Tag Archives: Quality Lincoln

The Lincoln trilogy: a slight digression

Now, I think you all know that Big Green is bad at predictions. We’re not prognosticators or weather forecasters, and we have no magic stone that allows us to see the future. I can tell you what I’ll have for breakfast tomorrow, but that’s only because I’ve been having the same breakfast for nigh unto thirty years. Anything harder than that is just too damn hard.

That’s a long way of saying that we won’t be releasing our new album this Fall, as we had predicted. After painstaking consideration and much rending of garments (which took about five minutes), we decided to push the release to Spring. Why, you may ask? I offer this simple explanation: the quality goes in before the name goes on. That’s right – making a Big Green album is like building a Zenith radio in the nineteen fifties. The only thing missing is the voice of Bill Conrad.

Now, quality is a relative thing, son

Yes, I know … Big Green isn’t known for maintaining stringent quality control standards. That’s not our jam, mothers. No sir – we try to get the feel right. And when that happens, we know it down to the soles of our cheap-ass shoes. If the overall quality has to suffer, so be it, my friend. Those are our principles. And if you don’t like them, well …. we have other principles.

Still, even Big Green has minimum quality standards. The mixes from this new album were just skimming the bar, low as it may be, so we need a little more time. For we will serve no wine before its …. oh, god damnit! Not another slogan!

So, anyway … we’re giving it another six months, just for good measure. And in the interim, since you’ve been such good children, I will regale you with the story of one of our early songs. As I mentioned before, our upcoming album has a bunch of kind of serious songs, or Gumby songs, if you will. The song we’ll be dissecting today comes from a previous Big Green era, when all of our songs were strange ….. very strange.

You would have liked Lincoln

Speaking of quality, the song I’m going to explore is called Quality Lincoln, and it’s actually a medley of three smaller songs, one building on the randomness of the other. Matt and I wrote it back in 1990 or 1991, I believe, and I don’t believe we ever performed it in front of an audience or recorded it seriously. (Not sure it’s possible to record such a silly song seriously, but I digress.)

We did a cheap-ass basement recording of it for our THIS IS BIG GREEN podcast back in 2016. You can find the full lyric in our lyrics section. Now you can sing along …. but what does it mean?

We don’t pretend to know the meaning of any of our songs, but here’s my take, based on years of close textual reading, tarot cards, astrological deep dives, and so on.

Shouldn’t happen to our quality nation’s president

So the song starts with:

Lincoln suffered from depression, Joe
but it wasn’t because of the war, you know

and it wasn’t because of his son who died
or the wacky behavior of his bride

Okay, picture a suburban couch potato back in the 1980s. Maybe s/he is watching something about Lincoln or reading a magazine article. This is the take-away (and I don’t mean snacks from the local noodle shop) – Lincoln had a rare disease | that turned him into a chimpanzee | They didn’t have the know-how in those days.

This is the nature of pre-internet conspiracy theory – using legacy media to fill in the blanks, connecting things that are both questionable and wholly unrelated to one another.

How do we get into outer space? It’s all about Colonel Smith, played by the character actor Henry Jones in Lost In Space. The narrator of the song sees Jones play this part (that of a cartoon-like antebellum southern colonel) but also sees Jones play a traitorous Civil War commanding officer in The Big Valley – an officer who was part of the plot to assassinate Lincoln. Same actor, same person. We make the connection like this:

I was a Reb in the guise of a Union Colonel
with all those fools
I butchered a town just to prove to them that I was a loyal
Lincoln tool
Then in order to escape my shame
I wandered into outer space

and here I am

The last section is in the voice of Colonel Smith, describing his ridiculous attempt to blow Dr. Smith sky-high with an exploding cream pie, cursing himself as “the Smith that gave all of the Smiths a bad name,” and ending on a rationalization of his conspiracy to kill Lincoln with a nod to MacBeth:

Safe until great Birnam Wood scaled high Dunsinane
He was the Lincoln who gave every king their bad name

Our promise to you

I know I promised new content in the Fall, so now my credibility is in shambles. That said, on behalf of Big Green, I solemnly promise that we will not use tortured metaphors or obscure television characters in any of the songs on our new album. Take that to the bank.

Inside the February podcast.

Rain, snow, freeze, thaw … this freaking winter is a climatic yo-yo, full stop. The walls of the abandoned Cheney Hammer Mill are buckling under the strain of expanding and contracting water. Fun fact: water gets fatter when it freezes. Maybe it needs to add a few extra layers to keep warm – I don’t know. What the hell am I, a hydrologist? (The only genuine hydrologist I ever knew talked like Elmer Fudd. Think about THAT for a minute.)

Okay, so I’m wrapped in some old burlap, sitting in a distressed easy (or not-so-easy) chair, trying to weather the … well … weather against which the crumbling masonry of the mill offers little resistance. Sounds like a good time to give you folks a rundown on our recently-posted February installment of THIS IS BIG GREEN, our podcast. Imagine me opening the front cover of a well-worn volume, illuminated by the warm glow of a nearby fireplace … ahem …

Ned Trek 27 – Who Mourns for Science? – Goodness me, is it 27 episodes already? (Matt will remind me at this point that the first few were test shots; blanks, essentially.) This installment is based on the classic Star Trek 2nd season episode, Who Mourns for Adonis? Instead of the Greek god Apollo, however, the Free Enterprise crew are taken captive by a reanimated Carl Sagan, who compels them to sit through general science lectures. Chaos ensues, as it always does. (Sometimes it sues, too … chaos is very litigious.) Special guest appearance by the ghost of Strom Thurmond, who talks a distressed Doc Coburn into remaining on the show for the sake of all of those crackers out there (an ironic twist on Dr. King’s reported efforts to encourage Nichelle Nichols to continue in her role as Lt. Uhura). Episode is introduced by Clinton adviser Dr. Henry Kissinger.

Howdy, kids!Put The Phone Down – Matt and I start out with a song about a leprechaun, then go south from there, believe it or not. We talk about Scalia, song poem anthologies, and Matt’s experiences in the field.

Song: Kublai Khan – A Matt number from back in the day, re-recorded a couple of years ago. I leave it to him to explain the lyric, though if you listen carefully you will notice some allusions to the creation myth of Reverend Moon.

Song: Quality Lincoln – Our Lincoln suite, this version of which was recorded specifically for the podcast back in 2011. Still half-baked, but a fair representation of this collaborative effort between my brother and me.

Song: All I Want (live version) – This is another Matt/Joe collaboration from decades ago. This version was rendered in impromptu fashion as we recorded our “Put The Phone Down” conversation. The song loosely follows the ego-tale of Sylvester Stallone in Rambo, his insane shoot-up-Vietnam movie – here’s a sample lyric:

With three arrows strapped to my back,
I’ll defeat their combined armed forces
And with those same three arrows I’ll save those guys
And bring them back in movies
Then I’ll make those commies sift through their bones
And send back all the white ones
All I want is what they want
I want everyone to love me

Anyway, that’s February. Now let’s learn about wunoff. I mean, runoff.

Pod bay door.

The good news is, we’ve scored a ride to the stars. The bad news is… it’s aboard a doomed ship sent from hell. Not the kind of luxury we’re accustomed to, but hey… we’ll manage.

Big Green will be departing for Jupiter, Neptune, Pluto, and points east (I believe it’s east) on September 29 for our [INSERT NAME HERE] Interstellar Tour 2011. Not that the date is much of a concern, now that Mitch Macaphee has a tenuous hold on the time-space continuum. If we miss our launch date, what the hell, we just have Mitch send us back a few days. Depending upon what kind of a mood he’s in, that could be easy or hard, very hard. (Actually, Matt thinks that if you run backwards really fast, you will go back in time. Call me a skeptic… though I’ve noticed that when you run forward real fast, time seems to move forward. If this were an elegant universe, the converse would be true. And no, I don’t mean the sneaker.)

I should mention that, as we wait for our departure, we are in the midst of what I would call a series of “mini-sessions” in our Hammer Mill basement studio. These are related to production of our new podcast, THIS IS BIG GREEN, the second installment of which is now available on iTunes and directly from us peoples. This time out we’re featuring a somewhat rich discussion of the thinking (or lack of same) behind our song “Quality Lincoln”, a rough draft of which we include on the podcast. What we’re doing is laying the basic tracks for a song, playing that on the podcast, and then finishing the song later for separate release. The result may be another album, a series of EPs, or something else entirely.

I should also add that “Quality Lincoln” is not so much one song, but rather three songs, knit together with sturdy fibers of ludicrousness. I suppose there are better ways to spend one’s time as he/she waits for an accursed space vessel to pick him/her up. I just can’t think of any, and I’ll wager neither can you.  Or perhaps I am mistaken.

Well, is that the time? Was that me talking just then? Perhaps. Hey – give the podcast a listen and let us know what you think. Send an email or something. More fodder for the podcast.