Tag Archives: Middlebury College

Usual Rubbish

Scratching out a whole new way of itching

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Get Music Here

Okay, that club on Route 5 … was that the Garden Cafe or Looney Tunes? It feels more like the latter than the former, frankly. Jesus, what the hell am I asking YOU for? The only thing YOU remember is random facts about some log cabin and the battle of Gettysburg. And even THAT you get backwards. (Though to you it seems forwards.)

In case you’re worried, no, we’re not writing a memoir of Big Green. Who the fuck would buy that? If nothing else, I can practically guarantee that there will never be a (1) tell-all retrospective, (2) drippy bio-pic, or (3) lost journal having to do with this, the world’s most obscure indie rock group that ever recorded more than 100 of their own songs. That said, we will milk it for a blog post or two. The first one was last week; the second, this week. The third will have to wait its turn.

Back to the Early ’90s

So anyway, in the early nineties we made the questionable decision of basing ourselves in the Utica, NY area, our home town, which at the time was not on a particular upswing culturally. We started by working with guitarist Armand Catalano, playing clubs and campuses around the region, serving up our own songs plus an assortment of covers. As I mentioned last week, the guitar seat in Big Green was governed by the rules of musical chairs, pretty much. Armand played with us, then friend of the band Steve Bennett, and later, other friend of the band Jeremy Shaw.

This was fine, except when we got confused and called guitarists by the wrong first name. There were occasional gaps as well, unsurprisingly. But the gigs we played then represented the least of what was going on in our tiny little world. None of them were in the least high-profile events. We opened for Mere Mortals at MVCC sometime in 1991 , I think. We opened once for Joe Bonamassa’s Bloodline at what is now known as SUNY Poly in Utica, probably in 1993. We played Middlebury College one New Year’s, if I recall correctly. And then there were a bunch of dead end bars.

The output was put out

The thing was, by the early nineties, Matt Perry was writing songs like a house afire. He was writing his Christmas numbers – a new album every holiday season. And he was cranking out a bunch in-between. (No, he didn’t write songs about Saint Swithin’s day – that’s just an ugly rumor about Big Green that some meteorologist started.) We were doing piles of demo recordings, and we managed to get into a studio a few times (the former AcqRok, thanks to friend of Big Green Bob Acquaviva of Mere Mortals.)

We had some live recordings as well. We’ve played a few of them on our podcast, THIS IS BIG GREEN, and there are a few more we haven’t posted as of yet. Probably the best ones of these are the DAT recordings we made in Jeremy Shaw’s basement in 1993 (or ’94? I don’t freaking know.). Then there was the video demo done by some hipster dude named Angel who worked at a vegetarian restaurant and considered the VHS tape he recorded for us some kind of masterpiece (when it wasn’t).

Yesterday is not today

So, the upshot of all this is, we have a better audio record of the 1990s than we do of the 1980s, when the only technology we could afford was a bic lighter and a pack of Marlboros. Ever try to run sound through a pack of Marlboros? It ain’t pretty. Makes a kazoo sound like a brass freaking band.

Usual Rubbish

Listing wildly.

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Man, it gets cold out here at night, even in August. This place needs windows. I don’t mean the open kind … I mean the kind that close. You know … with glass and everything.

Yes, I’m still sleeping out here in the shack that stands crookedly in the courtyard of the abandoned Cheney Hammer Mill, our lowly squathouse here in upstate New York. This kind of reminds me of the old days, when we had that two-room lean-to in Sri Lanka. What was that like? Well, it was a lot like this. Except warmer. Ah, things were different then. A stiff wind would blow the whole house down, for one thing. And the air was filled with song. (I won’t say which song, but frankly, it wasn’t one of my personal favorites.)

I’ve taken this opportunity to redecorate in here, you know … put up a little wall paper. Very little. Because of our lack of budget, of course, I have to use existing materials. But you make the best of what you have, right? And what I have is old set lists and some second hand school paste. Now the place is plastered in the things, and you can see the clumsily scrawled repertoire of a hundred poor-paying gigs going back decades. So now every time I turn my head, even when I’m doing my neck stretches, I have to ask myself, “Did we REALLY play Neil Young’s Lookout, Joe at the Metro in 1992?” or “Why would we follow Sensory Man with Roland the Headless Thompson Gunner?” Truly questions for the ages.

Now THAT was living rough.Okay, well the wind is kicking up a bit, and my little shack is swaying from side to side, making the set lists flap like little white flags nailed to the wall. It’s almost as if the place is hoping to surrender to our extreme weather. I’m going to pack up my ripped up duffel and scurry back into the relative safety of the Hammer Mill. Hopefully Mitch Macaphee, our mad science advisor, is not running one of those land drone experiments of his. Last week he was running some dog-like autonomous robot around the ground floor, programming it to shoot deadly lasers at anything that moved. Frankly I’m surprised I didn’t have more company out here in the shack.

Hmmmmm. Good Old Boys Roundup. Haven’t played that one since our Middlebury College gig in ’93. Time to revisit.

Usual Rubbish

Unwrapping.

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I got socks this year. Lots of socks. And a few discarded ties. Plus some bricks from the courtyard. No, they weren’t loose – the mansized tuber just pulled them out of the courtyard and gave them to me. Yeah, I put them back. Now that’s a holiday to remember.

Well, I don’t know what kind of a Christmas YOU had, but here at the abandoned Cheney Hammer Mill in upstate New York, we had a rousing celebration that quite nearly woke the dead. No, it wasn’t well attended, but Marvin (my personal robot assistant) cranked up the stereo and started playing random sides from Sun Ra to Fountains of Wayne. It was Christmas in crazytown, and it didn’t go unnoticed by our neighbors, who (I feel compelled to say) were … ahem … a bit LACKING this year in the HOLIDAY SPIRIT. (You heard!)

Then there were random fireworks. Now, I hate to be a spoil sport, but I don’t like hearing explosions late at night. It makes me jump, and my mind goes straight to some imagined mishap in Mitch Macaphee’s lab. It took a moment to recall that he’s out of town this week, but the downside risk of having a mad science laboratory in your basement does tend to put you on alert. He was Keep it DOWN!muttering something about a “planet buster” last week. Sometimes that’s just idle rambling, but you can never be too sure. Look at what happened to the planet Zorchon. (Yeah, that’s right – there IS no planet Zorchon, sure …. not NOW.)

So, hey … there’s a lot to unwrap with the kind of holidays we have around here. People tend to save up their resentments and hard feelings all year, then let them loose on their relatives around the yuletide dinner table. That’s not what happens at the Cheney Hammer Mill, but only because we don’t have a dinner table. We typically sit around this old cable spool we found in the middle of the road one time when we were driving back from a gig at Middlebury College in the 1990s. It makes a fair table … not a HOLIDAY table, per se, but a fair platform for dishes, cutlery, etc. Then there are the boxes we sit on – can’t remember where we found those. Talk about festive!

Anyway, we survived it. Hope you survived yours.

Usual Rubbish

Jamming.

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Let’s try that again, once more from the top. What’s that? You want to take it from the bottom? How ’bout we compromise. One more time, boys, from the middle. That’s the ticket.

Whoa, man, I’m totally out of practice with this band rehearsal business. It’s like I need rehearsal rehearsals. You forget, sometimes, how much you need to know in order to know what you need to know. And once you know that you know what you need to know, you know that you’re going to forget it. Why? That may be unknowable. Am I making myself clear? Good.

Okay, so what got us on this band practice kick again? I think it was all that watching and listening to archival tapes over the past few weeks, when I found myself with some time on my hands. There was a brief period when we were playing with the very amazing guitarist Jeremy Shaw that we seemed to record everything we did, from rehearsals to gigs to auditions. Just running through that stuff, I realized that I had forgotten our repertoire, aside from a handful of numbers. At that point (1992-3), we were playing mostly original music, some covers. We didn’t play a lot of gigs; mostly colleges and clubs. We played Middlebury College, opened for Bloodline at SUNY-IT in Utica, NY, and so on.

Start Where?One complete gig I have a rough audio recording of was an outdoor concert we did at Jeremy Shaw’s house a few miles from here. There are about 25 songs, and I’d say maybe a little more than half are originals. We also played numbers from Jimi Hendrix, David Bowie, Talking Heads, and god knows what else. The gig includes the only live recordings of some of my songs from that period, like “Sunday Drive” and “Greater Good”. We also did Matt’s “Why not call it George?”, “Sensory Man,” and “I Hate Your Face”, as well as some Christmas numbers. There are also some of Jeremy’s songs: “Water Over Stone,” “Shithouse Rat”, and “Requiem”.

What the hell … we must have rehearsed some of these crazy songs, right? I have no memory of that whatsoever, and yet the evidence is fairly clear. If you want to hear some of this shit, stay tuned … this may turn out to be a throwback summer after all.