Wait … where the hell are my lyric sheets? I had a big stack under my piano bench since we occupied the mill. Marvin – did we go digital at some point without my noticing it?
Yeah, so I’m just going over some old material, as I mentioned last week. Old videos, old audio tapes, old records, old robots. (Yes, robots – we have a roomful of toy robots in boxes, all acquired during our “Captured by Robots” obsession during the 1990s and 2000s. Evidence of misspent youth, except that we weren’t young then. Misspent oldth.) Just reminding myself of all the songwriting Matt (especially Matt!) and I did back during decades past – a full canon of material. Wait … that’s where I put those lyric sheets! In that old cannon Mitch bought at a mad science garage sale!
Marvin (my personal robot assistant) is lending me a hand (or a claw) as I sift through a mountain of discarded bullshit. Amazing how a band full of anti-materialistic, anarcho-syndicalist hammer mill squatters can accumulate such a bewildering array of random possessions. Sure, there are pockets of useful items, like the robots (we can, for instance, plan some kind of robot invasion of the convenience store across the street), but mostly nameless junk. We found some things that were acquired on our various interstellar tours, but much of that is either invisible or too radioactive to handle. (You’d think invisible junk would take up less room, but noooooo.)
Anyway, I’ve been taking this opportunity to relearn the keyboard and vocal parts to some of our older songs. There are literally hundreds of them, so I suppose if I wanted to, I could play a different one every day for the next nine months, then start again. (I only have time to play one song a day, and usually it ends up being “Summertime” or something like that.) Yesterday’s song was Matt’s “Promised Land”, which is one of those Dylanesque songs Dylan never wrote. We’ll record these at some point, though we have scratchy demos of all of them, recorded on cassette portastudios back in the stone age. (We’ve played some of these on our podcast, THIS IS BIG GREEN.)
So if you’re looking for me, I’m down here in the catacombs, pounding on the keys and warbling. Just knock loudly and beware of the robots.
Just the other day (don’t ask me which day) I stumbled upon some old promo shots of Matt and me back in our Big Green duo days, in the late 80s. (I can tell when it was because I was wearing a sports jacket with the arms rolled up. Hey … it was comfortable, like the fuzzy slippers.) I think it was right after Ned Danison left the group and I moved back to the Utica area. In a couple of shots we were consciously trying to lampoon a Rolling Stone magazine spread about U2’s current album at the time, Joshua Tree. (They had a shot of U2’s drummer looking admiringly at Bono from about five paces away. I think there was a cactus in the photo somewhere.)
My process is much more gradual. It usually starts in the shower with me humming some random bit of nothing. I do it and do it, and sometimes something bobs up that works with the various thoughts running through my head. I scribble it down on a cheap-ass notepad and maybe, just maybe, sing melody fragments into my phone. Then I take a swing at it every time I’m near the notepad. Matt’s more like Thoreau, communing with nature and all the rest of it. I’m like some tin pan alley hack, trying to turn nothing into something and usually failing. Hard to believe we were ever any more disciplined than this sorry spectacle.
Trouble is, we spend so much time on 
As I mentioned in previous posts, we’re finishing eight songs for the next episode of Ned Trek, our Star Trek parody that’s the baloney in the cheap-ass sandwich known as the 
Okay, so let’s assume the weather has nothing to do with Mitch’s cloud bazooka. This is effed up, man! Remember now – we are squatters in this here hammer mill, see? And, well … the heat in this place is a little unreliable. Most of the winter we depend on an old wood stove in what used to be the shipping office. It’s the mansized tuber’s job to stoke the thing, and sometimes he falls down on the job a little. But most days we manage to keep the ice off the dishwater … though I don’t suppose you’re aware of how effective ice can be as a dishwashing medium. It scrapes, it emulsifies, it …. okay, I’m exaggerating. You have to look on the bright side when you’re freezing your ass off.
these into an album of sorts and toss it out on the street for passers-by to happen upon and drop into their MP3 players.
Next up in the internal audition queue was, well … Marvin (my personal robot assistant). This didn’t go very well either. Picture that scene in Room Service when the Marx Brothers are trying to pass customs with Maurice Chevalier’s passport, attempting to imitate him convincingly. Marvin was like Harpo with the phonograph strapped to his back. He’s got a bunch of scratchy recordings stored in his internal hard drive (or tape drive – he is getting a little long in the tooth), and when he sings he selects individually sung words from that entire library. It’s great if you want a mashup, but …. I don’t.
Put The Phone Down – Matt and I start out with a song about a leprechaun, then go south from there, believe it or not. We talk about Scalia, song poem anthologies, and Matt’s experiences in the field.
Not much we can do except continue working on our music. Yes, music comes first around here – ask anybody. We’re currently producing a few more songs for the podcast, a couple of which may make it on to a collection at some point. It’s kind of the same process we’ve been going through for the past few years – write and track about a half dozen songs, throw them up onto the Web, then do it again. That’s how