Tag Archives: hammer mill

Another week.

Here we are, another week ahead, one behind. I feel like a week sandwich.

Big GreenNot much time to gab. What’s new? We recorded another installment of THIS IS BIG GREEN this week, and I realize now that we never decided what the hell recordings we were going to cut into the show. We’ve got a truckload, of course. I know one that Matt had suggested is going to be included – an old ’90s recording we did on Matt’s 4-track cassette machine. Lo-fi, yes … but hey, that’s how we roll.

We’ve also got some half-finished recordings we started before turning to Cowboy Scat: Songs in the Key of Rick. This is a project we’ll probably pick up on again. Matt in particular has a huge backlog of songs we’ve never properly recorded, so we started hammering away at those (only natural, living in a hammer mill. Everything looks like a nail, right?) We’ve got some technical issues to work through … like a low-cost multitrack deck that is coughing up blood after producing two albums.  But we’ll make adjustments, no doubt. Anywho … another one of those recordings will probably surface on this month’s podcast.

We’ll also have another episode of Ned Trek – this is Ned Trek 12, I think, every bit as ludicrous as the previous 11. We’ve been talking about spinning this off into its own podcast, just because they’re getting so long. Or making it into an animated YouTube features. Or pounding nails through it and launching it into space. Who knows what we’ll do? We certainly don’t.

All right, sandman’s beating me to death. Time to bail. Hope all is well in Swaziland. Or Madagascar. Or wherever the hell you are.

Was that a… truck?

Did you hear beeping?Wait, I heard something. That beeping noise. Did you hear it? Go out and take a look, will you? I’ll just sit here and finish this cardboard sandwich. What? That’s the microwave beeping? Turn it off, then. There’s a good chap.

Oh, yes … hello. Just getting a little impatient here at the abandoned Cheney Hammer Mill in beautiful (now roasting) upstate New York. It’s been so damn hot we can’t even manage to borrow enough electricity to run our fans, and now the refrigerator has gone south (looking for warmer climes, perhaps) and all of our provisions have gone sour. (Except for the lemons, which have turned strangely sweet in their spoilage.) Nothing to eat but cardboard. Here’s the good news: there’s not a lot of that, either.

I just sent Marvin (my personal robot assistant) out to greet the delivery van that will be dropping off the initial pressing of Cowboy Scat: Songs in the Key of Rick, Big Green’s ludicrous new album, hot off the digital presses. Its release date is July 31, but we are expecting advance copies any moment now. Though this is the fourth time in the last hour I’ve sent Marvin out to the brickyard, searching in vain for the UPS truck or the FEDEX van or some over-the-road tractor trailer. He’s about ready to revolt – in fact, I think he’s considering joining that terrifying band Captured By Robots again. I still have nightmares. (Not about that, obviously …. mostly other stuff.)

Hey, I’m looking out the window and I see the ass-end of a semi. Marvin is out there, making some unintelligible hand signals (or claw signals, I should say). They appear to be interpreting his gestures as encouragement to continue backing into our courtyard. This is getting exciting! Yes, they’re moving closer, turning the cab. I can see the side of the trailer now. Big letters that spell, “Mayflower Moving”. Hmmmm… I didn’t know they delivered packages.

Okay, I have to look into this further. Far from delivering anything, they appear to be taking things out of the Mill, like …. LIKE MY ARMY SURPLUS DESK AND CHAIR! LIKE MY DISCARDED MATTRESS! This is shaping up to be one hell of a week.

Inside the Scat.

Still raining? Oh, sure. Hand me the paddle and the sieve.

Well, most of our homeland in upstate New York is under water today. The abandoned Cheney Hammer Mill is practically floating away. What better time to crack out an advance copy of our new album, Cowboy Scat: Songs in the Key of Rick? What else is there to do, right?

We just released the June edition of our podcast, THIS IS BIG GREEN, and in celebration of the arrival of summer, it is a two-hour marathon review of the new album, featuring the all-star cast of Ned Trek:

  • Mr. Ned himself, the talking dressage horse
  • Willard Mittilius Romney, commander of the starship Free Enterprise
  • Doc Tom Coburn, who sounds a lot like Foghorn Leghorn
  • Carl Sagan (deceased), famous astrophysicist
  • Richard Perle, neocon chickenhawk supreme
  • The robot Richard Nixon
  • Mr. Sulu (still strangely hanging out with these losers)
  • Lee Majors (still strangely introducing these losers)
  • Mr. Andy Williams (…. not!) 

You’ll hear biting commentary on every track. Then you’ll hear the track. Then you’ll hear … something else, I’m not quite sure what. (I was half asleep and completely underwater while editing this, it will surprise no one to learn.)

The actual album Cowboy Scat: Songs in the Key of Rick is ready for release, so watch this space: {     }. If you watch it long enough and you don’t see anything, by all means contact us. Now if you’ll excuse me, I have to locate some buckets. About fifty of them. And sandbags!

Fragments of brain.

If I could think faster than a slow crawl, I would. That’s the issue, always. And don’t look at me like that, Marvin. Not ALL of us have electronic brains.

What would I do with all that brain power? Well, for one thing, I would get our next album out a bit quicker. Cowboy Scat: Songs in the Key of Rick seems to be in perpetual becoming mode. I know you’re sick of it, I’m sick of it, Matt’s had it up to here, the president has started complaining, the ambassador from Madagascar has issued a protest against Big Green – suffice to say, no one is happy. Hey, well … we’re working as fast as we can. It takes a while to bake all those discs, especially without a convection oven like the big, famous groups have. And then hand painting all those covers. Jesus!

At least, in these modern times, we no longer have to perform the music separately for every disc we sell. That was a real pain in the assets. Eventually, someone – I think it may have been Mitch Macaphee, our mad science advisor, but I’m not certain – told us all about the concept of mastering, then spinning copies off of the master, etc. Up until then, we were recording each copy individually. Talk about quality control issues! Sheesh.

We’ve got an assembly line set up in the abandoned Cheney Hammer Mill, just like the good old days when proles were hammering out … well, hammers within these very walls. (Very clammy walls, I should say.) Big Green is applying the lessons first applied by Henry Ford, in that we line up a bunch of underpaid individuals (including robots and man-sized tubers) and have each one handle a piece of the manufacturing process. Then we drastically underpay them, but not so much that they can’t afford to buy one of the discs on their way out the door.

Well, there’s the factory whistle again. Time to get back down to it. LINE THREE! LUNCH IS OVER!

Stuff and … stuff.

What the fudge. Mother of pearl. Is that the phone again? Take it off the hook – I’m busy, damn it. Busy as John Henry.

What am I doing? Working on our new album, Cowboy Scat: Songs in the Key of Rick. A decidedly low-tech collection, recorded in the clammy basement of the abandoned Cheney Hammer Mill hear in soggy upstate New York, hammered out with great care and aplomb, dropped out of a three story window, and tied in a bow for your enjoyment. We hope you will be pleased, most pleased. Or at least, not angry, like our landlord, who is demanding all of the proceeds from our album sales in return for 47 months of back rent. (Turns out someone owns this dump after all. Who knew?)

Anyroad, yes, yes, I’m working on a CD package for the limited run we will be burning, mostly for giveaways. Cowboy Scat is going to begin life as a digital release, for the most part. We’ll send a copy to Nashville, one to Texas, one to Wyoming, and a few more of those big, square states out there. The drier the better. We may even send you a copy, one one condition: Don’t Tell Rick!

Yeah, Cousin Rick might be sore when he hears these songs. Can’t blame us. We merely culled them from the score of a musical whose libretto was lost on Lake Tahoe in the 1970s and never recovered. A musical that somehow predicted the meteoric presidential ambitions of a man barely out of short pants by that time. A truly prophetic work! Had it lived….

So, why am I doing the album art …. again … after such a mediocre performance on our previous albums? Simple answer: we are cheapskates. Why the hell else would we be squatting in this abandoned mill for the past ten years plus?

And as they say, it’s the stingy man who pays the most. So … back to my payment plan. Keep those cards and letter coming.

Lookout: Cleveland.

Is it coming round again? Hah. Some mad scientist YOU turned out to be. I could get better weather reports from an open window. Stupid Macaphee.

Mitch and his diabolical machine
Mitch and his diabolical machine

Yes, hello and welcome to the abandoned Cheney Hammer Mill, located in upstate New York, once a land of relatively stable weather, but now … rollicking storms. Sometimes I feel like we’re living in a bowling alley, our sorry asses parked in the lanes. I keep wondering if all this atmospheric upheaval is in anyway related to that massive gizmo Mitch Macaphee is always messing with. He just built it last month, and it’s got dials and levers and wheels and lights, and it belches black smoke into the air above the mill. Just like old times, really. Then it rains like hell.

If my suspicions are correct, I suppose that means I owe you all an apology. Or at least Mitch does. Understand – we do not control Mitch, we just utilize his expertise from time to time. He can be quite handy with minor repairs on spacecraft, for instance, like that time when our ion drive went out halfway to Neptune, and we didn’t have a space buoy, and Marvin (my personal robot assistant) got automatonic space sickness and couldn’t do the EVA to fix our guidance tracking antenna, so we had to send Major West, and … well…

It gets more complicated after that. Suffice to say, Mitch means well, even if he is trying to destroy the planet (well … he put that on his bucket list, at least). We will try to keep you posted on new developments as Mitch continues to twirl knobs, throw switches, and rub his hands together in glee.

In the meantime, keep an eye out for our upcoming May podcast, THIS IS BIG GREEN, which will feature another spellbinding episode of Ned Trek, some previously unreleased music tracks, and ridiculous conversation about killer chickens and other phenomena.

Keep an ear out, too. It’s really more about hearing than anything else.

Fire away.

Where did I leave my garlic press? Marvin? Marvin! Jesus. What kind of a dung hole is this, anyway?

Oh yeah … that kind of a dung hole. The abandoned Cheney Hammer Mill kind. A place where garlic presses go to die, apparently. This is the third one I’ve lost this month. And I used to have a blender, seems like, though our electrical service is a bit spotty anyway, so it hardly matters that that thing disappeared. Somebody around this mill has sticky fingers. I’m looking at you, mansized tuber! Oh, right. No fingers. Still … those roots seem a little grabby.

Where am I going with all of this? Not sure. Marvin (my personal robot assistant) is helping me today with my weekly chore of straightening out the kitchen. Don’t know if any of you have ever lived with a rock band, but let me tell you – no one wrecks a kitchen more completely than wayward musicians, down on their luck. Open cans of kipper snacks strewn about like poker chips. Half-eaten bowls of cereal. Do I have to draw you a picture?

It gets worse … particularly when we’re producing an album. People tend to keep strange hours … like ninety-seven o’clock (really strange hours). There’s a lot of work that goes into putting together an album as complex and nuanced as Cowboy Scat: Songs in the Key of Rick. You may think it’s just another crackpot enterprise, cooked up by a bunch of ass-clowns in upstate New York. And, well … you’re right, but (and this is important) there’s still a lot of work that goes into putting it together. (Is there an echo in here?)

Right now, the song count on this sucker is at 21. I can’t guarantee it will stay there, but if it does, it will be the longest album we ever made and maybe a little too long for a standard CD. Thank god those little discs are as archaic as dinosaurs! Digital releases mean no limits! Make it 35 songs! Quick, write 14 more!

All right, back to the search.

End game.

I’ll hold the ingots, and you swing the hammer. No, wait. We have to heat them up first. Where’s my butane lighter? Left it on the stove, I think….

Oh, hi. Just caught the core members of Big Green (and its motley entourage) in the process of preparting our latest album, Cowboy Scat: Songs in the Key of Rick, for publication and distribution. Very complicated process. You know how bizarrely complex our creative process can get; the very task of writing and recording these albums involves no less than 14,000 individual muscle actions per song (and that’s not including all the grimacing). Christ on a bike – by the time we got our last album International House to market in 2008, my face muscles were frozen in place until well after the holidays.

So, how does the manufacturing and distribution work? Simple. We melt down the .wav files into a slurry, pour them into rectangular forms, and cut them into shards – or “ingots” – about the size of a pack of cigarettes. We get Marvin (my personal robot assistant) to sand the edges off of each block of music, then carefully insert them through the mail-slot like hole in the specialized distribution mechanism our mad science advisor Mitch Macaphee fashioned for us during his last vaction in Barbados. (He was bored with all of the waterskiing.) That sends the ingots deep into cyberspace and the hungry ears of listeners all across the universe.

Now, Cowboy Scat: Songs in the Key of Rick presents a special challenge. Let me explain. Our first album, 2000 Years To Christmas, had 13 tracks. International House had 16. Cowboy Scat promises to include no less than 21 tracks! An unheard of bonanza, true, but think of the ingots! So many corners to sand down… Poor Marvin! What’s more, because Cowboy Scat is rumored to be the soundtrack to a lost musical, each track is attributed to a different music group that sounds strangely like us. That simple fact complicates its distribution in ways that I cannot describe here … for reasons … I cannot describe here.

Anyway, none of these difficulties will dissuade us. We will release this album – you have Mitch’s personal guarantee. (Just leave me out of it, okay?)

April comes late.

Which button do I hit again? The green one? Right. How about that one? Oh, right … not the red button. Never hit the red button.

Mr. Ned and crew on the bridgeOh, hi. Just trying to get the hang of this internet thingy we all keep hearing about. It’s like a series of tubes, I’m told, and I have a little trouble sorting out which one you toss the email into, which one you drop the blog posts into, and which one sucks up the podcast. Thankfully, we have our mad science adviser Mitch Macaphee to sort it all out for us. And, of course, Marvin (my personal robot assistant), who is himself – like the internets – a machine.

As you may already know, we’ve just cranked out another installment of our podcast, THIS IS BIG GREEN, which runs roughly every month. (By which I mean, it does get posted every month, in a particularly rough form.) This month’s show is packed full of all of that stuff you either like or hate, depending on whether you like or hate the podcast. Here’s a little rundown:

Ned Trek IX: The Ultimate Emergency Manager. In this thrilling episode of the adventures of Captain Willard Mittilius Romney and his talking dressage horse Mr. Ned on board the starship Free Enterprise, Willard and his crew of severe conservatives (and George Takei) are faced with their greatest challenge yet: making small talk with an audio-animatronic Richard Nixon. Oh, and there’s Edward Teller’s all-consuming Emergency Manager 9000, an ultimate computer bent on taking over the universe. That, too.

Music: We revisit the “live” duet version of our song “You’re Edward Teller”, in honor of the physicist’s appearance on Ned Trek. We dredge up another demo from the International House project – a scratch version of the song “Do It (Every Time)”. A bit later on, you’ll hear our more recent (still unreleased) recording of Matt’s song “Jit Jaguar”, one of my favorite Big Green recordings ever, owing to its primitive simplicity. (Easy to please, what can I say?). We close out with an adhoc rendering of “Special Kind of Blood”.

Gab fest: In our “Put The Phone Down” segment we engage in a wide ranging discussion of the late Ritchie Havens’ amazing thumb, Margaret Thatcher’s departure, the press response to the Boston Marathon bombing, our old-school recording methods, and other pointless drivel.

Hope you enjoy it. Comments always welcome. We’ll read anything on the podcast, anything. Be our guest, for chrissake. More later.

Mixing business.

What time is it again? Morning already? Christ on a bike. If I don’t start getting some sleep, you’ll have to take over the bailing duties.

The voice of reasonOoops. Sorry. Didn’t realize I was typing this into a blog post (or that anyone was looking at me from the imaginary wall-side of my three-walled room). We were in the process of working out chore assignments here in the abandoned Cheney Hammer Mill on this cold March morning in upstate New York, home of … well, abandoned factories … and crack-head shooters … and nervous deer. Come visit anytime!

The thing is, we are working diligently on the mixing of our next album, Cowboy Scat: Songs in the Key of Rick – an odd, patchy collection of songs from a forgotten musical about Cousin (Governor) Rick Perry (the score for which, legend has it, was lost over the side of a pleasure craft on Lake Tahoe back in the seventies. True story). This painstaking work can sometimes last one, maybe two hours at a stretch, over an unrelenting schedule of nearly one evening per week, pushing late into the early evening hours. It’s as much as a person can do to keep body and soul together in this pressure cooker. Stop the madness!

All right, I have pulled myself together. (Phew!) Why are we keeping such a punishing schedule? Well, blame our corporate label, Hegemonic Records and Worm Farm, Inc. (a.k.a. Hegephonic Records). They will stop at nothing. First they send the Indonesian military after us. (That’s usually last for most people.) Then they take the unprecedented step of reprogramming Marvin (my personal robot assistant) into some kind of robotic taskmaster. Every time I freaking turn around now, Marvin’s giving me the dagger eyes and running a tape loop of John Cameron Swayze saying, “Did you do it yet? Did you do it yet?” (Strangely, Marvin also offers us Camel cigarettes, as if Hegemonic implanted some Swayze DNA in his hard drive.)

How to do all this without sleep? I should ask our mad science adviser, Mitch Macaphee, who hasn’t slept in years. (Hell, if I’d done half of what he’s done just during our relatively brief acquaintance, I’d never sleep again.)