Tag Archives: Marvin

Robo-pontiff?

Don’t mind me, or the deafening clatter you hear. That’s just the sound of me working on our next episode of THIS IS BIG GREEN, the podcast we hammer together every month or so. Why hammer it, you say? W.t.f. – we live in a hammer mill, for Pete’s sake. (Jesus, I’ve been doing that lame Romney imitation way too long.)

Our next pope?
Our next pope?

I suppose if you listen regularly to our podcast, it probably seems like not a lot of work goes into creating it – that it’s sort of slapped together randomly, like a salami sandwich made by someone who’s got a five minute lunch break. Nothing could be further from the truth. Yea, we take pains in building each episode, agonizing over every detail, every nuance. We spend weeks drafting the scripts. (Oh yes, even our random-sounding conversations are completely scripted.) Then it’s another week nailing down the timing, the miscues, the poor pronunciation, the stupidity. (We spend an entire day on inanity. Why? Because it’s worth it.)

Now, as you know, Big Green is a decidedly low-tech operation. We don’t have fancy cameras, microphones, or any of that new-fangled electricity. (Okay, well … yeah, that we have.) Our studio is primitive beyond redemption, and we are forced to record the spoken bits of the podcast without the aid of standard teleprompters. The best we can do is key the entire script into Marvin (my personal robot assistant), store it in his electronic brain, and ask him to display it on his anterior video monitor. Sure, we have to squint to read it, but it’s better than rattling a piece of paper in front of live mics.

The trouble with this method is that there are unintended consequences. Like this month, we talked about the Pope retiring. Once the lines from that script got into Marvin’s tiny brain, it started percolating through his various logic circuits, and the next thing we knew he was trying pointy hats on for size. He seems to have convinced himself that he’s in the running to replace Pope Benedict. (I think the idea appeals to his creator, Mitch Macaphee, our mad science advisor, who would very much like to be the power behind the pontiff.)

Would you like to see Marvin as the next pope? Let us know. Send us your thoughts and we’ll read them on the next episode.

Cheer up.

Get out of my room, Marvin (my personal robot assistant). You too, tubey. I’m having one of my captain sunshine days, as you can tell. In fact, I’m rear-admiral motherfucking sunshine today, mister.

This means war
In a bit of a mood today.

Oh, fuck…. I mean, fudge. Didn’t know you were listening in. Sorry you had to hear that outburst. Nerves are getting a little frayed around the hammer mill just lately. What the hell, I’ve been sleeping in an abandoned hammer-stock storage silo for the last 10 years, springs poking out of my mattress like in those old cartoons, the windows leaky and cracked, the mortar crumbling to dust between ancient bricks. Not to put too fine a point on it – this place is a DUMP. Now I know why they abandoned the abandoned Cheney Hammer Mill.

What’s that? They condemned the place? What the hell, Marvin … you had that in your memory banks all this time? Weren’t you just dying to tell me at some point before this? Irrelevant?!? I’ve obviously got to talk to your inventor about upgrading your relevance sensor. To say nothing of your gaydar. The freaking boy scouts should hire your ass. (Damn, there I go again! Sorry, people of Earth.)

I’ve got a case of what’s called Dyspepsia Engineeris, an affliction that usually strikes individuals in the middle of a large music post-production process. Mixing an album consumes every ounce of your creativity, and hell … I’ve only got two ounces to begin with. Needless to say, we haven’t been producing new material, just finishing what’s already in the can. We have, however, dug up some old, previously unreleased stuff that we can play on our podcast, THIS IS BIG GREEN, in the spaces where we might ordinarily have published new production. We’ll pour some of that in before it posts, I promise you. And one day, one day, we will return to making music (as opposed to merely mixing it).

Well … now that I’ve chased all of my friends away, I guess I can get back to … to … mixing. Arrgh.

Lookout. Below.

Okay, now where was I? Wait, don’t tell me. I was complaining about…. something…. No, not the song “Something”. I rather fancy that. Something to do with Web servers.

F'shaw
BG goes all traditional-like.

No matter. Here we are, back to the blog. What’s happening at the mill? Lots. Working on the January podcast, now days behind schedule. Later every month, right? That’s the natural course of business here in Big Green – land. Still…. our first installment of THIS IS BIG GREEN should be worth the wait, if you like weird, asinine, and abysmally non-commercial media content. True hallmarks of the TIBG brand.

Smell something burning? Neither do I. But (and this is the point) we bloody well should, and here’s why … Marvin (my personal robot assistant) is supposed to be thinking up a viable creation myth for our upcoming collection of songs attributed to and written in tribute to cousin Rick Perry, governor of Texas. The album – Cowboy Scat: Songs in the Key of Rick – is such a monumental event in our lives, it fairly demands a creation myth of its very own. As such, we handed that task off to Marvin, and by rights the smoke should be pouring out of his brass visor as we speak.

It is not, my friends. What can I tell you? So look, we’ll just have to cook it up ourselves, I guess, without the help of robotian inspiration. We’re thinking something along the lines of “The Creeping Terror”. Cowboy Scat is all that remains of an epic musical written about the arc of cousin Rick’s political career. Only on the eve of its production, the script was lost over the side of a pleasure craft on Lake Tahoe. Such a tragedy!

Okay, well … we can flesh that out a bit. Give us time. Maybe Marvin can work with …. on second thought, maybe not. Scratch that, friends.

Readying.

The studio is stuffed to the gills already. Yes, it has gills! How do you think it breathes underwater? Didn’t you go to grammar school? Oh, right.

Sometimes I forget that Marvin (my personal robot assistant) isn’t an undereducated human like myself. He is, in fact, a mechanical man. Much must be explained to him, and what can’t be explained must be programmed in by force, if necessary. That’s the lot of a robot assistant, I’m afraid. Work, work, work.

Anyhow… the quintessential American holiday is now over. (We also survived that day that comes before Black Friday … what do they call it? Thanksgiving?) Time to fold up the balloons, disassemble the parade floats, and send the marching bands marching home. While many find the Macy parade enjoyable, it is not a simple matter to serve as the end point of that annual extravaganza. Just finding enough space to store deflated Spiderman is proving more challenging than you might imagine. Sure, without air in his ass, he’s smaller, but – and this is important – not all that much smaller. And then there’s those freaking Smurfs.


As you can imagine, every nook and cranny in the mill is stuffed with gear from the parade. You can hardly turn around in the studio these days. Still, we press on. Matt and I did a couple more mixes for Cowboy Scat: Songs in the Key of Rick this past week. Gonna be a bit hard with all these deflated balloons lying around, but we’ll manage. Fortunately, many of Rick’s songs are country-like numbers, so the mixing is fairly simple. We take a naturalist approach – not too much FX, not too much compression. Just record it clean, mix it pure, and pour it into a tall, clear glass to check for impurities before quaffing it down. Pure audio ambrosia, that’s what I’m talking about. Sure ding.

We’re also furiously preparing for the holiday episode of THIS IS BIG GREEN. Last year raised the bar a bit – two hours of pure horseshit. Not sure how to top that without a bigger shovel, but we’ll try.

Helladay house.

What? What time is it? It’s too early, tubey. You’ll get your Miracle Gro at 9:00 and not before. Christ on a bike.

Oh, hi out there. As I’m sure you already know, the morning after Thanksgiving is always a force to be reckoned with. Especially when you have a mansized tuber who has just discovered juicing. (He’s trying to win some of his bi-weekly pickup basketball games, but I think even with the Miracle Gro he’s reaching.) Morning starts kind of early around here – sometimes before noon, even. (You fellow rock musicians out there better sit down: There is a thing called morning. It’s not just another hallucination. That’s right … I’m talking to you, pothead.)

Excuse that digression. Hope you had a wonderful, glorious Thanksgiving, full of holiday cheer and/or anticipation (if you spent most of it queueing up in front of Wal-Mart or Best Buy). Perhaps you spent part of your morning watching the bizarre spectacle known as the annual Macy’s Thanksgiving Day parade. I certainly did. It’s kind of a tradition around the abandoned Cheney Hammer Mill, where you don’t ordinarily get exposed to a lot of unfiltered promotional messages (aside from the ones that come on soup can labels).

Little known fact about the Hammer Mill: This is actually the end-point of the T-day parade. It’s a lot longer a procession than most people think. Folks get the mistaken impression that the march ends with the arrival of ersatz Santa Claus in front of Macy’s. Not true. For most of the next day and a half, the floats and balloons come marching up the West Side Highway, take the G.W. Bridge over to the Palisades Parkway, then pick up the NYS Thruway and process all the way up to the Little Falls exit. In a gesture of magnanimous welcome, we throw the compound doors open to them and allow them into the Hammer Mill courtyard for a little R&R. Then Mitch Macaphee and Marvin (my personal robot assistant) aid their technicians in deflating the enormous parade balloons and packing them away for another year. True* story.

Sure, you thought Christmas was just a throwaway songwriting theme for us. Oh ye of little faith.

* Note: veracity of story subject to unverifiable truth conditions. Contact Big Green for details.

Splitting Lincoln.

I think I left my guitar plugged in. I’ve been hearing that buzzing all night freaking long. What’s that? It’s the orgone generating device? Jesus on a bike … that thing again?

Hey howdy. Welcome back to the hammer mill. Who won the Lincoln contest? Still up in the air. My bets are on Anti-Lincoln, but that’s just a hunch. He does have an ace in the hole – namely, Trevor James Constable’s orgone generating device, the monstrosity of modern engineering that brought him here from the past in the first place. Anti-Lincoln seems to think that by stepping into that thing and turning it up to eleven, he’ll get the full Daniel Day Lewis treatment.

Never can tell what’ going to happen with mad science technology. Just ask Mitch Macaphee – he invented Marvin (my personal robot assistant) after all. Anyway, anti-Lincoln must have dialed the wrong settings into that orgone generating device because it split him into two equal parts: Jerry Lewis and Doris Day. Close, right? Fortunately, that thing has an undo button. I like the 1950s as much as any man (which may, in fact, amount to not at all) but I don’t want dead decades following me around like  a zombie. Ever have that problem? Thought so.

Well, we’ve got another podcast in the can. Another groundbreaking episode of THIS IS BIG GREEN, featuring as many as three songs (including one previously unreleased Rick Perry number), a rather lengthy and convoluted episode of Ned, the Talking Dressage Horse, and the usual copious amount of pointless blather my illustrious brother and I put forth on a monthly basis. Fortunately, it doesn’t cost much … in fact, it doesn’t cost anything at all. Free media! Liberty! That’s what podcasting is all about, right? That’s why we’re aboard her…… Oh, right. I should keep the Star Trek quotes to a minimum. My apologies.

Best move along. We’re expecting workmen any minute. There are still a few copper pipes left in the hammer mill, so they’ll be stopping by to remove them. (In lieu of rent.)

Honest, Abe?

No, no. Not that hat. That’s a porkpie hat. Don’t you know anything? The great emancipator would never have worn a hat like that. Not unless he played the saxophone. (Did he play the saxophone? Best ask.)

Oh, right…. I’m keying this into the internets, not merely speaking to some disembodied listener. What was I thinking? Right, well…. as busy as things get here at the abandoned Cheney Hammer Mill in beautiful upstate New York, we never seem to stop finding other things to do with our time. Last week Marvin (my personal robot assistant) discovered numismatics … with a little encouragement from his creator, Mitch Macaphee, who was really attempting to program a penchant for petty larceny into his brass hide. Not one of Mitch’s proudest moments, convincing Marvin that lifting stray coins out of people’s pockets is how coin collecting works. (That mad science grant from the Cato Institute must not have come through.)

Anyway, there was that. Then there was the new Steven Spielberg movie about Lincoln, starring Daniel Day Lincoln. That naturally perked up more than a few ears around this hammer mill, let me tell you … four ears in particular: the ones on Lincoln and his anti-matter doppelganger, Anti-Lincoln, both still acting as historical figures in residence with Big Green. Well, naturally enough, Lincoln (the positive one) took issue with some of the historical details in the new film. “I never said that!” I could hear him exclaim as he watched his pirated copy. “And that crap about vampires – none of that ever happened!” (I  think he got his hands on the wrong DVD, frankly, but… it’s not my place to say anything.)

Anti-Lincoln, on the other hand, was strangely pensive about the whole matter. I thought for sure, with his irrepressible temper, that he would blow sky high, rail at the heavens, demanding justice and revenge. Nothing of the sort. He’s been doing a Lincoln Memorial imitation now for the last three days. I just can’t get a rise out of him. I’ll tell you, nature abhors a vacuum, so it may not surprise you that some of the other denizens and hangers-on we have around the hammer mill are getting into the Lincoln act, trying to channel Anti-Lincoln’s stifled rage. Mansized tuber is one, though he can’t get the hat quite right. And don’t even ask about Marvin’s dime store beard.

Well, we’ll work it all out, I’m certain. Now … back to the podcast hellscape.

Deafening me with science.

A little louder. Little louder still. Forget headroom! We like our albums LOUD. Turn it up just as LOUD as you can. What? Leave the room? In the middle of a mix?

Okay, well that‘s discouraging. Here we are at the abandoned Cheney Hammer Mill, our adopted home in upstate New York, mixing our … I mean, cousin Rick’s new album, Cowboy Scat: Songs in the Key of Rick, and I’m just discovering now that I am a lousy engineer. Who know (aside from everyone who listens to my work)? Thank the god of your choice that I have Matt Perry to work with, a.k.a. “Mr. Ears” himself. No, that’s not because he wears Spock-like ear extensions. I’m not saying he doesn’t, mind you … I’m just saying that’s not the reason for the moniker. Though after being summarily ejected from our mixing session due to excessive loudness, I’m thinking about calling him “Mr. Mouth” from now on.

Not sure how Matt can mix an album with his ears ringing, having been recently mentioned by NASA Chief Scientist Dr. Waleed Abdalati in a speech to students about why he became a scientist in the first place. (Waleed was a neighbor and Matt’s best friend back in the day.) They used to play astronaut in our backyard (as well as the vast stretch of open fields that existed there at that time – perfect landscape for an alien planet). Waleed went on to be an engineer and climate scientist; Matt a conservation officer at a wildlife sanctuary. Waleed works for NASA. Matt wrote One Small Step. So in his own way, each has made his contribution to the nation’s space effort.

Still, I can make a contribution to mixing this album, and I’ll tell you how. One word: Marvin (my personal robot assistant). I’ll just program him to do my bidding, send him into the studio, and he’ll turn all the knobs up to eleven. We’ll be able to hear this album from space, even when it’s not being played. Woo-hoo!

Okay…. enough about me. Just wanted to let you know that the latest episode of our podcast, THIS IS BIG GREEN is now available. Two new “rough draft” recordings by Rick Perry, another episode of Nedd the Dancing Horse, and a brief remembrance of Neil Armstrong, first man on another world. Not bad for free. Check it out.

Did you say something? Couldn’t hear you over the LOUD MUSIC.

Sing, Rick, sing!

Turn which knob again? That one? I already turned that one, for crying out loud. Turn it again? Shut the front door!

All these knobs, all these switches… Hey, that’s a good idea for a song. All of these knobs, all of these switches, keep this up and you’ll need stitches, uh-huh. Okay… not a good idea for a song. I’m getting punchy, and small wonder. Matt and I are hip deep in mixing Rick Perry’s new album, Cowboy Scat: Songs in the Key of Rick … being a collection of songs that arose from some strange sensory phenomena our dear cousin experienced over the past year. You know how when sometimes you have a little too much to drink or a bit too much …. well, whatever, and the world around you gets all fuzzy and weird, and then the next day you find yourself freighted with all these unexplainable memories of odd behavior, like something your fevered mind cooked up in a dream? Well…. Rick wrote some songs about that.

We’ve been putting rough mixes of these songs on our podcast, THIS IS BIG GREEN, for the past few months, to mixed reviews, I must say. Here’s a sampling:

What is that sound in the middle of your last podcast? It almost could have been music but not quite…  – jaypod

Tell tex to pipe down. I’m sleepin’ here.   – brooklynfan#482

[expletive deleted] the [expletive deleted] with a [censored].
– nixon’sghost45

All very promising, wouldn’t you say? It’s this kind of feedback that keeps us going, year after year. Like that guy who wrote me last month with the simple advice of “Get a life.” Isn’t that enchanting? Almost haiku-like in its simplicity. I meditate on it daily.

When will the finished album be ready? Well, that depends on how soon we can get a turn at the power tools down in the basement of the abandoned Cheney Hammer Mill, where we reside. Marvin (my personal robot assistant) and the mansized tuber have been building something down there for weeks. Maybe it’s an ark, for all I freaking know – I hear sawing and drilling through the closed door to the shop. “Are you going to be long?” I yell, “We’ve got to start whittling those CD cases!”

Useless. Oh, well… back to the faders.

Process, process.

Smallest town in the biggest state. Father Joseph, what would be my fate? So starts this month’s anthem of the Hammer Mill. Can’t get that tune out of my head, man!

This writing finds us chin deep in production for our next album. Imagine Matt and me in a roomful of 1-inch Ampex tape, all spooled out and tangled like Don Knotts had it in his space capsule in The Reluctant Astronaut. Yes, we always aspire to such heights. “Why not the best?” we ask ourselves, and the answer, of course, is obvious. (Go right to the source and ask the horse.)

Why do we do this thing over and over again? This “making an album” thing? We’re past the age of consent (well past) and not famous on our home planet. Our best-selling album is welded to the hull of Voyager as it makes its way out of our solar system. (We sold one copy to NASA. They bought it because it features a lead vocal by the late Kurt Waldheim.) The fact is, we are driven. When Big Green first rose out of the primordial soup of the mid 1980s, we had several choices. They were:

1) Go back into the soup! It was quite good, actually. Always like a little ginger in with the carrots. Mmmmm-boy.

2) Start a band, but instead of an indie rock group that has to make its own albums, something less demanding. Call it “Various Artists”. That way, on our first day of existence we would have dozens, perhaps hundreds of albums to our credit, many containing hit songs from every era. Instant popularity! Just add crack!

3) Start an indie rock group that has to make its own albums. With help, of course, from our mad science adviser, Marvin (my personal robot assistant), the indefatigable mansized tuber, a couple of Lincolns, and others. (Don’t want to suggest for a moment that we do all this work alone!)

So here we are, patching the rough road that is Cowboy Scat: Songs in the Key of Rick, preparing for final mixes and looking for obvious holes. Hey, there’s a good name for a band: The Obvious Holes. Beats the Recognizable Hicks any day.

Keep your eyes open for more fadeout grooves. Think of them as shards left over in the manufacture of the next album. Or something.