like maybe an espresso machine. That would give a better sense of what’s going on in our heads when we record it. Just a suggestion.

 

Settle. Just settle.

Listen, Marvin. I know you want to go to summer camp like all of the other robot assistants. That’s understandable at your age. But you have to understand, we just can’t afford it right now. It’s not that we don’t want you to go … it’s money, Marvin. We’ll try to save enough to send you to robot assistant camp next year, okay?

Sheesh. Another dejected look. Marvin (my personal robot assistant) has now officially joined the ranks of the disgruntled. That makes about nine of us, if you count both Lincolns. We are in the dog days and, apparently, the doldrums of summer here at the abandoned Cheney Hammer Mill in beautiful upstate New York, and I can tell you personally, nobody’s happy around these parts. I blame our persistent lack of gainful employment. Most band entourages, as you know, can occupy themselves with the somewhat questionable benefits of touring. Big Green, though, has not done a tour yet this year, and I fear that fact is beginning to wear on us all.

Aw, now look…. mansized tuber is getting fussy again! Matt! Lincoln! Mitch! Somebody else take a turn, for chrissake! I’ve repotted him twice today already and it’s only noon.

Jeebus, just listen to me. Listen to all of us. It’s the sound of domestic life, that’s what it is. We have been in one place far too long, my brothers. I feel the road calling me, once again. Ah, the aroma of poorly prepared meals, the clatter of ancient window-mounted air conditioners, the inviting patina of a well-used shower stall. Okay, so there isn’t a lot about touring that I miss. It’s the lack of touring that worries me. For one thing, it makes us prone to lethargy (well….. more prone, let’s say). For another, it drains our modest resources to what can only be described as a negative value. You see …. oh, jesus. Wait just a minute, my friends…

Not that pot, Mitch! I used that one earlier today. Give tubey a fresh one from the garden shed. Use your head, man!

Right. Where was I? Doesn’t matter. We have to get another interstellar tour together. Just as soon as we finish our upcoming album / rock opera / whatever the fuck it is, titled Cowboy Scat: Songs in the Key of Rick. Check out our July podcast, soon to be posted, for details.

Preppin’ for Tex.

Got your cowboy hat yet? Oh. Okay, why the hell not? Just go downtown, walk into the cowboy supply store, and pull a ten-gallon hat off the rack. What’s so hard about that?

Oh… hey, man. Caught me, once again, in the midst of lecturing the help. Marvin (my personal robot assistant) refers to it derisively as “reprogramming”, but you know better. All I asked him to do was to purchase his own cowboy gear – that’s all. Is that so unreasonable? Am I expected to pay for everything around here? What the hell – I’m the “job creator”, right? I’m the one using “air quotes” left and right. Haven’t I done my part in this employer-robot assistant relationship? Huh?

Okay, so why am I asking Marvin to dress up like Tex? So that he’ll match the rest of us, of course, when we start shooting videos to support our upcoming album of Cousin Rick Perry songs. What the hell, we can’t release an album of songs nominally by the governor of Texas without donning ten-gallon (or, at least, 5-liter) headgear. That would be tantamount to malpractice. And what is malpractice but a crutch for cats who can’t blow? (Okay… I murdered that quote, but it had it coming.)

Admittedly, there is more to making a new album than getting matching cowboy suits. Much more. Like shoes. And pizza boxes. Bubble-stuff in a plastic jar. What else? Hmmmm. Corn husks. Put them all in a cement mixer and flip the switch, baby. Round and round they go, and after a few hours, pour it out into a six-up mold and start stamping out those CD’s. Nothing to it.

What about the music part of it? Details, details. We’re working on it, that’s all I can say. All of those first-draft podcast songs? We’re polishing them to a sparkling luster. We’re patching them up like ten miles of bad road. We’re turning knobs, flipping switches, and cranking …. cranks. We’re making the little lights flash like glow-bugs. That’s a bit of doing.

So, yes… we will have an album. Big Green will crawl again across the shattered landscape of American music anyhow. In cowboy hats. Yee-haw.

Thing is.

What’s that? What’s that you say? Can’t hear ya, young man. You’ll have to speak up a bit. Nah, I’m not deaf. I’m either old or living on top of a fracking operation. Or maybe both.

Yeah, hey howdy. Welcome back to the abandoned Cheney Hammer Mill in beautiful upstate New York, where the winters are cold and the derricks run day and night, pulverizing the shale that supports the very ground we walk on to squeeze every last iota of value out of the battered slag that is America. Hegemonic Records and Worm Farm, our once and future corporate overlords, are working this little piece of borrowed real estate like it’s Irian Jaya and they’re Freeport McMoran. But…. I digress. Always like to start on a bright note. Now on to more serious matters.

Well, it took some doing with all of this earth moving and earth shaking (movers and shakers are we), but we managed to post the June episode of our podcast, THIS IS BIG GREEN. Another titanic installment of … well … nothing in particular. Though we have included not one but two first-draft recordings of Rick Perry songs. Could be worth a listen …. just advance over about half an hour of insane blather and you’ll hear the first one; a funky little number called “Aw, Shoot.” It offers, in its own ludicrous way, a thumbnail sketch of cousin Rick Perry’s trajectory from simple country dummkopf to dummkopf on a national stage already. Sounds vaguely like an early 80s soundtrack cut. Think Bam-Bam on Mars. Some of you know what I’m saying.

The other Rick Perry song is, well, an ode to his staying power. He’ll be there, that’s all he’s saying. Wherever there’s a law beatin’ up a gun, he’ll come on like a burning sun. And so it goes.  Big Green will be putting out a collection of cousin Rick songs later this year, with polished up and enhanced selections from these podcasts, plus additional material. (I’m not going to say what kind of material. It may be music, may be fracking fluid. Not sure there’s a difference.)

This month’s podcast also features a Big Green number from back in 2004, called The President’s Brain is Missing. It’s about our old friend George W. Bush, who seemed to fancy himself something of a martial type back in those days. Seemed like he should have a “Green Beret” type theme associated with his heroic exploits, so we just made him one.

Well, there’s the work whistle. Won’t be able to hear myself think for the next 12 hours, so I’ll sign off now.  WHIRRRRRRRRR……

Background noises.

Oww. Did you feel that? I did. Feels like another podcast coming on. I always imagine this is somewhat akin to launching a new naval ship, except that THIS IS BIG GREEN is full of holes the minute it gets lowered into the water. Oh well…

Things have been kind of noisy around the abandoned Cheney Hammer Mill, actually. Pretty hard to finish a podcast with all that clanging, drilling, truck traffic, occasional machine gun, etc. What, with Hegemonic Records and Worm Farm now using our adopted home as a platform for hydrofracking, I suppose I should expect as much. Some might think hydrofracking and music production aren’t necessarily compatible, but that’s …. well, that’s just plain ignorant and insensitive. To some people’s ears, the sound of extractive enterprise is melodious and enchanting. And the smell … just like flowers.

Not that Big Green has always required complete silence while working on an album. Far from it, my friends. Just listen to our first two albums. You can hear someone eating lunch in the background of just about every song. It’s only gotten worse over the years, as more people congregate in the cultural Mecca that the Hammer Mill has become over these last twelve years. Our podcast is a good illustration of that. Last month, I think you could hear a truck backing up through most of our incoherent rambling. Unless it was Marvin (my personal robot assistant) making that beep, beep, beep as he rolled backwards in terror and revulsion during a particularly noxious tirade.

Noxious tirades – not a bad name for a collection of podcast excerpts.

Then, of course, there’s all that noise in the background of our “first draft” recordings, included in each episode of THIS IS BIG GREEN. That thing that sounds like a banjo in “Fallin’ Behind”? Yeah, well… that was a banjo. But it might just as well have been the hot water pipes just above our mastering deck, down in the sub-basement studio we call home. Hey, they’re first drafts. You expect a little bit of rough, don’t you? Otherwise they would be finished productions, right? THAT COMES LATER.

Not much later, admittedly. Have to get to work on that. Expect a new album sometime later this year…. assuming we haven’t been hydrofracked to kingdom come by then.

What next.

Sweepin’ up after that big storm. Man, the weather these days. Good goddamn thing that global warming story turned out to be a hoax. If it’d been true, we’d be worried about all this extreme weather. But no, no…. everything’s fine. Experts agree.

No, today’s not contrary Wednesday. It’s contrary every freaking day here at the abandoned Cheney Hammer Mill, our adopted home. I’m spouting that stuff about global warming in hopes of ingratiating ourselves to a potential corporate sponsor. Who, you may ask? Well, it’s someone Big Green worked with before – Hegemonic Records and Worm Farm, Inc., king of the extractive industries. Tearing Earth a new Asshole since 1953™. From the tar sands of Alberta to the gold mines of Irian Jaya to the fracking fields of Pennsylvania, the name Hegemonic has been synonymous with … well, with making big piles of money out of big piles of slag. Who better to shake down for some cash, right?

Oh, yes… I know what you’re going to say: This will lead to evil and sadness. Stop the hurting, you’ll say, and start the helping.  But fear not, my friend. Hegemonic Records and Worm Farm (also known as “Hegephonic”) is an enlightened actor in the extractive industries. It says right here in this May 2007 press release when they began work in Mindanao. Back when there was a Mindanao. Okay, bad example. Nonetheless, our “friends” at Hegemonic can be of great assistance to us, and as luck would have it, we have something of value to them as well. Something they want very, very badly.

Wait for it!

It’s mineral rights to the Cheney Hammer Mill. You see, by happy geological accident, the Utica Shale and the Marcellus Shale converge right below the abandoned Cheney Hammer Mill. That means there’s an Auntie Maude’s Fortune of natural gas right below our feet. And no, this isn’t another one of those mad schemes cooked up by Mitch Macaphee. Unlike the mercantile tunnel to China (now plugged), this is a sure thing. All we have to do is let them rip down the mill and gouge their way into the Earth’s crust like a titanic bloodsucker, drawing the lifeblood from our dying planet and selling it by the cubic foot to heat the McMansions of exurban neo-yuppies. Nothing to it.

One other thing that interests them: Freakenstein. I think they see him as some kind of secret weapon against union organizers. We tried to interest them in Marvin (my personal robot assistant), but he’s simply not intimidating enough.