Tag Archives: potting shed

No quarter.

I don’t remember this room being this cramped. For crying out loud, what did they do to this place? Where’s my plastic furniture? I was weeks collecting that bedroom set!

Oh well … there’s bound to be a few glitches in any complex negotiation. The important thing is, we’re back, baby! We’ve won the right to squat in our beloved Cheney Hammer Mill once again. And when I say “beloved”, well … that’s a relative term. Next to the potting shed we’ve been crammed into all summer, the mill is a veritable palace. Sure, we have to share it with lunatics, but even that’s not unprecedented. (Just take a look through our back pages and you’ll see what I’m talking about.)

All that said, there are a few restrictions on what we’re going to be able to do as residents of the mill from here on out. Maybe it was a mistake to deputize Anti-Lincoln as our chief negotiator with the crazy upstairs neighbors. Our main thought was that he was, after all, an old country lawyer … or the antimatter equivalent of one. It’s that second element we didn’t fully consider. Antimatter country lawyer means the opposite of country lawyer … so, I don’t know … city outlaw? In any case, Anti-Lincoln didn’t come away with the better part of THAT deal.

So this is what we have to deal with:

No Tap Dancing. Okay, this shouldn’t be a problem for anyone except Marvin (my personal robot assistant), who has brass feet and sounds like he’s tap dancing when he’s just walking across the floor.

No Cops. Again, not a problem for most of us … in fact, a positive benefit for some … like Anti-Lincoln, who is (as mentioned earlier) an outlaw.

Nah, none of that, Marvin., thanks to old honest Abe, here.

No Boiled Asparagus. This is getting up my nose a bit. Unfortunately, when I complained about it, our nasty neighbors stuffed raw asparagus up my nose.

Mandatory Clapping for Fireworks. I think I may have mentioned that our upstairs neighbors love a nice fireworks display. Apparently they want to spread the love around a little. And when I say “spread”, what I really mean is enforce through the power of contract law.

No Loose Coins. I can’t figure this one out at all. They prefer that we use paper money. What the hell am I going to do with that barrel full of quarters I’ve been filling since third grade? That’s my retirement, people!

Those are the highlights. There’s more, but I’ll save it until I locate my plastic side table. Thieves!

Talking stick.

Hey, wait … isn’t it my turn? No? What the hell – you just had it. I’m not going to listen to another of your drunken yarns, you ne’er do well. Jesus, what a stupid tradition. Let’s start over.

Oh, hi. Well, since we’re living so close to the ground these days, an almost traditional life style you might say, we’ve decided to take on some of the old practices, just to keep in step with our new way of living. Not sure what ancient peoples dwelt in potting sheds … perhaps there was a Potsylvania after all. (Jay Ward may have been onto something!) Nevertheless, we thought it might make the time go by a bit faster to appropriate some old traditions that we’d seen on TV at some point.

One was the talking stick. You know how it works, right? Whoever has the stick can speak to the group, tell a tale, reveal a secret, cop to a fault or instance of wrongdoing, etc. Then they pass it along. Or sometimes they don’t, and you have to grab it from their ass. God damn, I feel like knocking Anti-Lincoln on the head with the thing, he keeps it for so long. Last time he held it upside down while reading the Gettysburg Address backwards. (I didn’t even know he had an address in Gettysburg. Yes … I know.)

All right, Lincoln. You've had that thing long enough.

Anyway, I have the stick, so it’s time for me to spin a tale.  Ahem! Oh ye, oh ye … I will tell of a time before Big Green … a time when we were playing dive clubs under other forgettable names. When we played with our friend and former guitarist, Tony “Ace” Butera, there was a certain configuration of our band that we decided to call “The Space Hippies”; a moniker we gave to these characters in a Lost in Space episode, one of whom was played by Daniel Trevanti. Tony was calling area clubs, trying to book us, and one guy he talked to – a local bar owner – took exception to that name. “I can’t book a band that calls itself the Space Hippies,” he told Tony. “If I did, I’d be laughed out of Utica.”

After that, I wanted us to be called “Laughed Out Of Utica”. I got voted down on that one, though. Probably just as well. Some things sound like better ideas than they actually are. And that’s one of them. Now who gets the talking stick? Or are we on to another bogus appropriated tradition?

Fighting gravity.

Shore it up, boys. Let’s keep the roof on this thing. Sure, it used to be the floor, but when something’s keeping the rain off your head, it’s a roof. Unless it’s a hood … or an umbrella. Never mind.

Hey, well, here we are again, man. Trying to keep a broken home together. I don’t mean that daddy left and ain’t coming back (even though that’s roughly true); I mean we’re fixing a hole where the rain came in … and it’s the size of the freaking roof. We’re borrowing wood from the floor to shore up the roof. We’re borrowing planks from the south wall to block up the gaping hole in the north wall. This is like the fabled Ship of Theseus. This isn’t a home … it’s a philosophical paradox! Is it the same potting shed as when we moved here? Only your logic professor can say for certain.

Sure, sometimes the demands of home ownership (or home occupancy) keep us from our real work, the work we were put here to do. And that’s a good thing. I don’t feel like filling potholes today. And when the hell is this town going to invest in a pothole killer, for crying out loud? What do I refrain from paying my taxes for, eh? I mean, what is my lack of money buying? (Perhaps Lincoln can tell me.) Well, as you can see, this is distracting, and it is keeping us from the important job of producing more Big Green songs and sending them out into the cybersphere, where they can begin lives of their own and toil in silent obscurity.

See what I mean, Lincoln? We need this.

That’s not to say that we haven’t been writing songs. No, that’s still happening with some regularity. It’s the part about fixing the songs in some moderately sophisticated way to an electronic medium that will allow them to be conveyed to other people’s ears at a time of their choosing. That thing we haven’t been doing a lot of. Hell, we’re just getting to the point of mixing the group of songs we started at the beginning of the year. Now if that isn’t slow, I don’t know what slow is. Though I do know it’s not as fast as fast. That’s just logic, my friends. Ship of Theseus stuff. Look it up.

Anyway, back to the hammer and nails. (We took those out of the floorboards, too.)

Smash flops.

I don’t know – what do you think? It’s been a few weeks. Actually longer. Starting to lose track. When you’ve been at sea as long as we have, you forget what the shore looks like. Though if memory serves, it sure looks like shit.

Ah, forgive me. You caught me in the midst of my musings. My mind tends to wander as I squat here in the humble potting shed that sits in the courtyard of the abandoned Cheney Hammer Mill, our erstwhile squat-house now under occupation by hostile neighbors. (See what I mean? I can’t even write short sentences anymore.) Living here offers an opportunity to reflect on where we’ve been and where we’re going. Where we’ve been is nowhere. Where we’re going is, who the hell knows. And the midpoint between nowhere and who the hell knows is … I don’t know, fuck-all? Something nicer?

For some reason, this week we were talking about whether or not Big Green would do another album. After all, our last release was in 2013, when we dropped Cowboy Scat: Songs in the Key of Rick. And we haven’t forgotten what happened then … we dropped it and it broke into a million pieces. Then we dropped another one; that one broke into a million pieces. So we tried carrying the third copy around more carefully. That’s when one of those Texas rangers shot the thing so full of holes that now every copy has bullet holes in it. See for yourself!

SEe? Shot full of holes.

Anyhow, it’s not beyond the realm of possibility that we would put out another collection, particularly since we have tracked somewhere between 80 and 100 songs under the rubric of Ned Trek since we released our last album. (Sure, some of those numbers are meant for laughs, but what the hell …. Cowboy Scat wasn’t?) In fact, I myself can discern as many as three distinct albums in that big bag o’ songs, but given the amount of effort involved in preparing and releasing a collection, my guess is that we will start with one, albeit kind of a long one. (Again, Cowboy Scat was 21 songs. Yes … 21.)

I still haven’t given up on my notion of having an online jukebox. Everyone else has, of course. So maybe an album is the thing. Probably the best we can manage, living in a potting shed.

Weather or knot.

Hmmmm. That looks like light coming in. Not necessarily a bad thing, except that’s a wall, not a window. So, I don’t know… somewhat problematic.

Okay, it turns out that a potting shed is not the best place to hide during a hurricane or other extreme weather event. Who knew? Seemed sturdy enough when we moved in. I know you’re used to hearing us complain about nearly everything, but we had very few complaints about the shed, aside from the fact that there was no screen for the fireplace. Our landlord’s response? “Run for your lives! The potting shed doesn’t HAVE a fireplace!”

Yesterday the wind started kicking up and water came pouring down from the heavens like one of those super soaker shower heads. (Actually the shower head is like the rain, but never mind.) Then the entire structure started to sway lazily in the wind. Far from keeping the weather out, the shed was practically inviting it in, and frankly, this shed isn’t big enough for me and some screaming ‘nado. Well, there was some noise, and Marvin (my personal robot assistant) sounded the alarm klaxon (really just a digital recording he plays back on such occasions). The shed lifted up and came down like a tossed coin, rolling around on its edges as it came to a clumsy stop.

Cheese and crackers!

Naturally, we broke out our foul weather gear, which looks pretty much like our fair weather gear, except that we keep it in a different cardboard box. I do have one Gorton’s Fisherman style hat that allows me to cross the courtyard on occasion and pound on the hammer mill door in hopes that our nasty neighbors will grow a compassion bone and decide to let us back in.  No luck yet, but what the hell. I’ll tell you, this puts a real damper on rehearsals. There aren’t a lot of genuinely waterproof instruments in the kind of music we play, so our songs start to sound a bit waterlogged by the end of the first half-hour.

I don’t know … how long does it take a sousaphone to rust? Depends on the brand, I’m guessing. Got an umbrella …. anyone?

Letters home.

Haven’t you finished that symphony yet? Well, get going. You’ve got a piano concerto to write as well. Don’t hurry or anything …. it’s due to the publisher on Friday. That’s today.

Man, some of these deadlines are hard to meet, particularly when you’re living in a crowded, leaky potting shed in the courtyard of your former sqauthouse, the abandoned Cheney Hammer Mill. We’re just trying to keep the ship afloat here, folks, and to do so we cannot limit ourselves to any single genre of music. That’s why I have Marvin (my personal robot assistant) composing music for hire. This week he’s working on modern classical music … long hair stuff. Marvin knows what that’s all about. I plugged a Classical Gas album into his tape drive.

With all the disruption, you’d think our mail wouldn’t find us, but never underestimate the power of mail carriers to find their target. They dropped us a parcel of letters, postcards, and newsletters as thick as your ass. And as I was sorting through this bounty, I found a missive from one of our closest neighbors. In fact, it was from the very people who kicked us out of our beloved hammer mill. At first I was reluctant to open the letter, as I thought it might be booby trapped with gelled explosives or one of those greeting card sound chips playing Yakety Sax. (I think I might slightly prefer the explosives.)

Is that for me? Holy cats.

What did the letter say? Aw, not much. They asked if we were liking the potting shed as much as they liked sending us there. I thought that was sweet. They also invited us to share favorite recipes that include ingredients we left behind in the hammer mill kitchen. I’m sending them a dog-eared copy of the Natural Chef by Gilbert Humvee.  It’s got some of my favorites in it. Now, I know you’re probably thinking I’m being too indulgent with our belligerent hammer mill usurpers, but never fear. The Natural Chef by Gilbert Humvee doesn’t really exist, and neither does Gilbert Humvee. It’s just our way of being neighborly.

I can’t wait to write back to Otis, Marjory, and Kirsten. (Those are the new squatters). I feel I could call them by name now when they kick me out. There’s a lot of love here!

Banjo doorstop.

I feel a draft. Don’t you feel a draft, Marvin (my personal robot assistant)? Oh, right. I forget you’re made of brass and polystyrene. What about you, mansized tuber? Oh, right. You’re a plant. Guess it’s just a “me” thing.

Well, we knew it would be difficult to spend nights out in the courtyard of the Cheney Hammer Mill, our erstwhile squat house. Not that that place was insulated and tight as a drum. Quite the contrary. But at least there were places deep inside the mill where you couldn’t see sunlight. Can’t say the same for this potting shed. It’s got more holes than a North Dakota oil field. And it’s twice as greasy. When the wind blows, it whistles. (Or maybe Anti-Lincoln whistles … not sure.)

Yes, we’ve had to make do in a lot of ways since moving out of the dump into this wreck of a shack, driven from our home by some drunken upstairs neighbors who hate our freedoms. (Like the freedom to live undisturbed in a hammer mill … one of our most CHERISHED freedoms.) Refrigeration is a bit of an issue, for instance. We thought about using a styrofoam cooler packed with ice, but we didn’t have any ice and …. well … we didn’t have a cooler, so we just put the perishables in the middle of the floor and waved fans at them. Turns out there’s a reason why they call them perishables. Who knew?

Hey, Abe! We found a use for that thing!

About the only customized feature on this shack is a spring-loaded door that slams closed every time you pass through it. It’s a bit problematic when it comes to carrying gear in and out, so we quickly decided to prop it open with something handy. And since the only personal belongings we’ve been able to retrieve from the mill are musical instruments, we had to decide which instrument was  expendable enough to be used as a doorstop. My vote was for the accordion, but the front-runners were banjo and bagpipes. Banjo won the final run-off, much to the chagrin of Anti-Lincoln, who has been known to pluck the gut bucket from time to time.

Just as well. If we’d used either the accordion or the bagpipes, every time we closed the door, either one would make its signature sound. Sure, you’d know when somebody enters the place … but then you know anyway, because it’s a POTTING SHED, for crying out loud.

Backyardvarks.

Did you bring a blanket? No? Nah, neither did I. Never think of these things when you’re in a hurry. Fortunately, it’s the middle of the summer, and it’s freaking eighty degrees. So … eff the blanket.

Yeah, I’m sure you expected this. We met our ornery neighbors upstairs in virtual battle – a war of words, let’s say – and they prevailed … because they’re just bone mean. So we have been temporarily expelled from our beloved abandoned Cheney Hammer Mill and have taken up provisional residence in the mill’s backyard. Humiliating, yes, but it’s not the worst kind of humiliation we’ve had to endure. Nothing near as bad as what we experienced on Neptune some years back, nor the depredations of Hegemonic Records and Worm Farm, Inc., our erstwhile corporate record label. Still … not good.

Hey, we’re pushovers – what can I tell you? When neighbors say jump, we jump. When they say run, we jump, mostly because we’re not real good at running. Our encounter with the obnoxious bunch on the third floor did not come to blows, thankfully, but it was contentious enough to convince us that we should spend a few nights in the courtyard with the mansized tuber. If you’re wondering why we didn’t set Marvin (my personal robot assistant) after them, the answer is simple … he’s just too simple to be effective in a situation like that. Though his claws should be registered with the local police department as near-lethal weapons. When he clacks those suckers together, you could literally laugh yourself to death.

Hey, Tubey ... is there room for a few more in that shed?

This could be worse, of course. We can pitch a tent or two, start a little fire, maybe play the banjo. We can roast marshmallows over the flames and toss them, molten, at our enemies. Our mad science advisor Mitch Macaphee can whip up some kind of force field that will keep us safe from predators and bailiffs. (Anti-Lincoln claims he’s being followed by a bail bondsman, but I think he’s forgetting that the 1860s ended more than a century ago.) I’m actually surprised at how easily Mitch is taking this eviction. Typically, he goes ballistic on people long before any dispute ever reaches this level of action. (Not sure, but I suspect he may be taking something to calm his nerves. High strung, these mad scientists.)

For the time being, if you want to reach us, use the comment form on the blog or send your notes to: Big Green, Behind the Potting Shed, Central Courtyard, Abandoned Cheney Hammer Mill, Little Falls, NY. (Or just address it Joe / Potting Shed – I’ll get it.)