Tag Archives: music

Poditosis.

All right, then. Time for the now quarterly ritual – that of passing the podcast from one computer to another and listening to it until we collapse from incoherent self-amusement. That’s what I call “Friday”.

I know, THIS IS BIG GREEN is late once again. I would use summer as an excuse, but you know that’s lame. We NEVER take summers off – just ask the missus. I would use old age as an excuse, but hell … we’ve been old since we started the podcast, and it used to be monthly, so what gives? Well … other stuff tends to get in the way. Matt has his various jobs, columns, reports, and committees to deal with. I’ve got my day job, night duties, plus the Cutty Sark model that I’ve been building in the dark for 12 years, etc. (Apologies to Graham Chapman for lifting that.)

Then there’s the freaking play, of course – Ned Trek, which takes up the bulk of our creative time … writing it, editing it, toasting it, spreading margarine all over it, then recording the voices, editing the audio, chucking in the alley, flying kites for six days, etc., until the show emerges from the butt end of this long and alimentary-like process. There’s got to be a better way, right? Well, if there is, I have yet to hear about it. What the hell … we’re not good.

Where's that podcast? I don't effin' know!Simultaneous to this production schedule is our music production schedule, which involves writing, tracking, and mixing songs using stone knives and bearskins. (The kind of primitive tools used in the late 1990s, early 2000s, before time began.) We’ve got a start on two new songs thus far in this cycle, likely destined for a future Ned Trek episode. They’re ridiculous enough, let’s put it that way. Then there’s an oldies project we got a start on, not to mention the omnibus Ned Trek song collection we plan to release at some point before we keel over. (Better start picking up the pace on some of these projects. I’m feeling kind of woozy.)

Anywho, I expect you’ll see a new THIS IS BIG GREEN episode drop later this week. Don’t quote me – I am notoriously unreliable.

About your face.

I don’t know. Do you really think it’s that insulting? Not sure why anyone would take it personally, frankly. Unless, of course … they have a particularly hate-able face. A hate-friendly face, if you will. Oh, well.

Yeah, here we are, in the midst of one of our summertime projects. Always something to do here at the abandoned Cheney Hammer Mill, even if that something is virtually nothing. You could say this entire blog – all 17 years of it – amount to virtual nothingness, am I right? In any case … we’re just hashing out what the rest of the season is going to look like. We’ve got some archival material yet to go through; the kind of stuff that accumulates over three decades of playing and writing and recording together. A mountain of … something. Give it a listen, then you pick the descriptor.

This week’s “Wayback Wednesday” release was another selection off of our 1993 video demo – just us playing our set list live in front of a madman’s camera. We posted Matt’s song “I Hate Your Face“, the first verses of which goes like this:

God, I hate your convulsive face
Four, sixteen, a million, your annoying face
has got me sick and I’ve got to go

God, I made a big mistake
Eight sixty-four, a million, a huge mistake
when I parked it here
Did I stay too long? You know I stayed here far too long
Back in the day

Teenage angst? No sir. He wasn’t a teenager when he wrote it, for one thing. I won’t speak for Matt, but it always felt to me like a parody-punk song, complete with faux-teenage angst. By the way … this isn’t about YOUR face. Just putting that out there. It’s another face entirely, folks.

What’s left? Well, from the video, there’s a bunch of cover songs, a couple of which we may be able to get away with posting. (Expect pop-up ads.) We also have a lot of audio content – a bunch of live songs, some even listenable. We also have a handful of studio numbers that we can put out.

I know, I know … stop talking, start posting. Right, right.

Toast terrific.

Damn it. Misplaced my breakfast again. Third time this morning. I definitely need more sleep. If anybody trips over some cold toast and a half-empty mug of tea, drop me a line.

We keep odd hours here in the cohort of collectivists known as Big Green. Matt, the naturalist in the group, is up at all hours chasing after critters, feeding them, changing their diapers, keeping them safe from the elements. That’s a slight exaggeration, but only slight – the guy is attempting to single-handedly make up for all of the injustices meted out by god and man. Kind of time-consuming. Me? I am the unnaturalist in the group. When I am outside, I think to myself … “This is too strange for us, Hanar. We are creatures of outer space. We long for the comforting closeness of walls.”

Okay, if I’m paraphrasing classic Star Trek, I must be a little groggy. (Too much grog, perhaps.) I’m up late at night in the lab, sometimes. Did I say lab? I meant studio. Cranking up the keyboard, jamming along with drum loops, listening to old recordings and occasionally committing something to disc. Then I’ll climb the stairs to my bedroom and get halfway through a decent night’s sleep before Mitch Macaphee detonates some weakly controlled “experiment” in his lab (yes, lab), shaking the walls of the abandoned Cheney Hammer Mill to their very foundations. We’re not so different, Mitch and me. Profoundly sleep-deprived. Trying to make loud noises using sophisticated instruments. Nearly bringing the house down on our heads.

Lincoln, did you steal my toast?One of my obsessions of late has been rebuilding our YouTube site. That’s my hobby, if you will, until Matt returns from Peregrine Falcon watch. (To catch up with him, see his Falcon Watch blog.) We don’t have a lot of video to post as of late, but we do have archival material that may be of interest to those who have limped along after Big Green for lo these many years. I will drop a note to all and sundry when I launch the new YouTube channel. There will be a few takes from an old video demo in there, most likely, along with our usual compliment of strange videos.

Okay, down goes the toast. Turn the keys up to eleven. And Mitch is back in the lab, so … boom goes the dynamite.

Inside the May podcast.

Jesus, that was slow. You know what we need? One of those vacuum tube systems with a branch that runs straight up to the freaking internet. You just stuff the podcast into a plastic capsule, cram that sucker in the tube, and up it goes to the “cloud”. Then when it rains, everybody gets your podcast. Modern technology – what a freaking miracle.

Now that the long-awaited May episode of our podcast THIS IS BIG GREEN has finally been posted, this seems like a good time to offer a quick rundown of its questionable contents:

Ned Trek 28 – Disheveled in the Dark. This longish, musical episode of our Star Trek parody is based on the classic Star Trek episode entitled “Devil in the Dark”, a standard morality play (of course – it was the 1960s) about a mining planet being terrorized by a mysterious cave dwelling creature. Look it up … got it? Okay. The creature, called the “Horta”, is represented in our version as the “Hairta”, literally the animated hair of Donald Trump, rampaging its way through Republican candidates on a hyper-polluted, free market, toxic waste dump and fracking planet run by Mitch McConnell and Reince Priebus. There’s a lot of running, coughing, and (of course) a performance of the palamino mind meld.

There are also eight new Big Green songs, which include:

Say Can You Fear (timecode: 16:14). A Nixon song. Basically another plea from the Nixon android for consulting work and a path back to respectability. Dude’s got issues.

Romney and You Know It (timecode: 22:04). Captain Willard Romney muses on the now dim possibility of a brokered GOP convention. Arrangement offers a minor nod to the late great George Martin. (You can also hear the song on Soundcloud.)

Down in the Polls (timecode: 39:12). Mr. Welsh wields his folk guitar into action and renders an Irish-tinged ballad of the killer Hairta. References to some of your favorite GOP contenders in 2016.

post-itHerr Mr. Hair (timecode: 49:14). Perle’s song. Predictably, he’s trying to curry favor with the Hairta. Always another ego to be stroked (or combed in this case).

You Made That Bed (timecode: 1:05:25). Sulu, the moral center of the Ned Trek universe (aside from Ned himself), characterizes the episode as one of chickens seriously coming home to roost. Cowbell played by Marvin (my personal robot assistant).

Demigod (timecode: 1:15:16). Ned’s song. A moody Melvin slow rocker about the phenomenon of Trump and Trumpism. Listen closely for ironic callback to the Youngbloods’ “Everybody Get Together”.

Hey GOP (timecode: 1:21:49). Shuffle swing number about the predicament of the Republican party, faced with the rampaging Hairta.

Cry for the Children (timecode: 1:26:36). Another over-the-top Doc Coburn number, filled with religious imagery and agonized wailing.

Put the Phone Down. Matt and I talk about how freaking exhausted we are having just completed eight songs for a freaking podcast. We also discuss the Utica Peregrine Falcon project, as well as some archival audio and video from Big Green’s live performance period back in the early 1990s.

New song: Romney and You Know It

Sure, we’re taking forever about finishing the next installment of our podcast. And because you’ve been so damn patient, we’re posting this mix of one of the eight songs that will appear in the Ned Trek episode included therein, entitled “Romney and You Know It”. Willard sings this hopeful little number about his dream of a brokered G.O.P. convention. Give it a listen and let us know what you think. (Swearing is welcomed.)

Here comes the sun.

My Martin D-1 needs strings again. So what’s new? I always let stringed instruments go to seed – it’s how I roll. That’s why true guitarists hate me. (Dude, you KNOW it’s true.)

I just don’t play the fucker enough, that’s my problem. But then I guess you could say my problem is that I don’t do ANYTHING enough, so it’s just part of a larger problem. Marvin (my personal robot assistant) has volunteered to act as my guitar technician. Only trouble is, his inventor – the mad scientist Mitch Macaphee – gave him prehensile claws for hands, so it’s kind of a challenge to restring a guitar in his little tin world. Kind of outside his wheel house. (That’s not a metaphor. He actually does have a wheel house.)

It’s when the sun starts shining and the leaves unfurl in this part of the country that the mind turns more to making music. Maybe that’s someone else’s music, sure, but music nevertheless. You can hear it wafting out of the abandoned Cheney Hammer Mill on a night like this … me framming on my broken down guitar, Matt hammering on an anvil, Marvin jumping up and down like a chimp, slapping his bongos. I won’t even get into what Anti-Lincoln does to make noise. Let’s say it doesn’t involve the harpsichord, which I think may have been his primary instrument at one time. (We don’t have a harpsichord … hell, not even a harp.)

Bzzt ... Let me tune guitarTrouble is, we spend so much time on THIS IS BIG GREEN, our podcast, that practically everything else suffers. The garden has fallen to shit. (Granted, we did plant in the dead of winter. We may be “Big Green” but none of us has enough of a green thumb to grow a freaking rock garden.) Our songwriting is becoming even more bizarre by the day. And what the hell – the harder we work, the longer it takes for us to finish a freaking episode. It’s like we’re running backwards on a train heading in the opposite direction, following a track shaped like a mobius strip. Wrapped in an enigma.

Complain, complain, complain. That’s what blogging is all about, right? Shut up and play your broken guitar!

Downville.

Hey, you know what? I saw a car pass in front of the mill today, just a few minutes ago. Amazing, right? Wait a minute … there goes another one!

Yeah, I guess you can tell that this town is dying. No doubt about it … since the old Cheney Hammer Mill shut down, there’s no reasonable way of making a living around here. Some stragglers work at the corner CVS, a handful more at the non-name convenience market across the street. It’s just plain dead. Damn good thing we don’t perform any more, or we’d be starving to death for lack of paying gigs. Sure … we’re starving, but it’s for an entirely different reason: inertia!

You know what they say, though. (That’s all I’ve got on that, because, after all, you know what they say, so I don’t have to tell you.) There are a lot of things you can do while standing still – one of them is mixing. That’s what we’re doing … or that’s what I’m doing, anyway – rhythm tracks, mixes, blah blah blah. A lot of standing around, pacing back and forth, cupping your hands behind your ears and furrowing your brow. Once in a while, I’ll send Marvin (my personal robot assistant) out for some take out. (He wheels over to the local quick lunch stand and looks for unclaimed packages, basically – the discount method!)

Standing here.As I mentioned in previous posts, we’re finishing eight songs for the next episode of Ned Trek, our Star Trek parody that’s the baloney in the cheap-ass sandwich known as the THIS IS BIG GREEN podcast. Even when you fly as low to the ground as we do, mixing eight songs is a heavy lift. Imagine sweat dripping from my brow as I twiddle the knob on my superannuated Lexicon effect processor, Marvin occasionally daubing it with a facecloth. More reverb? A rotary effect of some kind? Those vocals need help, damn it! These and a thousand other decisions must be made before we upload our work to literally handfuls of fans. Hard job, but somebody has to do it.

So it’s just as well that there aren’t a lot of distractions around these parts. Call it a musician’s paradise.

Freak week.

I told you yesterday about the roof. Now the internet is down. No, not the WHOLE internet … OUR internet, dumbass! And that electricity you tapped from the house next door? Well … that’s run dry as well. Damned squathouses!

Okay, so these are not the easiest days around the abandoned Cheney Hammer Mill, and we of the Big Green collective are having to think our way through some truly daunting problems. This is pretty basic stuff, right? Keeping the rain out when it rains. (Right now, our roof only keeps the rain out when it’s sunny.) Surfing the internet in your socks. Plugging the electric can opener in and having it do what it’s made to do, not sit there like a paperweight. Stuff that any band should expect to be able to do, even when they’re squatting in an abandoned hammer factory. But noooooo … not us.

No, Marvin! For chrissake. Marvin (my personal robot assistant) heard what I just told you and took it into his little tin head that he should try to open a can with a paperweight. That’s just so wrong. It’s emblematic of the type of help we get around here. Sure, we have our own robot, but he doesn’t know how to do anything useful. Sure, we have a mad science advisor, but he spends all of his time in a makeshift lab in the basement, burning isotopes into larger … I don’t know …. isotopes? (Or does burning them make them smaller?) Why the hell couldn’t we have made friends with either a carpenter or a handyman? Why wasn’t I born a carpenter?

Looks like another bad roof day.Speaking of the Carpenters, Matt and I have been tracking some backing vocals for the next crop of songs – about eight of them, to appear in the next installment of THIS IS BIG GREEN, embedded within the new Ned Trek episode. When will that be ready? Well, it depends on when it stops raining in the studio. It’s a little difficult recording vocals under a painter’s tarp. Ends up sounding muffled, like someone threw a blanket over you. Which, of course, they did. There’s a reason for everything in music.

So … we soldier on. Now if we only had some soldiers. Or some solderers. They could fix our broken patch cords.

Refried show.

Hey, Matt .. what was that joke about the wooden balls again? Oh, right. Nah … it doesn’t work very well without the visual. Scratch that.

Oh, hello. We are, of course, working on the next installment of our podcast. It’s like the freaking Forbin Project, for chrissake. Takes us months to write the sucker, record it, edit it, compose and record songs, cut it all together, upload it, then collapse in a heap. (That last part actually happens kind of quickly.) Sometimes you want to just shout, “Enough!”, throw up your hands and walk away. Mic drop! But no, my friends, no … the show must go on.

That said, well … it HAS been kind of a long time. So we dropped another installment of our Ned Trek podcast – that’s the show that is just Ned Trek and no random jabbering between me and my brother. This month’s installment is extracted from one of last year’s THIS IS BIG GREEN episodes, Ned Trek 23: Mitt’s Brain. Based on the Spock’s Brain episode of classic Star Trek, it’s full of ridiculous plot departures and snarky portrayals of neocon freak bastards. Just the kind of thing you’ve come to expect from a Big Green podcast. On top of all that, there are 6 original Big Green songs in the mix, not available in Och, these cumberbunds are a wee bit tight.stores or on any album (yet). I could tell you what time code numbers they appear at in the show, but then you would just skip the whole play or simply laugh at my presumption, so I’ll forgo that.

The songs are, well, some of my favorites from the last year or so. I’d say number one in my book is “Two Lines”, a song sung by Lt. Sulu describing his artistic angst over being limited to two-line speeches throughout the entire three-year run of classic Star Trek. The chorus commandeers some of these two-line speeches to communicate Sulu’s despair:

Captain, the controls are frozen
the helm won’t respond; we’re being pulled inside
Aye, aye, my career is broken
like a giant hand has me in its hold
Captain, the controls are frozen
manual override is completely out
Aye, sir, I’ve been trying
but my shields are down and I cannot last

Then there’s a song about a yellow submarine. Actually not – there is one Pearle song called “Send in Some Advisers” which, well … the name pretty much says it. Anywho, the show it totally refried, so enjoy it … a second time.

Vox test.

Hmmmm. That doesn’t sound quite right. Can you put a little more reverb on it? No, no … not just the plate. I mean generation reverb. Make me sound like I’m at the bottom of a well. Yeah, like that. Nope … nope, still no good. Bugger.

Oh, hi. Just caught us in the grips of an artistic quandary – the kind Big Green gets caught up in all the time: How to make a track not suck too badly. I just did a vocal on one of Matt’s songs an I’m not crazy about it. Sounds a bit too nasal for my tastes. Just try to sing like a full-throated Mitt Romney, and with that I say good luck to you. I’m at the point of auditioning ghost singers, kind of like what the Monkees used or the Partridge Family used to do … you know, the Partridges would move their lips and you would hear the mellifluous voices of some unknown bird-named stock singers; perhaps the Loon Family, down on their luck. Yeah, well … maybe we gotta get some of that shit.

Trouble is, when you live in an abandoned hammer mill and you have no money, putting out an open call for auditions is not an option. Ergo, we try to draw on the talent we already have. Like anti-Lincoln, for instance. I thought, inasmuch as he is the antimatter doppelganger of our great emancipator, that he would be endowed with the exact opposite of his namesake’s reedy voice. I imagined booming, pear-shaped tones emanating from that bearded gob, but no dice, my friends, no dice. Apparently that’s one thing that stays the same in the antimatter universe – we all have the same voices, even if we eat corn on the cob vertically instead of horizontally.

Psst ... Who's singing your parts?Next up in the internal audition queue was, well … Marvin (my personal robot assistant). This didn’t go very well either. Picture that scene in Room Service when the Marx Brothers are trying to pass customs with Maurice Chevalier’s passport, attempting to imitate him convincingly. Marvin was like Harpo with the phonograph strapped to his back. He’s got a bunch of scratchy recordings stored in his internal hard drive (or tape drive – he is getting a little long in the tooth), and when he sings he selects individually sung words from that entire library. It’s great if you want a mashup, but …. I don’t.

So, back to the drawing board. Or the singing board, more appropriately. Me-me-me. Who’s on the hook this time? Me-me-me.