Gonna’ pump some liquid oxygen… and twirl my sextant dial. I said I’m gonna’ pump some liquid oxygen… and twirl my sextant dial. And when I lift you off that launch pad… baby you know you’ll ride in style. Oh, yeah!
Yeah, sounds like we need a little more chunkiness in the rhythm section. What? Oh… we have visitors. Hello, blogsters. It’s your old pal Bozo. Nothing like a little blues to take your mind of your troubles, eh? And a little country western to put it back on ’em. (Keep talkin’ like that, and more than a few Texans’ll want to treat me kinda ugly.) Yeah, we’re just working our way down to our departure time. What will our interstellar conveyance be? Glad you asked. It’s about time someone asked. No one around the Hammer Mill has bothered inquiring. A strange disinterest has taken hold of Big Green and its entourage, apparently. It entered the room like a miasma, pulled up a chair and made itself at home.
Honestly, I don’t know how we’ll be hopping from planet to planet, star system to star system, on Big Green’s [INSERT NAME HERE] Interstellar Tour 2011. Mitch Macaphee was going to arrange a short term lease arrangement of some kind. He knows a guy who knows a guy, apparently. I think the delay comes out of the fact that the guy the guy he knows knows is, in fact, him. (Is there an echo in here? Wouldn’t be surprised.) So what the hell, maybe we don’t have reliable private transportation from Betelgeuse to Kaztropharius 137b. We can always take a commercial flight. There’s always priceline or expedia or whatever the fuck.
I think the reason why Mitch dropped the ball on this is that he’s been obsessed with his latest dabbling into time travel techniques. He’s got this new one – check this out. It’s a means by which people in the past can tunnel into the future and wait until we normal, moment by moment time travelers catch up with them. Mitch made a device about the size of an iPod that anchors you in time, so that as everyone else moves forward with the passing moments, you stay in one moment. (So it it’s 4:37p.m. on Tuesday when you hit the button, for you it will remain that time while time ticks on for everybody around you.) Then you hit another switch, and the thing launches you through a wormhole into the not-so-distant future – like an hour from now – where you sit frozen in a single moment and wait for “real time” to catch up with you. Then like a mail bag being snagged by a passing train, you start moving with normal time once it arrives.
Anyhow, you can see why he gets distracted. He’s sent Marvin (my personal robot assistant) on a test run. We should get to his moment…. any moment now.
Oh, hi. You’re getting us in the middle of a band meeting, as you can see. (Murray, present. Bret, present…) Kind of an ugly look at how the sausage of Big Green’s music is cranked out. Okay, so our production values are not the best, and our process is flawed. So we hear stuff in our recordings we didn’t even know was there when we were tracking them. That’s part of the Big Green method, man. It’s a bit like found sound; it’s basically lost sound. Somebody misplaces a trombone part somewhere in the known universe (or perhaps in any one of an infinite number of possible universes), and it turns up embedded in one of our tunes like a foreign correspondent on a battlefield assignment.
Yeah, you heard me right. In the midst of preparing for Big Green’s [INSERT NAME HERE] Interstellar Tour 2011 and of being ejected from our home of nearly ten years (the abandoned Cheney Hammer Mill), we’ve elected to launch a podcast. I know this sounds crazy, but … hear me out. The world is full of blowhards and know-nothings. Fact is, a lot of blowhards are know-nothings. So the harder we blow, the less we know – follow me? And if we don’t know we have problems, like impending eviction, for instance, well that’s almost like not having any problems at all. An elegant solution, and it costs next to nothing… or at least a good deal less than our legal counsel was planning on charging us. (Anti-Lincoln has some rapacious per diem rates, I’m here to tell you. Just watch your ass.)
Oh, hi. Yeah, we’re working with our legal advisor – a mouthpiece named Anti-Lincoln, esq. And as you can see, he’s helping us out with our recent eviction notice. Not the first time, you understand, that we’ve been asked to vacate the premises. More than once the folks down at city hall have reminded us that this building is SUPPOSED to be vacant. Seems a waste to us, but what do we know? The abandoned Cheney Hammer Mill is abandoned for a reason, even if we don’t know what that reason is. Freaks! They didn’t even sweeten the deal with a grace period; just “Out, already!”
Okay, there’s this parchment scroll tacked to our door with a dime-store knife. And it’s got some rubbish scribbled across it about how we need to vacate the premises of our adopted home, the abandoned Cheney Hammer Mill, by the end of July… “or else”. No signature. But a very distinctive style of penmanship, I must say. South paw. (You can tell by the smudging of the India ink. ) Can just barely read the thing, frankly. (Or even dishonestly.) Clearest thing is the illustration of a shaking fist – kind of threatening.
Oh, hiya. Geezus, you’d think being idle and ensconced in an abandoned hammer mill would offer endless opportunities to rehearse, jam, arrange, etc. Seems like every time we try to do it, something comes up. For instance, this week I’ve got custody of the mansized tuber. (Matt had him last week. Hey – that’s the terms of the adoption agreement, what do you want from me?) I guess I never realized what a handful he can be. He’s at a difficult age for tubers; you know, that time when they either become a full-fledged plant or get mashed up into some kind of traditional dish. I have to think that, for tubey, it’s going to be the former outcome, but he doesn’t seem convinced. Now he jumps at every noise. And as you might expect, rehearsal generates a lot of noises.
Oh, hello. Didn’t notice you peering through that LCD screen. As you can see, we’re working on a set list for our first engagement on Big Green’s [INSERT NAME HERE] Interstellar Tour 2011. No, that’s not a place keeper – that’s the name Tiny Montgomery suggested last week, and none of us has come up with anything better (let alone tried to, you know, insert the name). It’s always kind of a back and forth on the set lists – that’s only natural when you have hundreds of songs. Yes, literally hundreds… all wrapped up in a little box. We take turns, reaching a hand into the box. I’ll read one song title and Matt will knock it down. Then he grabs one and reads it. I’ll say he’s an asshole. Then he throws the box at me. And I’ll yell, “MOM! HE’S DOIN’ IT AGAIN!” And then we’re BOTH in trouble.
We’ve just lost Tiny Montgomery again. His carrier just dropped the call. By “carrier,” I mean the phone line tap he rigged up outside of his six-room lean-to in Madagascar. (That’s how he makes all of his calls, apparently.) Tiny’s been helping us pull together our next interstellar tour. He sent through the itinerary by primitive fax, and man… it’s scary as hell. Perhaps it’s a communications issue. You know – hard to get ahold of the better venues, especially when you’re using the modern equivalent of soupcans and string to make your calls. I get that. Tiny has his issues, and we have ours… and mothers, this itinerary is one of ’em.
Oh, hi. Yeah, just grappling with our communications issues, once again. Everything in Big Green’s world is held together with duct tape and baling wire… but then you knew that. What you didn’t know is that we’ve got a mom and pop drugstore up the street from us that has what may be the world’s last coin operated pay phone. That’s right… and it’s bloody handy, now that Verizon has pulled the plug on us. (Damnable message unit charges!) So, yeah… we can call mom, talk to our label, harass our booking agent, order strings, all with a pocket full of change. It’s like freaking magic. Who needs the twenty first century? We’re harnessing the technology of yesteryear. (Or yestercentury.)
Oh, hi. Just trying to recall some ancient lyrics from The Band, off the Cahoots album. Not their best work, but still worthy of a listen. I don’t know what brought that to mind aside from this nagging desire to, I don’t know, go out into the park across from my house and take a few swigs of red eye. Why? Just because it’s time for something completely different. Though something completely different might be standing out there with a tray full of cocktail sized vegetable samosas and a big vat of apricot chutney. Hang the whiskey. (Never sat very well with me anyway. That’s more a drummer kind of thing. Fits very nicely just under the drum throne.)