Tag Archives: Songs in the Key of Rick

Ripping yarns.

Glad we got that sorted out. Another rogue operation shut down. Try to behave yourself from now on, Marvin. Marvin? MARVIN!!!

Nice Romney dupe, dude!Right, well…. lots to keep track of. I know it may look easy, being a member of the virtual rock band Big Green, but there’s more to this than meets the eyes (or ears, for that matter).  Plenty of demands on our time; enough tasks to fill this drafty old abandoned hammer mill to the rafters, quite frankly. Sure, I know – we haven’t gone on tour in a couple of years. No impromptu trips to Neptune, for instance, to take in the annual Methane Fest or perform at one of our favorite hyper-gravity venues (The Flathouse is particularly memorable, for me at least). But there’s more to being a band than performing, you know. Much more.

I have described in previous posts our grueling production schedule for our upcoming collection, Cowboy Scat: Songs in the Key of Rick. A full album of 15 to 20 new songs in about a year’s time – that’s greased lightning in our world, my friends. Sure, I know – these are songs culled from a musical about the life, times, and presidential ambitions of our cousin Rick Perry, governor of the great state of Texas, and as such each number will be performed by a different musical ensemble (all of whom strangely resemble us). But it’s a big project nonetheless. Hands full, over here … hands full!

Then there’s our monthly podcast, THIS IS BIG GREEN, an extravaganza of useless gibberish, lovingly packaged and delivered to our listeners via iTunes. Each episode includes previously unreleased music as well as another installment of our continuing series, Ned Trek – the bizarre outer-space adventures of Captain Willard Mittilius Romney and his First Officer/Dressage Horse Mr. Ned, on board the Starship Free Enterprise. Last month, this most derivative crew of space adventurers visited the surface of Ozark 5, an outpost run by Gov. Louie Gomert, thereby initiating a series of unfortunate events that resulted in a titanic struggle, mano a mano, between Captain Romney and a giant ear of corn. Gripping drama.

So, sure … we’re occupied. It just looks like we’re a bunch of lazy lunks squatting in an abandoned mill.

Advance!

You did what to the whom? When was that again? Christ on a bike – I thought you agreed to stop running these freaking rogue operations out of the basement. What’s that? You ran it out of the attic? That’s not the point!

You did what, now?Ah, hello. Just caught me in the midst of yet another dressing down of Marvin (my personal robot assistant) who, apparently, has some kind of crackpot entrepreneurial streak wired into him. (I need to talk to his inventor, the mad scientist Mitch Macaphee, about this.) Every time I turn around … and I mean every time, like, if I were to turn around right now it would happen … he’s got some new racket going. It’s like living with an audio-animatronic P.T. Barnum. Only with slightly less calliope music.

What’s the latest? Well, Marvin has been taking advance orders on our upcoming album, Cowboy Scat: Songs in the Key of Rick, a collection of Norwegian carpenter songs … I mean, songs from a now-lost rock opera about the trials and tribulations of our cousin Rick Perry, Governor of Texas … an album which is now in post production and almost ready to rumble. (I understand the musical itself was lost over the side of a pleasure craft on Lake Tahoe … rumor has it, anyway.) Even before we’ve pressed the first MP3 in that painstaking way we do (note: we use a panini press to squeeze all the goodness into every compressed file), Marvin has rifled money out of our market with the promise of delivery later this year.

I see a couple of problems here. First, Marvin has only been taking orders from extraterrestrials. That raises some ethical questions, of course, but also pragmatic ones. For instance, how do we deliver on orders from Aldebaran Seven, placed by etheric entities only Marvin can see with his advanced optical scanners? Even more importantly, how do we bank “money” that is in the form of microwave transmissions from a distant galaxy. I think those are generally considered non negotiable currency here in the U.S. of A. Not on Aldebaran Seven, however.

Bottom line: We’re going to have a legion of hopping-mad Aldeberans after our sorry asses when we fail to fulfill these orders. Bloody robot! Second time this month!

Mixing business.

What time is it again? Morning already? Christ on a bike. If I don’t start getting some sleep, you’ll have to take over the bailing duties.

The voice of reasonOoops. Sorry. Didn’t realize I was typing this into a blog post (or that anyone was looking at me from the imaginary wall-side of my three-walled room). We were in the process of working out chore assignments here in the abandoned Cheney Hammer Mill on this cold March morning in upstate New York, home of … well, abandoned factories … and crack-head shooters … and nervous deer. Come visit anytime!

The thing is, we are working diligently on the mixing of our next album, Cowboy Scat: Songs in the Key of Rick – an odd, patchy collection of songs from a forgotten musical about Cousin (Governor) Rick Perry (the score for which, legend has it, was lost over the side of a pleasure craft on Lake Tahoe back in the seventies. True story). This painstaking work can sometimes last one, maybe two hours at a stretch, over an unrelenting schedule of nearly one evening per week, pushing late into the early evening hours. It’s as much as a person can do to keep body and soul together in this pressure cooker. Stop the madness!

All right, I have pulled myself together. (Phew!) Why are we keeping such a punishing schedule? Well, blame our corporate label, Hegemonic Records and Worm Farm, Inc. (a.k.a. Hegephonic Records). They will stop at nothing. First they send the Indonesian military after us. (That’s usually last for most people.) Then they take the unprecedented step of reprogramming Marvin (my personal robot assistant) into some kind of robotic taskmaster. Every time I freaking turn around now, Marvin’s giving me the dagger eyes and running a tape loop of John Cameron Swayze saying, “Did you do it yet? Did you do it yet?” (Strangely, Marvin also offers us Camel cigarettes, as if Hegemonic implanted some Swayze DNA in his hard drive.)

How to do all this without sleep? I should ask our mad science adviser, Mitch Macaphee, who hasn’t slept in years. (Hell, if I’d done half of what he’s done just during our relatively brief acquaintance, I’d never sleep again.)

Casting bread upon the whatever.

Hey howdee, everybody! It’s your old friend Joe of Big Green. Yeee-haw, have we got an amazing blog post for you this week. Shit boy howdy. (Did I say “howdy” yet?)

"Cousin" Rick
"Cousin" Rick

My apologies. I’m just practicing up for the promotional tour we’ll be embarking upon to plug our new album, Cowboy Scat: Songs in the Key of Rick, a collection of songs written by, for, of, and around our dear cousin, Rick Perry, governor of Texas, author of all we hold dear, inventor of the syrup gin, holder of the three-cards (in 3-card Monte … don’t know where I’m going with that). Rumor has it that the album is a recreated soundtrack from a musical that was lost over the side of a pleasure craft on Lake Tahoe in 1978. Someone apparently went back in time for that particular Nevada vacation. Rumor has it, anyway.

Okay, so … we’re practicing, to be sure. What else? Well, we posted the February episode of our ludicrous podcast, THIS IS BIG GREEN, just this past week. What kind of trouble did we get ourselves into? That’s a tall order, my friend. Just download the sucker and find out. It’s about 100 minutes of pure audio ecstasy, prepared for pod by yours truly and my somewhat more complicated brother, Matt Perry esq. Here are some highlights:

Ned Trek VII: The Last Moon of Frutoonius – the latest episode in the continuing saga of Willard Mitt Romney, commander of the starship Free Enterprise, and his talking dressage horse / first officer, Mr. Ned. This month, Willard, Ned, and Doc Coburn lock horns with rogue operator Newt Gingrich and his strange, other-worldly (or other-moonly) alien fifth wife.

Songs – We spin “Asteroid” from our album, International House, in celebration of our recent near-miss (or in the words of the immortal George Carlin, “near-hit”) by a large asteroid. We also play a lost demo from that same project, a song called “Say You Will” that never made it on to the finished album. Lastly, we play “Beautiful Grid”, a recording from about 1991 or so produced by Bob Acquaviva of Mere Mortals fame, featuring Tony (Ace) Butera on guitar – this is off our “President’s Brain is Missing” EP.

….and several butchers aprons. Got to get back to it. Time’s a-wasting. Enjoy!

Pop goes it.

Lift the needle. Right about … there. That’s good. Now let’s do the next one. Excellent. We will soon have my entire LP collection transferred to 8-track cartridges, at long last.

Eight tracks
A little timely advice for Marvin

Oh, hello. Just catching up on some housekeeping. You know how it is, especially when you’re living the dream here in the abandoned Cheney Hammer Mill. Time gets away from you, and you end up neglecting all that stuff you meant to do, had to do, were legally obligated to do, etc. I’m only just now getting around to filing my tax returns for 1983. I think my extension may have run out, but I’m not sure. There’s a stack of letters from the IRS I’ve yet to open….

Right, so I’m falling behind. I think we all are here in Big Green land. Fact is, cousin Rick Perry has a song by that name on our upcoming album, Cowboy Scat: Songs in the Key of Rick. It goes something like this….

I’m fallin’ behind, I’m fallin’ behind
T’ain’t never lost before
Always won when I tried
I tell them just what they want to hear
Just as sure as God made corn subsidies
No abortions, no exceptions
We’ll nail scripture to the trees.

Oh, I love Jesus more than any man ever dared
to love another man!
And I remember what he said in the sermon on the mount
Well, some of it.

(c) 2013 by Big Green

…And so on. Now I know that some long-time listeners of Big Green (and there are at least two or three of you out there) will see this and think, What the fuck are they doing? I thought these guys did pop music. This is just irony-soaked cowboy ballads! Well, that’s not exactly right, my friends. You see, Cowboy Scat is a collection of songs from a lost musical about the political trajectory of dear cousin Rick, each number performed by a different group (so the creation myth goes). Some of them are cowpoke groups, some rock, some pop, some weird German 80’s disco, some … well, you get the idea. And you’ll get it even more when we finish mixing the sucker and finally release it into the wild.

Which reminds me. When I do the budget for this release, I have to make sure to include a line for transfer to 8-track. Don’t want to leave any listeners out, no matter what decade they live in.

Lookout. Below.

Okay, now where was I? Wait, don’t tell me. I was complaining about…. something…. No, not the song “Something”. I rather fancy that. Something to do with Web servers.

F'shaw
BG goes all traditional-like.

No matter. Here we are, back to the blog. What’s happening at the mill? Lots. Working on the January podcast, now days behind schedule. Later every month, right? That’s the natural course of business here in Big Green – land. Still…. our first installment of THIS IS BIG GREEN should be worth the wait, if you like weird, asinine, and abysmally non-commercial media content. True hallmarks of the TIBG brand.

Smell something burning? Neither do I. But (and this is the point) we bloody well should, and here’s why … Marvin (my personal robot assistant) is supposed to be thinking up a viable creation myth for our upcoming collection of songs attributed to and written in tribute to cousin Rick Perry, governor of Texas. The album – Cowboy Scat: Songs in the Key of Rick – is such a monumental event in our lives, it fairly demands a creation myth of its very own. As such, we handed that task off to Marvin, and by rights the smoke should be pouring out of his brass visor as we speak.

It is not, my friends. What can I tell you? So look, we’ll just have to cook it up ourselves, I guess, without the help of robotian inspiration. We’re thinking something along the lines of “The Creeping Terror”. Cowboy Scat is all that remains of an epic musical written about the arc of cousin Rick’s political career. Only on the eve of its production, the script was lost over the side of a pleasure craft on Lake Tahoe. Such a tragedy!

Okay, well … we can flesh that out a bit. Give us time. Maybe Marvin can work with …. on second thought, maybe not. Scratch that, friends.

Songageddon.

Are you all right? You sure? Good, good. Yeah, we’re okay. Head above water, you know. Always a good thing.

Oh, sorry. I was just on the phone with Mitch Macaphee, our mad science adviser, who wisely chose this week to travel to Madagascar for a conference on … I don’t know, monster-making best practices, something like that. Good time to leave, what with the hurricane and all that. Up here at the Cheney Hammer Mill, we implemented our disaster preparedness plan. Basically that involves closing the windows, drawing the curtains, and blocking our ears. Occasionally someone lights a candle. (When it comes to disasters, we’re not good.)

Fortunately, the gods of rock and water were smiling down upon us this past Monday-Tuesday. That monster storm took an extreme left hook and missed us clean, somehow. Not that you could tell that was the case by looking at this Hammer Mill. It appears as though it’s been through hurricanes, earthquakes, tornadoes and pestilence. (Some would argue we qualify as pestilence, but what do they know? Them and their stinking badges.) One could hardly imagine how this place would handle high winds and higher water, and here we are on the banks of the mighty Mohawk River, just waiting to get clobbered.

We didn’t have anything like a hurricane party. Still working on our new album, Cowboy Scat: Songs in the Key of Rick. Matt and I have been mixing for the most part over the last few weeks, but this week we worked on a new Rick song, possibly the closer for the album. To my count, that makes about 47 Rick Perry songs written and recorded over the past year. (That may be a little high, but then…. so are you, most likely. That’s right – I’m looking at YOU, stoner!) If you want to do your own unofficial census, just play back some of our podcast episodes from the last year. We’ve been posting rough drafts since last September or so – half-recorded songs, to be embellished later. Why do this? Input! We want to hear from you. (That’s right, stoner … I’m talking to you…)

Hope you got through the storm in one piece. I’d better get back to Mitch. Don’t want to keep him on hold too long, or he might invent something dangerous.

All about process.

Thursday night is still good for me. What about the rest of the week? I’m busy, that’s what. Man’s got to sleep sometime, you know. Blame it on the diurnal rotation of the earth and the fact that my ancestors evolved on this miserable pimple of a planet! (Oh, crikey … now I’m borrowing throwaway phrases from minor characters in Lost in Space.)

What do you say to someone who sleeps six and a half days a week? WAKE UP! That might work. I’ve got a little problem in that direction, I admit. It’s prompted me to ask Mitch Macaphee to install some kind of alarm clock function in Marvin (my personal robot assistant). He gave me a look that would melt iron, but w.t.f. – why shouldn’t I expect a sophisticated robot to have a level of functionality one might expect from a ten dollar wristwatch? (Mitch told me to go out and buy a ten dollar wristwatch, actually. He has a point.)

What’s this got to do with Big Green, the larger world of indie music, and the fate of the universe in general? Over here at the Hammer Mill, we’re always hashing out when to do what. Thursday night is usually the time Matt and I get together to work out arrangements, record, etc. That’s happening at something of a snail’s pace by most people’s standards – by Big Green standards, however, it’s greased lightning. Just look at our discography. Two albums in 15 years, plus some assorted EP and single releases. It took us five years – FIVE YEARS – to record, mix, master, and release our last album, International House. Every time I hear it, I am reminded of …. well, just about everything that happened during that five years. Talk about a mnemonic device!

Anyhow, our upcoming album – Cowboy Scat: Songs in the Key of Rick – is coming along a hell of a lot faster than that. We’ve got basic tracks for all of the songs recorded; mostly tweaking to do from this point forward. Most of the songs have been featured in first draft form on our podcast, THIS IS BIG GREEN, so you can hear proto-mixes of almost the entire album if you can stand listening to us gab hours on end. And do bad imitations of famous people. And sing impromptu songs. And insult the dead.

Okay… so you probably haven’t heard the first drafts. Just look for the finished product. Now if you’ll excuse me, I have some sleeping to do.

All’s well that ends.

That’s no good. They will certainly have lifted the phonograph needle by that point. The phonograph needle… you know… the thing that scratches along the record and makes the music come out. Don’t you know anything about technology?

Oh, hello. Didn’t see you there, peering in from the void of cyberspace. Just working my way through some technical issues relating to our upcoming album, Cowboy Scat: Songs in the Key of Rick. Getting into the minutiae with our mad science advisor, Mitch Macaphee, who will actually be making the records this time out. Yes, we do have a corporate label – Hegemonic Records and Worm Farm, Inc., a.k.a. Hegephonic Records – but they are kind of a “hands off” outfit (unless you owe them money; then it’s another story … one involving off duty military personnel, typically …. I’ll stop there).

What all that means is simply this: under our “contract”, we make the product from start to finish. We write the songs, record them, cut the discs, package them, carry them to all of the stores, etc.  Hegephonic does the rest. (That is to say, they rest up until there’s some looting to do. It’s complicated.) So, we’re just trying to work out a few of the details with Mitch, who apparently has never heard of the gramophone record. Have you been to the talkies yet, Mitch? They’re like a freaking conjurer’s trick!

The fact is, Matt and I prefer to concentrate on more artistic matters… like what’s going to happen at the end of every song. Sure, most pop songs just fade away, but the story doesn’t end there, my friends. Indeed, a lot of meaning is lost in that fade-out groove. Big Green, for its part (which part I decline to say), is dedicating itself to recovering some of that lost value for the benefit of listeners everywhere. And we’re going to do that by putting them out on the interwebs – a collection of last gasps, as it were. Some funky, so sullen, some so bizarre even I can’t fathom the implications of their existence. It cannot be so! I find myself shouting when I hear them. And yet it is so.

So…. something to look forward to. That’s what we like to hear. Now … about those photographic plates…. Don’t drop them! They’re glass, you know.

Poditis.

How do you spell XML again? Does it rhyme with “smell”? No coincidence, I suspect. Jesus christ on a bike. Technology is for fools. And forever a fool I shall be.

Oh, hi. Just got done cobbling together this month’s episode of THIS IS BIG GREEN, our notorious podcast, and placing it online with the technological equivalent of stone knives and bearskins. My approach to programming is akin to placing several monkeys at computers loaded with self-peeling banana screensavers. Trial and error… but mostly trial. Anyway, it got done, and that’s just as well, because this month’s episode is chock full of something. Yes, friends, it’s full of ingredients. It contains contents. Should I draw you a picture?

Right. You’ll see from the program notes that there are not one but TWO new songs from Cousin Rick Perry, governor of Texas. These are two more in a series of “first draft” recordings that will comprise (in a more finished form) Big Green’s upcoming album, tentatively named Cowboy Scat: Songs in the Key of Rick. Our cousin has inspired an album’s worth of material, to be sure, including one jaunty little number called “Awesome Hair”:

It once adorned Reagan, now on your head it sits
and not on that wanna-be latter day Mitt’s.
When you’re nonsensically talking, it especially fits
If anyone tries to muss it up, you mess with their shit.

Pure audio dynamite, that’s what that is.

Thankfully, things were a little quieter around the hammer mill this week. Marvin (my personal robot assistant) finally gave up any idea of going to robot camp for the summer. “Just because all of the neighbors’ robots are doing something,” I heard myself telling him, “that doesn’t mean you have to do it, too. If they all rolled into the car-crusher, would you follow them?” At that point, Marvin emitted a metallic cluck and rolled his eyes. I just can’t say anything right, it seems. (He’s at that difficult age when robots start pushing the boundaries a little bit. )

One other thing about the podcast, before I forget. You might want to listen to it with something running in the background, like maybe an espresso machine. That would give a better sense of what’s going on in our heads when we record it. Just a suggestion.