Tag Archives: Marvin

Yonder bound.

Marvin (my personal robot assistant), didn’t I tell you to pick those Legos up about three hours ago? Can’t you do anything without being told twelve times?! Are you even awake?! MARVIN!!

I'm your Lincoln ConciergeChrist on a bike. Sloth has reached a new level of intensity here at the hammer mill, and it’s no surprise. We have been cooped up in the abandoned Cheney Hammer Mill for the better part of three years (the worse part, too … I remember those awful days…), not a hand’s turn of work. Sure, we produced and released an album, Cowboy Scat: Songs in the Key of Rick, and have dutifully (and pitilessly) posted our podcast THIS IS BIG GREEN every month, on the month (or quite nearly). But gainful employ? Naught, my friend. Goose egg.

Arguably, it goes against human nature (and personal robot assistant nature, presumably) to be idle for so long. I’ve seen signs of restlessness, to be sure. Not from anti-Lincoln, of course, who spends most of his day in the forge room, swilling cheap rum that he got from god-knows-where. But his positive doppelganger, Lincoln, tries to keep busy in imaginative though annoying ways. (I keep telling him, I can’t afford a big fat car – it’s just not in the game plan. But just try telling Lincoln not to sell you something.)

Big GreenMarvin is always coming up with pass-times, as well as hair-brained schemes for making money. But I think he’s hit a wall, and it’s understandable. Even his inventor, Mitch Macaphee, our mad science adviser, has wandered off to richer pastures, taking advantage of some time-share property he invented in Madagascar. (Something about hanging gardens … though I’m not sure about what stage of insanity he was in when he told me about it.) So Marvin sits and rusts a little every day, his battery running down. He needs a change of scene, and so do the rest of us.

That’s why I have started making inquiries about doing an interplanetary tour to support extraterrestrial sales of Cowboy Scat: Songs in the Key of Rick. (Spoiler alert: Terrestrial sales have been abysmal.) Stay tuned for details. Big Green out.

Freak all.

You’ll have to excuse me. I’m on the phone with Frigidaire. My dehumidifier has been recalled. Oh, the humanity! You know, if I had a pet manatee, I would consider naming him Hugh. Hugh Manatee. How’s your day going?

Got no gene for thatIt’s a little quiet around the Hammer Mill today, now that the dehumidifier has been unplugged. Dank, musty old place. Sometimes I think we’re frittering our lives away in this ruin. But then, there are worse ways to go. And I’m rather fond of fritters, myself, particularly apple fritters with a dusting of cinnamon. Mmmmm, boy.

What’s new in Big Green land? Well, sales of our new album Cowboy Scat: Songs in the Key of Rick are breaking all previous records. What records specifically? Well… it’s at the top of all “least popular” top ten lists. Sales are reaching nearly one unit, call it none. Could have something to do with our marketing strategy. I told Marvin (my personal robot assistant) that tossing a copy of the album out into the street and hoping patrons chance upon it was probably not the most effective approach. But hell, what do I know?

Big GreenFact is, folks … we make music and other related sounds. If we had been born to be salespeople, God would have given us briefcases and Rolex watches. And smartphones, so we would have something to do while we drive. He (and I’m sure any big boss god would have to be a dude) would also have endowed us with the irresistible drive to make hay, to spin gold, to generate wealth in immense quantities by any means necessary. Like, say, manufacturing cheap dehumidifiers with virtual slave labor in China and marketing it under hollowed-out brands like Frigidaire in the United States. Or writing, producing, and releasing mucho commercial music.

But God in his infinite wisdom put Richard Nixon on this earth …. I mean, saw fit not package us with the “batteries” of ambition included. Hey … Freak all. That’s what I say. How about you?

August arrives late.

Well, that was strange. It was just the end of July, and now look at us. Summer evaporated – must have been all that sun.

It took a few weeks, but Matt and I finally got around to thinking that we should post an August episode of our podcast, THIS IS BIG GREEN. I’m sure some of you may have thought we were taking an August break, much like our political class and most people of means in Europe do every year about this time, but no soap. Let’s get this clear: Big Green is a WORKING band. They’ll be no slackers around this abandoned hammer mill, my friends. Yeah, I’m looking at YOU, Marvin (my personal robot assistant). It’s up every morning at 5 a.m. and sweat!

Phew, that was exhausting. Anywho, what do we have on the podcast this month? Well, let’s have a look-see. First off, we’ve got a special episode of Ned Trek, entitled Ned Trek XII: The Manassery. Introduced by Lee Majors, as always, this ludicrous extravaganza features a peerless pantheon of figures from the American conservative tradition, including Ronald Reagan in a role inspired by that of Captain Christopher Pike, post disaster. A must-listen for anyone with way, way, way too much time on their hands.

Big GreenThen there’s Matt and my usual broad-ranging conversation about nothing in particular, interrupted not once but twice by previously unreleased recordings of Big Green songs. The first, “Plenty of Time, Plenty of Blood”, is a number pulled from the archives; another four-track cassette recording, probably from 1990-91, somewhere in there. The second, right at the end of the podcast, is a recent recording of a song called “Ask For Leave”. This is one of those rough-draft recordings, not quite fully tracked, which we did a hasty mix on for the podcast.

Yeah, I know – it goes on a bit too long. But if you can stand two hours of THIS IS BIG GREEN, perhaps you can also endure 78 minutes of Cowboy Scat: Songs in the Key of Rick, our new album. Give it a listen. (If you’re short on scratch in these hard times, contact us and we’ll send you a copy gratis, while supplies last.)

What’s in the box?

Lots going on these days. New podcast, new album, new burnish on Marvin (my personal robot assistant) … everything is new around the hammer mill these days.

Big GreenThis might be a good time to talk about our new album, Cowboy Scat: Songs in the Key of Rick … namely, what’s on it, what complex themes, tortured melodies, and convoluted stories are behind each track. Isn’t that the era we live in? The age of the “back story”, where every reality show has interview sequences in which the stars talk about how they feel about the bogus melodramatic scene they were just in? Yeah, well … we’re not doing that.

Here’s a little run down of the tracks, until I run out of breath. (There’s twenty-one of them, for pity’s sake!)

Fed Up – This is the opening manifesto, the raison d’etre for Cousin Rick Perry’s political ambitions, in which Rick lays out his grievances with the federal government, creeping socialism, intrusive gravity, and what-not. Style: real, down-home country music, served up on a chipped blue plate, just the way you like it. Haw.

This Cracker’s in Paradise – Cousin Rick has a dream about being president, singing “Jesus came a-voting, and I have reaped divine right.” He shares his vision for the first term of the eternal Perry Presidency. Style: funky power ballad. Or something.

Savin’ Myself for America – All right, so running for president isn’t a dream. Turns out it’s hard! But Cousin Rick is determined, right? Style: hint of Roy Orbison rockabilly.

North Camp Pasture – A dirge-like ode to Cousin Rick’s hunting camp formerly known by another name, and the sordid history that follows him like a rabid dog. Style: folk ballad.

Sing, Rick Perry, Sing! – The story of Rick’s rise from young man on the prairie to politician to the crackhead Governor of prayer. Style: well, it varies a bit from country walk to primitive dance to 60s rock sing-along.

Awesome Hair – Hey, who can deny it? Cousin Rick has some fabulous folicles. How does he do it? Only his hairdresser knows, and he’s dishing up the recipe in this number. Style: swing with the Satchmo dial turned up to seven.

To be continued…

An arrival of sorts.

It’s here, it’s here! Great gob in Heflin, it’s here! What’s that? No, of course I’m not talking about the royal offspring, recently delivered of the Duke and Duchess of whatever-the-hell. Something far more important.

It's here, it's here!What is it? My wristwatch of course. I thought I left it in the local watering hole, but it’s here, in my sock drawer – it’s here! Now if I could just find my socks. (Note to self: check the watch drawer.) Oh, right… and a box came. Not by itself, you understand. A truck dropped it off. It was a biggish box, but not too big. A box full of discs. Not chock full, exactly – what I mean to say is that there were discs in the box. Discs called Cowboy Scat: Songs in the Key of Rick.

Yes, that’s right – it’s Big Green’s third studio album, released after a hiatus of no less than five years (we released International House in 2008). It’s certainly the longest album we’ve ever made – fully twenty-one tracks, 78 minutes of music (if that’s what you call it). The official digital release date is July 31, this coming Wednesday. So am I excited? Damn straight I am. I found my freaking watch, man! I am over freaking joyed!

But anyway … this album is not only our longest, but our fastest. Let me tell you why – we have refined our “clubhouse” recording method to the point where it has only taken us a year to write, record, and finish Cowboy Scat: Songs in the Key of Rick … as opposed to five years with International House, two years with 2000 Years To Christmas. It’s the discipline of doing a monthly podcast (THIS IS BIG GREEN). It’s made us concentrate on actually finishing something, for chrissake. That runs against type in a real serious way. Our “type” is really more about sleeping. Serious sleeping.

But no more! It’s onward and upward from now on! Right … after I take a little …. nap …. zzzzzzzz.

Was that a… truck?

Did you hear beeping?Wait, I heard something. That beeping noise. Did you hear it? Go out and take a look, will you? I’ll just sit here and finish this cardboard sandwich. What? That’s the microwave beeping? Turn it off, then. There’s a good chap.

Oh, yes … hello. Just getting a little impatient here at the abandoned Cheney Hammer Mill in beautiful (now roasting) upstate New York. It’s been so damn hot we can’t even manage to borrow enough electricity to run our fans, and now the refrigerator has gone south (looking for warmer climes, perhaps) and all of our provisions have gone sour. (Except for the lemons, which have turned strangely sweet in their spoilage.) Nothing to eat but cardboard. Here’s the good news: there’s not a lot of that, either.

I just sent Marvin (my personal robot assistant) out to greet the delivery van that will be dropping off the initial pressing of Cowboy Scat: Songs in the Key of Rick, Big Green’s ludicrous new album, hot off the digital presses. Its release date is July 31, but we are expecting advance copies any moment now. Though this is the fourth time in the last hour I’ve sent Marvin out to the brickyard, searching in vain for the UPS truck or the FEDEX van or some over-the-road tractor trailer. He’s about ready to revolt – in fact, I think he’s considering joining that terrifying band Captured By Robots again. I still have nightmares. (Not about that, obviously …. mostly other stuff.)

Hey, I’m looking out the window and I see the ass-end of a semi. Marvin is out there, making some unintelligible hand signals (or claw signals, I should say). They appear to be interpreting his gestures as encouragement to continue backing into our courtyard. This is getting exciting! Yes, they’re moving closer, turning the cab. I can see the side of the trailer now. Big letters that spell, “Mayflower Moving”. Hmmmm… I didn’t know they delivered packages.

Okay, I have to look into this further. Far from delivering anything, they appear to be taking things out of the Mill, like …. LIKE MY ARMY SURPLUS DESK AND CHAIR! LIKE MY DISCARDED MATTRESS! This is shaping up to be one hell of a week.

What’s going on.

Is that what busy looks like? Shut the front door! I had no idea it looked like that. Sakes alive.

Press record nowWell, once again, you are encountering me in the midst of some level of astonishment. Seems like I spend half of my life sore amazed and the other half just plain sore. (I am definitely in the sore second half.) Anyway, never mind my poor self control – these are indeed heady days here at the abandoned Cheney Hammer Mill in now waterlogged upstate New York.  There’s so much shit hitting this fan, it’s hard to see your face through the fertilizer. Or something.

Here’s what we’ve got on the burner: lunch. Marvin (my personal robot assistant) is heating up a can of soup. He doesn’t seem to understand that you need to TAKE THE SOUP OUT OF THE CAN BEFORE YOU PUT IT IN THE FIRE. (I’m hopeful that, if I raise my voice, he will begin to understand.) So if we hear a ‘splosion just before noon local time, we will likely know why. Soup in a can, friends. Keep it cool. That’s all I’ve got to say.

Beyond the lunch issue, there are other things happening round these parts. Cowboy Scat: Songs in the Key of Rick has been sent to the distribution house and will soon be available in all the usual online outlets – iTunes, Amazon, Spotify, blah blah blah. We are also on the verge of pressing a limited run of discs – those should be ready by the end of July, maybe sooner. If you want one, tell Marvin next time you see him at your corner gin mill. (Lush!) Or just leave a comment on this post and let us know. Or visit our contact page.   

We’ve also got another episode of THIS IS BIG GREEN in production, with a fresh installment of Ned Trek. It’s Ned Trek #11, and you’ll hear it very soon. Weird? Yes. Childish and stupid? Perhaps. But you get what you expect, right? Big Green is nothing if not honest.

So, album … podcast … we’ve got it going on here at the hammer mill. Watch for the eerie glow of success. Or … something else.

Release minus … what?

Still watching that space? Well, give it up. That was a joke, damn it. Don’t take me literally … that way lies madness.

Cowboy Scat: Songs in the Key of RickWell, here we are, inching closer to the release date of Cowboy Scat: Songs in the Key of Rick, Big Green’s third and perhaps silliest album ever. Fully 21 tracks of pure, unadulterated goofiness, each one performed by what is nominally a completely different combo. We’ve got the master all set. We’ve designed the packaging for our limited run of CD-Rs and the graphics for our digital distributors. Now all we have to do is, well, complete the arcane process of acquiring ISRC codes for all of the tracks, manufacturing the discs, doing a run of wax cylinders for those listeners still enamored of that format, and so on.

What is the release date? Good question. Ask our corporate label, Hegemonic Records and Worm Farm, Inc., a.k.a. Hegephonic. They make all the big foot decisions. (By that I mean, they actually have a sasquatch  serving as their Chief Operations Officer. Explains a lot.) Like many artists (and it’s in deference to the mansized tuber that I include us within that rubric), we get impatient with red tape. So when you see the disc – if you see the disc – you will see our own imprint on the package; a logo for Hammermade Records, and well, it doesn’t exist, but it sounds right, so what the fuck.

The mother of all imprintsSome have told us that we should have called the label Hammermaid, like Milkmaid condensed milk. We don’t listen to some people, particularly if they are Marvin (my personal robot assistant), who has a particular liking for condensed milk products because they remind him of motor oil. In any case, we don’t take a lot of pains over trifles like imprints and logos, because in all honesty, that’s not what we’re about. We are the original discorporate rock band. We say no to corporate hegemony. We’re off the grid, man. (Aside from all that stuff involving money, paying for things, etc.)

So again, be forewarned. Release of Cowboy Scat is imminent. After which, we will likely go into hiding (or perhaps the witness protection program) assuming Cousin Rick Perry catches wind of this. (Don’t tell ‘im!)

Unique opportunity.

No, this isn’t spam. This is real life. Real as it gets, man. Gravity, oxygen, water, the whole nine yards.

This is what we need. I was just thinking back to the bad old days in the 1970s when television was king and the internets were just a twinkle in DARPA’s eyes. On about five million occasions – maybe slightly more than that – I can remember watching an ad for 120 Classical Masterpieces introduced by the well-known character actor John Williams (not the classical guitarist … nor the composer of the Lost In Space theme song). Now that we are on the verge of releasing our third and perhaps silliest album ever, Cowboy Scat: Songs in the Key of Rick, I only wish we had a marketing powerhouse behind us like John Williams. Or even Guy Williams. (Except that he‘s dead too!)

Looks like, once again, Big Green will do the legwork on our own. We have some volunteer help, as you know. Marvin (my personal robot assistant) will tell all of his robot friends to download the album. (They don’t even need a freaking smart phone!) The man-sized tuber will be in charge of rural distribution; we’ve provided him with the requisite maps of Nebraska and Idaho. The rest of the country will be handled by the two Lincolns, who – as candidates for the presidency – have tread that ground before with great success. We have great hopes for anti-Lincoln, who has made some friends in Nashville. (Actually, that’s Nashville, Franklin, Idaho. Look it up.)

Yes, distribution is always a headache when most of your fans live on other planets. There’s a cost-benefit issue in trying to ship discs via UPS to Neptune; it’s hard to make that $9.95 per unit generate a profit against the transportation costs, even with our interplanetary handling surcharge of $45,682.53 per disc. Add in the exchange rate headaches, particularly in the Quatloo zone planets, and it’s hard to make your nut that way. Still, we try. Mitch Macaphee has some ideas involving matter transportation technology. All very hush hush at this point. We’ll let you know.

Hey, we live on crumbs. It’s the art that matters, right? That’s why we’re assembling an all-star panel of reviewers for our June podcast – experts who will examine Cowboy Scat from multiple insane perspectives. So stay tuned. This may be the best batch yet.

Fragments of brain.

If I could think faster than a slow crawl, I would. That’s the issue, always. And don’t look at me like that, Marvin. Not ALL of us have electronic brains.

What would I do with all that brain power? Well, for one thing, I would get our next album out a bit quicker. Cowboy Scat: Songs in the Key of Rick seems to be in perpetual becoming mode. I know you’re sick of it, I’m sick of it, Matt’s had it up to here, the president has started complaining, the ambassador from Madagascar has issued a protest against Big Green – suffice to say, no one is happy. Hey, well … we’re working as fast as we can. It takes a while to bake all those discs, especially without a convection oven like the big, famous groups have. And then hand painting all those covers. Jesus!

At least, in these modern times, we no longer have to perform the music separately for every disc we sell. That was a real pain in the assets. Eventually, someone – I think it may have been Mitch Macaphee, our mad science advisor, but I’m not certain – told us all about the concept of mastering, then spinning copies off of the master, etc. Up until then, we were recording each copy individually. Talk about quality control issues! Sheesh.

We’ve got an assembly line set up in the abandoned Cheney Hammer Mill, just like the good old days when proles were hammering out … well, hammers within these very walls. (Very clammy walls, I should say.) Big Green is applying the lessons first applied by Henry Ford, in that we line up a bunch of underpaid individuals (including robots and man-sized tubers) and have each one handle a piece of the manufacturing process. Then we drastically underpay them, but not so much that they can’t afford to buy one of the discs on their way out the door.

Well, there’s the factory whistle again. Time to get back down to it. LINE THREE! LUNCH IS OVER!