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Deafening me with science.

A little louder. Little louder still. Forget headroom! We like our albums LOUD. Turn it up just as LOUD as you can. What? Leave the room? In the middle of a mix?

Okay, well that‘s discouraging. Here we are at the abandoned Cheney Hammer Mill, our adopted home in upstate New York, mixing our … I mean, cousin Rick’s new album, Cowboy Scat: Songs in the Key of Rick, and I’m just discovering now that I am a lousy engineer. Who know (aside from everyone who listens to my work)? Thank the god of your choice that I have Matt Perry to work with, a.k.a. “Mr. Ears” himself. No, that’s not because he wears Spock-like ear extensions. I’m not saying he doesn’t, mind you … I’m just saying that’s not the reason for the moniker. Though after being summarily ejected from our mixing session due to excessive loudness, I’m thinking about calling him “Mr. Mouth” from now on.

Not sure how Matt can mix an album with his ears ringing, having been recently mentioned by NASA Chief Scientist Dr. Waleed Abdalati in a speech to students about why he became a scientist in the first place. (Waleed was a neighbor and Matt’s best friend back in the day.) They used to play astronaut in our backyard (as well as the vast stretch of open fields that existed there at that time – perfect landscape for an alien planet). Waleed went on to be an engineer and climate scientist; Matt a conservation officer at a wildlife sanctuary. Waleed works for NASA. Matt wrote One Small Step. So in his own way, each has made his contribution to the nation’s space effort.

Still, I can make a contribution to mixing this album, and I’ll tell you how. One word: Marvin (my personal robot assistant). I’ll just program him to do my bidding, send him into the studio, and he’ll turn all the knobs up to eleven. We’ll be able to hear this album from space, even when it’s not being played. Woo-hoo!

Okay…. enough about me. Just wanted to let you know that the latest episode of our podcast, THIS IS BIG GREEN is now available. Two new “rough draft” recordings by Rick Perry, another episode of Nedd the Dancing Horse, and a brief remembrance of Neil Armstrong, first man on another world. Not bad for free. Check it out.

Did you say something? Couldn’t hear you over the LOUD MUSIC.

Jupiter rising.

Great red what? Jesus christmas, I don’t have time for that. I’m trying to stay focused on the Mars mission. Then there’s Voyager, all alone out there at the edge of the solar system already… whoops. Someone’s reading this. Look busy!

Hi, friend(s). You may wonder what I’m rambling about. Though probably not, if you’ve visited this blog before. We run on and on about pretty much anything that flows into our heads. Hell, I was looking at a pizza menu the other day that featured deep-fried Oreos. But does anyone want to hear about it? God no. So we’re going to talk about something more interesting today …. like Jupiter. (The planet, not the derivative Roman god.)

The other day some massive asteroid supposedly hit Jupiter. I say “supposedly” because, to be perfectly frank, I think this incident is actually the work of our mad science advisor, Mitchington V. S. Macaphee III, M.S.D., C.M.F.  (For the curious, his honorifics are short for Doctor of Mad Science, conferred by the University of Berzerkistan, and Crazy Mother Fucker … not so much a degree as a description.) Mitch got the interplanetary exploration bug this past summer with the recent Mars probe (which he almost immediately hacked into for his own nefarious purposes). But Mars wasn’t big enough for him. Eventually he turned his attention to the king Kahoona of planets …. (wait for it!) … Jupiter.

Okay, so here’s how our household works. Those of us who are not involved in the hard sciences share the upper levels of the abandoned Cheney Hammer Mill. (I myself occupy a suite just outside the old forge room, basically a storage bay where they kept the hammer handles. I sleep on hammer handles, is what I’m saying.) Down in the basement, next to our makeshift production studio, Mitch Macaphee maintains a mad science lab where he builds, I don’t know, little projects like Marvin (my personal robot assistant), time travel devices, and … crucially… interstellar space vehicles.

You have to understand the fevered mind of the mad scientist. Jupiter has a red spot, right? Mitch sees that as a challenge. Can he make a blue spot? How hard would it be? Would they call it the Great Macaphee Spot if he succeeded?

What happened next should be kind of obvious. I don’t understand the science, so don’t ask me, but sometime last week there was a loud, rocket-like sound in the early morning hours, and the next thing I know, Jupiter has two spots instead of one. Or so Mitch tells me, anyway. Sheesh. I’ve got an album to produce. And a podcast to finish. Don’t bother me with such trifles!

Mis takes.

All I’ve got is a three and a deuce. You’ve got queens? Christ almighty, Mitch. What do you have, a printing press over there? Isn’t that the third hand like that you’ve…. Oh, wait a minute, I have to get to work here…

Hi, everyone. It is I, Joe Perry of Big Green. No, not Joe Perry of Aerosmith. The other Joe Perry. And on behalf of the other members of Big Green, as well as assorted denizens of their entourage, I have been asked to make the following statement. This is NOT a test. This is an ACTUAL OFFICIAL STATEMENT from the band Big Green. Ahem.

The founding members of Big Green, Joseph M. Perry and Matthew J. Perry, hereby disavow and deny any connection, either familial or professional, with the group known as The Band Perry. Any claims made by any person or persons suggesting such a connection are patently false and possibly malicious. Big Green shall henceforth neither confirm nor deny any such claims, as the members feel that this statement is sufficient response. 

There. Now that that’s dispensed with…. Why did we feel the need to do this? Well…. with our new album Cowboy Scat: Songs in the Key of Rick now in the final phase of production – an album that features more than one country western-themed composition – we felt it necessary to draw a sharp line between ourselves and a country group that has appropriated OUR family name, one that has performed in central New York TWICE this year already. Given the confusion over my name and that of the guitarist from Aerosmith, it seemed silly to risk confusing the public even more on the eve of the launch of our new album. Yeah, I know… they’re young, have good hair, and are well rehearsed, and we…. well, we have none of those things. There’s something to be said for due diligence, my friends.

That said, Big Green has, with the help of Marvin (my personal robot assistant), been carrying out a project that demonstrates a profound lack of due diligence. It’s a collection of sound files called Fade-Out Grooves that we’ve been releasing into the wild via Twitter ( @BigGreenJoe ).  These are the drawn-out hairy endings of songs we’ve recorded and mixed – basically, all of the junk that happens after the fade out. Don’t know about you, but I always wondered how songs that fade-out actually end. Well … now you can know the answer to that conundrum.

So… think of these as appetizers, just to keep you busy until the main course arrives.

Back pages.

The jury is in on Curiosity. The bad news: there is no water on Mars. The good news? There’s club soda. And tonic water with lime. There’s a lot you can say about the Martians, but you can’t say they’re not civilized.

Got some time on our hands, obviously, so we have the luxury of pondering the findings of the latest Mars probe, made available by our mad science adviser Mitch Macaphee (who somehow hacked into Curiosity and has compelled it to act on our behalf as a robotic booking agent on the red planet). Roll, Curiosity, roll, and soon we will be idle no longer. Or something to that effect. Hell – bring back a pizza and the Lincolns will be happy. That would certainly outdo Marvin (my personal robot assistant), and he only has to cross the street to get the great emancipators a third-rate pie. (I’m looking at you, Marvin. You’re not good!)

Well, I hope you all enjoyed our anniversary edition of THIS IS BIG GREEN, our official podcast. A little something for everyone in there, I’m proud to say. Aside from all the pointless yak by Matt and myself, you can enjoy:

  • a little visit with Mr. Ned, Mitt Romney’s dancing horse, and the candidate himself.
  • not one but TWO new songs by cousin Rick Perry: a country number titled “Fed Up” and a Susan Boyle-inspired ballad called “Lone Star”. Think of them as bookends on the empty bookshelf that is Rick’s Texas brain.
  • brief comments by Jack Ossont of the Coalition to Protect New York at an anti-fracking rally in Utica, NY.
  • a blues number culled from the first-ever demo recorded by a group called Big Green.

The last item, a Taj Mahal number named “She Caught The Katy”, which was part of our live show, was recorded back in 1986 in a garage studio (analog Tascam 8-track deck) owned by John Danison – brother of Big Green co-founder Ned Danison – who worked for the band Blotto back in the day. We threw together a four-song demo to promote the band; this was one of those tracks. I’m doing the vocal and plunking on Ned’s electric piano. Matt’s playing bass. Ned is doing the electric guitar and organ parts. The drummer was an Albany guy named Pete Young – he was with us for this recording and that was about it. (We had some drummer issues in those days.)

So hey, what the hell … enjoy. And if you go to Mars this week (or next), bring some ice.

THIS IS BIG GREEN: FIRST ANNIVERSARY SPECIAL


This is Big Green – First Anniversary Special. Features: 1) Mr. Ned, the Dancing Horse; 2) Put the phone down: Who’s dead this month; 3) Talk of Hansen and strip mining; 4) Song: She Caught The Katy, recorded by Big Green in 1986; 5) Song: Fed Up, by Cousin Rick; 6) Pondering the plot of Kung Fu; 7) Comments on fracking by Jack Ossont, Coalition to Protect New York State; Song: Lone Star, by Cousin Rick; 9) Opening a surprise package from Dave Thompson; 10) Closing ceremonies.

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Mars calling.

Looks good, Mitch. Can you make it move forward a little bit? You know… just roll a little towards that crater-like object. That’s a crater? No lie? Hmmm….

Oh, hello. Just watching the Curiosity rover on Mars. No, we’re not glued to the NASA web site staring at the same low rez images everyone else is poring over. God, no. When you have friends in the world of science, that gets you access, my good fellow. Big Green, of course, has an official mad science advisor in the form of Mitch Macaphee, inventor of Marvin (my personal robot assistant) and thrice honored diplomate of the international college of lunatic physicists. When he heard about this Mars rover at a recent loony conference, he built himself a little home made telemetry device that allows him to … well … take command of the Mars rover. (“Oh, no you didn’t!” we said. But oh, yes he did. )

This telemetry thing isn’t about science, though. Don’t say it’s about science. It’s about much more selfish pursuits. Let us face it – Big Green is hungry, friends …. hungry as a dog. We haven’t had a paying gig since… well, since last year. Our promoters at Hegemonic Records and Worm Farm, Inc., have yet to shell out the money for an interstellar tour. Plainly, Big Green has to take matters into its own hands. And whereas some bands turn to their trusted manager, agent, tour promoter, etc., we have only Mitch Macaphee. And as mentioned before, he’s freaking crazy. That’s what is called a telemetry-producing situation.

So how do we leverage this? Well, I’m trying to get Mitch to send commands to the Curiosity rover. We need it to be our arms and legs on Mars. Why? Because there’s this little venue at the foot of Mount Olympus (tallest known mountain in the solar system) that would hire us for a three-night run if we could just get their attention. Can’t afford to ride out there ourselves. (Not in this economy, damnit.) Curiosity can act as our booking agent on Mars. And before you ask, don’t sweat it. We’ll give him the standard 15%. We’re not bad people.

So, okay, Mitch … can you make the Rover say, “private dressing room, behind the stage”? How about, “pitcher of gin and tonic every half hour”? Well, try again, damn your eyes! He’s letting that owner off way too easy.

All about process.

Thursday night is still good for me. What about the rest of the week? I’m busy, that’s what. Man’s got to sleep sometime, you know. Blame it on the diurnal rotation of the earth and the fact that my ancestors evolved on this miserable pimple of a planet! (Oh, crikey … now I’m borrowing throwaway phrases from minor characters in Lost in Space.)

What do you say to someone who sleeps six and a half days a week? WAKE UP! That might work. I’ve got a little problem in that direction, I admit. It’s prompted me to ask Mitch Macaphee to install some kind of alarm clock function in Marvin (my personal robot assistant). He gave me a look that would melt iron, but w.t.f. – why shouldn’t I expect a sophisticated robot to have a level of functionality one might expect from a ten dollar wristwatch? (Mitch told me to go out and buy a ten dollar wristwatch, actually. He has a point.)

What’s this got to do with Big Green, the larger world of indie music, and the fate of the universe in general? Over here at the Hammer Mill, we’re always hashing out when to do what. Thursday night is usually the time Matt and I get together to work out arrangements, record, etc. That’s happening at something of a snail’s pace by most people’s standards – by Big Green standards, however, it’s greased lightning. Just look at our discography. Two albums in 15 years, plus some assorted EP and single releases. It took us five years – FIVE YEARS – to record, mix, master, and release our last album, International House. Every time I hear it, I am reminded of …. well, just about everything that happened during that five years. Talk about a mnemonic device!

Anyhow, our upcoming album – Cowboy Scat: Songs in the Key of Rick – is coming along a hell of a lot faster than that. We’ve got basic tracks for all of the songs recorded; mostly tweaking to do from this point forward. Most of the songs have been featured in first draft form on our podcast, THIS IS BIG GREEN, so you can hear proto-mixes of almost the entire album if you can stand listening to us gab hours on end. And do bad imitations of famous people. And sing impromptu songs. And insult the dead.

Okay… so you probably haven’t heard the first drafts. Just look for the finished product. Now if you’ll excuse me, I have some sleeping to do.

All’s well that ends.

That’s no good. They will certainly have lifted the phonograph needle by that point. The phonograph needle… you know… the thing that scratches along the record and makes the music come out. Don’t you know anything about technology?

Oh, hello. Didn’t see you there, peering in from the void of cyberspace. Just working my way through some technical issues relating to our upcoming album, Cowboy Scat: Songs in the Key of Rick. Getting into the minutiae with our mad science advisor, Mitch Macaphee, who will actually be making the records this time out. Yes, we do have a corporate label – Hegemonic Records and Worm Farm, Inc., a.k.a. Hegephonic Records – but they are kind of a “hands off” outfit (unless you owe them money; then it’s another story … one involving off duty military personnel, typically …. I’ll stop there).

What all that means is simply this: under our “contract”, we make the product from start to finish. We write the songs, record them, cut the discs, package them, carry them to all of the stores, etc.  Hegephonic does the rest. (That is to say, they rest up until there’s some looting to do. It’s complicated.) So, we’re just trying to work out a few of the details with Mitch, who apparently has never heard of the gramophone record. Have you been to the talkies yet, Mitch? They’re like a freaking conjurer’s trick!

The fact is, Matt and I prefer to concentrate on more artistic matters… like what’s going to happen at the end of every song. Sure, most pop songs just fade away, but the story doesn’t end there, my friends. Indeed, a lot of meaning is lost in that fade-out groove. Big Green, for its part (which part I decline to say), is dedicating itself to recovering some of that lost value for the benefit of listeners everywhere. And we’re going to do that by putting them out on the interwebs – a collection of last gasps, as it were. Some funky, so sullen, some so bizarre even I can’t fathom the implications of their existence. It cannot be so! I find myself shouting when I hear them. And yet it is so.

So…. something to look forward to. That’s what we like to hear. Now … about those photographic plates…. Don’t drop them! They’re glass, you know.

Poditis.

How do you spell XML again? Does it rhyme with “smell”? No coincidence, I suspect. Jesus christ on a bike. Technology is for fools. And forever a fool I shall be.

Oh, hi. Just got done cobbling together this month’s episode of THIS IS BIG GREEN, our notorious podcast, and placing it online with the technological equivalent of stone knives and bearskins. My approach to programming is akin to placing several monkeys at computers loaded with self-peeling banana screensavers. Trial and error… but mostly trial. Anyway, it got done, and that’s just as well, because this month’s episode is chock full of something. Yes, friends, it’s full of ingredients. It contains contents. Should I draw you a picture?

Right. You’ll see from the program notes that there are not one but TWO new songs from Cousin Rick Perry, governor of Texas. These are two more in a series of “first draft” recordings that will comprise (in a more finished form) Big Green’s upcoming album, tentatively named Cowboy Scat: Songs in the Key of Rick. Our cousin has inspired an album’s worth of material, to be sure, including one jaunty little number called “Awesome Hair”:

It once adorned Reagan, now on your head it sits
and not on that wanna-be latter day Mitt’s.
When you’re nonsensically talking, it especially fits
If anyone tries to muss it up, you mess with their shit.

Pure audio dynamite, that’s what that is.

Thankfully, things were a little quieter around the hammer mill this week. Marvin (my personal robot assistant) finally gave up any idea of going to robot camp for the summer. “Just because all of the neighbors’ robots are doing something,” I heard myself telling him, “that doesn’t mean you have to do it, too. If they all rolled into the car-crusher, would you follow them?” At that point, Marvin emitted a metallic cluck and rolled his eyes. I just can’t say anything right, it seems. (He’s at that difficult age when robots start pushing the boundaries a little bit. )

One other thing about the podcast, before I forget. You might want to listen to it with something running in the background, like maybe an espresso machine. That would give a better sense of what’s going on in our heads when we record it. Just a suggestion.

 

Settle. Just settle.

Listen, Marvin. I know you want to go to summer camp like all of the other robot assistants. That’s understandable at your age. But you have to understand, we just can’t afford it right now. It’s not that we don’t want you to go … it’s money, Marvin. We’ll try to save enough to send you to robot assistant camp next year, okay?

Sheesh. Another dejected look. Marvin (my personal robot assistant) has now officially joined the ranks of the disgruntled. That makes about nine of us, if you count both Lincolns. We are in the dog days and, apparently, the doldrums of summer here at the abandoned Cheney Hammer Mill in beautiful upstate New York, and I can tell you personally, nobody’s happy around these parts. I blame our persistent lack of gainful employment. Most band entourages, as you know, can occupy themselves with the somewhat questionable benefits of touring. Big Green, though, has not done a tour yet this year, and I fear that fact is beginning to wear on us all.

Aw, now look…. mansized tuber is getting fussy again! Matt! Lincoln! Mitch! Somebody else take a turn, for chrissake! I’ve repotted him twice today already and it’s only noon.

Jeebus, just listen to me. Listen to all of us. It’s the sound of domestic life, that’s what it is. We have been in one place far too long, my brothers. I feel the road calling me, once again. Ah, the aroma of poorly prepared meals, the clatter of ancient window-mounted air conditioners, the inviting patina of a well-used shower stall. Okay, so there isn’t a lot about touring that I miss. It’s the lack of touring that worries me. For one thing, it makes us prone to lethargy (well….. more prone, let’s say). For another, it drains our modest resources to what can only be described as a negative value. You see …. oh, jesus. Wait just a minute, my friends…

Not that pot, Mitch! I used that one earlier today. Give tubey a fresh one from the garden shed. Use your head, man!

Right. Where was I? Doesn’t matter. We have to get another interstellar tour together. Just as soon as we finish our upcoming album / rock opera / whatever the fuck it is, titled Cowboy Scat: Songs in the Key of Rick. Check out our July podcast, soon to be posted, for details.