Tag Archives: Marvin

Inside August.

Did you upload the episode on time? Marvin? Can you hear me? Oh, Jesus. Not again. Right … Hey, anti-Lincoln! Plug Marvin in for a couple of hours. Make yourself useful!

Hi, good people. I’m pretty sure Marvin (my personal robot assistant) uploaded the August episode of our podcast, THIS IS BIG GREEN – our fifth anniversary broadcast! – over the last couple of days, but until he has a decent charge on him I can’t be sure. If you listened to it, you know a lot of what I planned to tell you today. But because I am a pedantic motherfucker, I fully intend to tell you about it anyway. Here’s what we got under the hood.

Ned Trek 29: Error of Mercy – This latest episode of our Star Trek political parody audio melodrama is based on the classic Star Trek episode titled “Errand of Mercy”. (For you non-aficionados, here’s the IMDB listing.) The crew of the Free Enterprise arrives at the planet Origami just ahead of the Confederation’s arch rivals, the Cleenton Empire. The episode features a bad, bad imitation of Bill Clinton, a perhaps worse imitation of James Carville, and a lot of cheap shots. Perle ends up wearing another barrel, so it’s probably worth a listen.

Marvin, did you ... ? Forget it.Put The Phone Down – We start with some strained renditions of a song by The Troggs, as sung by Peter Lorre, the Daleks from Dr. Who, and others, then rip right into a discussion of current affairs. That more or less follows the theme of my political rant this week – the assholes vs. the fuckers, in essence, though we also spend some time on “Bernie or Bust” and the Green Party. (Don’t get me started!)

Live Songs – These are audio tracks from the excerpts of our live video demo we posted over the past few weeks on our YouTube Channel. These include Sensory Man, I Hate Your Face, and Why Not Call It George? Fairly raucous, more or less in line with cuts from our Live From Neptune EP. The recordings were made pretty proximate to one another, probably within a year or so (1993-4). This was at the end of the period when we performed with guitarist and friend of Big Green, Jeremy Shaw.

Anyway, a lot of good-ish listening here, so enjoy. Or at least try to enjoy. I just want to spread a little sunshine as I move through the world, that’s all. Just call me “little joey sunshine”. (Sure beats “fucker”.)

Hold on.

Electrodes to power, turbines to speed. Turn the key and …. nuts! Nothing again. Hey, Mitch – you’re a mad scientist. Make yourself useful. Get this freaking car to run, willya?

Oh, hi. Just working through the usual nonsense. Trying to get a car going. Working on a broken amp. Turning all the chairs in the house upside-down. (We do that to discourage visitors from staying too long.) There’s never a lack of useful things to do, and lucky for us we have a lot of help. Mitch Macaphee, for one, can be counted upon to invent some new way of dealing with minor annoyances, like invasive insects or gravity. Ooops, did I say gravity? I wasn’t supposed to mention that one. It’s going to be a surprise. A BIG surprise. HA-HA-HA-HAAAAAA!

Well, THAT took a dark turn. Anyway, aside from Mitch tinkering with … uh … continental drift, we have the able services of Marvin (my personal robot assistant) who can, among many other talents, life very heavy things. He picked up a whole desk set the other day … one of those three-pen jobs, all by himself! Tomorrow I’m going to have him replace the Kleenex in all of the dispensers distributed throughout the hammer mill. Yeoman work, to be sure. (I would do it myself, but I am not a Yeoman.)

Uh, Mitch ... Gravity again?I suppose you’re wondering where your podcast is. Well, I was getting to that. THIS IS BIG GREEN has been coming together slowly. We did the voices for the next episode of Ned Trek last week, then we’ll need to do some editing and dubbing, etc. We’re probably looking at another couple of weeks, during which time I will frantically try to dig up some not-too-uninteresting material from our archives. There will likely be a few more Wayback Wednesdays on tap, so stay tuned.

I am sure some of you have already said, “Y’know, if you didn’t waste so much freaking time doing useless shit, you’d have finished the podcast by now.” My response is a simple one: “Freaking” is not a word. It’s a cop-out, my friend. Say what you mean and mean what you say. That’s our motto ’round the mill. Call it a mill motto. Call it anything. I’m getting back to that dumb-ass car.

Sensory man.

Did you feel that? No? Okay, check. How about that? Really. Right, then. Check again. Now let’s try the pointed stick. You don’t want to do it? Well, aren’t you the sensitive one.

Yes, we’re back. I’m just interrogating Marvin (my personal robot assistant) to get some idea of the degree to which his primitive analog circuitry has the capability to emulate human emotions and mock the various senses we take for granted. So far, it’s not going very well. His brass exterior seems impervious to brillo pads, water, even fire. Not sure about pointed sticks – that may be his Achilles’ heal. (I guess I could wait until he’s feigning sleep, then try it on his heel.)

Why am I wasting my time in such a manner? Well, while I’m waiting for Matt to get here and start recording the next episode of our podcast, THIS IS BIG GREEN, I am consuming myself with summer projects, some of which I’ve blogged about over the past few weeks. Annoying Marvin is one, though it’s hardly just a summer project. Still, this is kind of a pointed annoyance, and not just because it involves pointed sticks. You see, as part of one of my OTHER summer projects, I just posted on our YouTube Channel another live performance video from Big Green’s 1993 demo. This song, “Sensory Man”, is another Matt number – his exploration of the robot experience via Lost In Space. We’re talking Robot B-9 here, people. You know, that does not compute. Danger, Will Robinson. Etc.

Aren't you the seismic man?As I think I mentioned before, we don’t have a lot of video footage of us playing live, and even less of us playing our own songs. This demo included a lot of covers – all stuff we liked playing. So it’s kind of a freeze-dried sample of our set list from the 80s and 90s. We’ve got three takes of “Sensory Man”, as well as a rehearsal sequence on that song, a couple of takes of “I Hate Your Face”, and one of “Why Not Call It George?” – that’s it for our songs. That is, unless someone out there has video of us playing at Middlebury College or SUNYIT, when we opened for Bloodline. Anybody? Thought not.

Leave us face it – Big Green’s earthly performance faze was relatively brief. Most of our archival material is from a time before Big Green …. a time when, dare I say it, beasts of every size and description roamed the Earth. The scarier ones were club owners. But then you knew that. (If you own a club, you’re probably a cave man. Am I right?)

Old continent, new name.

A little higher. Little more. That’s it. Right, now … slowly lower the winch. That’s got it. Okay, a little too fast. Too fast. I said TOO FAST! Oh, Jesus. Right … order another banner. No wonder I never get anything done.

Oh, hello. Forgive me if I always seem surprised when you come along. I’m inclined to forget about the blogging version of the “fourth wall” and the fact that others can see what the hell I’m doing (or not doing). Today you’ve caught me and Marvin (my personal robot assistant) in the midst of constructing Big Green’s new YouTube Channel, hot off the presses. You see, for the longest time we’ve been pointing our listeners/readers/browsers, whatever, to my personal YouTube channel, which has over the last few years become choked with political content, obscure linguistics and philosophy of mind lectures, comedic bullshit, and so on. It finally dawned on my dim little brain that the band needed its own space for video content, and hey presto – a summer project was born.

Why not, indeed?

The timing of our YouTube launch is not entirely an accident. As I mentioned in previous posts, I have been trawling through old tapes, discs, etc., listening to and watching recordings of performances from our terrestrial live performance days back in the 1990s. Over the past few weeks, I cut up a video demo we recorded back in March of 1993 with the guitarist we worked with at that time, the amazing Jeremy Shaw. The video is standard def, 4:3, and a little strange. We taped these performances in a practice room somewhere in Utica – as I recall it was a loft-like space within a couple of blocks of the Police Department headquarters. (Could explain why we look so polite.)

There are some cheesy visual effects inserted at the time of the recording – basically presets in the camera our videographer was using. (The videographer was a dude named Angel whom we met through a mutual friend.) They add a certain trippyness to the whole business, but no matter. Hilariously, the rehearsal space was a typical rock band man-cave environment circa 1993, with cheesecake posters on the walls and overstuffed ashtrays. (Just behind my illustrious brother you’ll notice the incongruous sight of some babe posing for the camera.)

Woodshedding.

Wait … where the hell are my lyric sheets? I had a big stack under my piano bench since we occupied the mill. Marvin – did we go digital at some point without my noticing it?

Yeah, so I’m just going over some old material, as I mentioned last week. Old videos, old audio tapes, old records, old robots. (Yes, robots – we have a roomful of toy robots in boxes, all acquired during our “Captured by Robots” obsession during the 1990s and 2000s. Evidence of misspent youth, except that we weren’t young then. Misspent oldth.) Just reminding myself of all the songwriting Matt (especially Matt!) and I did back during decades past – a full canon of material. Wait … that’s where I put those lyric sheets! In that old cannon Mitch bought at a mad science garage sale!

Marvin (my personal robot assistant) is lending me a hand (or a claw) as I sift through a mountain of discarded bullshit. Amazing how a band full of anti-materialistic, anarcho-syndicalist hammer mill squatters can accumulate such a bewildering array of random possessions. Sure, there are pockets of useful items, like the robots (we can, for instance, plan some kind of robot invasion of the convenience store across the street), but mostly nameless junk. We found some things that were acquired on our various interstellar tours, but much of that is either invisible or too radioactive to handle. (You’d think invisible junk would take up less room, but noooooo.)

He's behind me, isn't he ...?Anyway, I’ve been taking this opportunity to relearn the keyboard and vocal parts to some of our older songs. There are literally hundreds of them, so I suppose if I wanted to, I could play a different one every day for the next nine months, then start again. (I only have time to play one song a day, and usually it ends up being “Summertime” or something like that.) Yesterday’s song was Matt’s “Promised Land”, which is one of those Dylanesque songs Dylan never wrote. We’ll record these at some point, though we have scratchy demos of all of them, recorded on cassette portastudios back in the stone age. (We’ve played some of these on our podcast, THIS IS BIG GREEN.)

So if you’re looking for me, I’m down here in the catacombs, pounding on the keys and warbling. Just knock loudly and beware of the robots.

Hammer day.

What, raining again? Huh. Very well. Looks like it’s rainy day schedule, kids. Coloring books and tunafish sandwiches. Except that we don’t have tunafish. So … I’ll have Marvin (my personal robot assistant) make crayon sandwiches. Gotta make do as best we can, boys.

Hey, what would you do if you were stuck in an abandoned hammer mill and the weather went all pear-shaped? Probably something similar. They say that musicians do their best work behind closed doors, removed from all distractions. They also say that more songs are written on rainy days than on sunny ones – the theory being that crappy weather makes songwriters want to stay home more, and home with nothing to do means picking up the guitar or banging on the piano. Wanna know what else “they” say? What the fuck, I don’t know. Ask them.

This might be a good time to write some songs. As I’ve pointed out in these pages before, Matt and I have different approaches to songwriting, so the time may be right for one of us; likely not both of us. Matt writes songs on the hoof, tromping about the hills, streams, and woods, singing verses into his smart phone while he’s feeding the beavers, then harmonizing the song later when he gets within grabbing distance of a guitar.

Big Green in 1988My process is much more gradual. It usually starts in the shower with me humming some random bit of nothing. I do it and do it, and sometimes something bobs up that works with the various thoughts running through my head. I scribble it down on a cheap-ass notepad and maybe, just maybe, sing melody fragments into my phone. Then I take a swing at it every time I’m near the notepad. Matt’s more like Thoreau, communing with nature and all the rest of it. I’m like some tin pan alley hack, trying to turn nothing into something and usually failing. Hard to believe we were ever any more disciplined than this sorry spectacle.

Turns out, we were, as I mentioned last week. I reviewed some more of those old recordings with Jeremy Shaw, who played guitar with us for a while, and some of his parts were amazing. Then I started cutting up the video program, and as an experiment I exported a soundcheck we did using fragments of Sensory Man. I’ll post that when I’ve got the song to post as well. (The audio needs a little help. The video looks like us in somebody’s garage, which is pretty close to the truth.)

This may turn out to be a total YouTube summer … if it keeps raining.

Here comes the sun.

My Martin D-1 needs strings again. So what’s new? I always let stringed instruments go to seed – it’s how I roll. That’s why true guitarists hate me. (Dude, you KNOW it’s true.)

I just don’t play the fucker enough, that’s my problem. But then I guess you could say my problem is that I don’t do ANYTHING enough, so it’s just part of a larger problem. Marvin (my personal robot assistant) has volunteered to act as my guitar technician. Only trouble is, his inventor – the mad scientist Mitch Macaphee – gave him prehensile claws for hands, so it’s kind of a challenge to restring a guitar in his little tin world. Kind of outside his wheel house. (That’s not a metaphor. He actually does have a wheel house.)

It’s when the sun starts shining and the leaves unfurl in this part of the country that the mind turns more to making music. Maybe that’s someone else’s music, sure, but music nevertheless. You can hear it wafting out of the abandoned Cheney Hammer Mill on a night like this … me framming on my broken down guitar, Matt hammering on an anvil, Marvin jumping up and down like a chimp, slapping his bongos. I won’t even get into what Anti-Lincoln does to make noise. Let’s say it doesn’t involve the harpsichord, which I think may have been his primary instrument at one time. (We don’t have a harpsichord … hell, not even a harp.)

Bzzt ... Let me tune guitarTrouble is, we spend so much time on THIS IS BIG GREEN, our podcast, that practically everything else suffers. The garden has fallen to shit. (Granted, we did plant in the dead of winter. We may be “Big Green” but none of us has enough of a green thumb to grow a freaking rock garden.) Our songwriting is becoming even more bizarre by the day. And what the hell – the harder we work, the longer it takes for us to finish a freaking episode. It’s like we’re running backwards on a train heading in the opposite direction, following a track shaped like a mobius strip. Wrapped in an enigma.

Complain, complain, complain. That’s what blogging is all about, right? Shut up and play your broken guitar!

Downville.

Hey, you know what? I saw a car pass in front of the mill today, just a few minutes ago. Amazing, right? Wait a minute … there goes another one!

Yeah, I guess you can tell that this town is dying. No doubt about it … since the old Cheney Hammer Mill shut down, there’s no reasonable way of making a living around here. Some stragglers work at the corner CVS, a handful more at the non-name convenience market across the street. It’s just plain dead. Damn good thing we don’t perform any more, or we’d be starving to death for lack of paying gigs. Sure … we’re starving, but it’s for an entirely different reason: inertia!

You know what they say, though. (That’s all I’ve got on that, because, after all, you know what they say, so I don’t have to tell you.) There are a lot of things you can do while standing still – one of them is mixing. That’s what we’re doing … or that’s what I’m doing, anyway – rhythm tracks, mixes, blah blah blah. A lot of standing around, pacing back and forth, cupping your hands behind your ears and furrowing your brow. Once in a while, I’ll send Marvin (my personal robot assistant) out for some take out. (He wheels over to the local quick lunch stand and looks for unclaimed packages, basically – the discount method!)

Standing here.As I mentioned in previous posts, we’re finishing eight songs for the next episode of Ned Trek, our Star Trek parody that’s the baloney in the cheap-ass sandwich known as the THIS IS BIG GREEN podcast. Even when you fly as low to the ground as we do, mixing eight songs is a heavy lift. Imagine sweat dripping from my brow as I twiddle the knob on my superannuated Lexicon effect processor, Marvin occasionally daubing it with a facecloth. More reverb? A rotary effect of some kind? Those vocals need help, damn it! These and a thousand other decisions must be made before we upload our work to literally handfuls of fans. Hard job, but somebody has to do it.

So it’s just as well that there aren’t a lot of distractions around these parts. Call it a musician’s paradise.

Freak week.

I told you yesterday about the roof. Now the internet is down. No, not the WHOLE internet … OUR internet, dumbass! And that electricity you tapped from the house next door? Well … that’s run dry as well. Damned squathouses!

Okay, so these are not the easiest days around the abandoned Cheney Hammer Mill, and we of the Big Green collective are having to think our way through some truly daunting problems. This is pretty basic stuff, right? Keeping the rain out when it rains. (Right now, our roof only keeps the rain out when it’s sunny.) Surfing the internet in your socks. Plugging the electric can opener in and having it do what it’s made to do, not sit there like a paperweight. Stuff that any band should expect to be able to do, even when they’re squatting in an abandoned hammer factory. But noooooo … not us.

No, Marvin! For chrissake. Marvin (my personal robot assistant) heard what I just told you and took it into his little tin head that he should try to open a can with a paperweight. That’s just so wrong. It’s emblematic of the type of help we get around here. Sure, we have our own robot, but he doesn’t know how to do anything useful. Sure, we have a mad science advisor, but he spends all of his time in a makeshift lab in the basement, burning isotopes into larger … I don’t know …. isotopes? (Or does burning them make them smaller?) Why the hell couldn’t we have made friends with either a carpenter or a handyman? Why wasn’t I born a carpenter?

Looks like another bad roof day.Speaking of the Carpenters, Matt and I have been tracking some backing vocals for the next crop of songs – about eight of them, to appear in the next installment of THIS IS BIG GREEN, embedded within the new Ned Trek episode. When will that be ready? Well, it depends on when it stops raining in the studio. It’s a little difficult recording vocals under a painter’s tarp. Ends up sounding muffled, like someone threw a blanket over you. Which, of course, they did. There’s a reason for everything in music.

So … we soldier on. Now if we only had some soldiers. Or some solderers. They could fix our broken patch cords.

Spring is … psych!

Had the weirdest dream last night, Anti Lincoln. I dreamed I saw Joe Hill …. I mean, I dreamed there was snow all over the place, like it was mid January. Talk about unrealistic. Hey, pull up the shade … it’s kind of dark in here. What the …. WHAT?

Yeah, that snowfall took us all a little bit by surprise here at the abandoned Cheney Hammer Mill in frosty upstate New York. Somehow, after a freakishly mild winter (which I personally think was cooked up by our own Mitch Macaphee, mad science adviser), snow has returned in early April. Once again, I think Mitch might have had a hand in this. He’s got this big-ass smoke machine that shoots unnamed projectiles into the heavens – missiles loaded with I don’t know what the fuck, and lots of it. Mitch cranks it up, the sucker sputters and pops for a few minutes, then it starts snowing. Kind of. (That might be torn up fragments of Mitch’s membership agreement with the National Academy of Mad Science.)

Nice gizmo, Mitch.Okay, so let’s assume the weather has nothing to do with Mitch’s cloud bazooka. This is effed up, man! Remember now – we are squatters in this here hammer mill, see? And, well … the heat in this place is a little unreliable. Most of the winter we depend on an old wood stove in what used to be the shipping office. It’s the mansized tuber’s job to stoke the thing, and sometimes he falls down on the job a little. But most days we manage to keep the ice off the dishwater … though I don’t suppose you’re aware of how effective ice can be as a dishwashing medium. It scrapes, it emulsifies, it …. okay, I’m exaggerating. You have to look on the bright side when you’re freezing your ass off.

Winter is in extra innings. We can live with that. After all, we have spent weeks on remote planets, like Pluto, for instance.  We have traveled to the center of this here Earth. We have, I don’t know … done lots of stupid stuff. Certainly this is no stupider.

So, Marvin (my personal robot assistant) and the mansized tuber are tasked with fanning the flames for another week. Good exercise, even for a robot. And an animate stump.