Tag Archives: hammer mill

Post haste.

What the hell, was that September just then? Fricking amazing. This is truly the meltaway year. We’re almost down to the chewy caramel center. (I think of September as mostly nougat, frankly.)

THAT'S where we'll be? Huh...Well, I suppose it’s safe to say that we won’t be posting a September podcast. Yes, we recorded one. Yes, we still have a computer and internet access. No, I didn’t leave it in my other pants. It’s still under construction, okay? It’s in far more capable hands than mine, I might add. And I am confident that those hands are hard at work, editing wav files, and not shuffling cards or clicking a remote or (God forbid ) tapping on a phone. (This would not be a good time for me to get a text with a link to some lame video.)

I guess it’s hard to deny that we have essentially departed from our monthly podcast schedule. That is, in part, due to our titanic laziness, but also to the fact that our Ned Trek productions have become much more ambitious in recent months, demanding more and more resources, elaborate sets, casts of thousands, pricey special effects, craft services for the crew, exotic oils for  Marvin (my personal robot assistant), you name it. It isn’t easy to produce an epic. Nor is it easy to produce a hack-job podcast, but (and this is important) doing so is easier than the thing with the epic. Are you following that? Good.

I have to think that more than a few of you are wondering, “Well … he’s got time to write this stupid blog post. Why doesn’t he just use that time to finish the podcast, or write a song, for pity’s sake?” Good question. We in Big Green have always been of the belief that timely and accurate reporting is key to the success of any band. If you don’t know what we’re up to, we won’t know either, and THEN where will we be? In Coventry, that’s where! (Actually, I hear that’s quite pleasant this time of year.)

Anyway, where is this getting us? Must get back to finishing that September … I mean, October podcast. Stay tuned.

Plastic baloney.

Is that all we have to eat around here? Jesus Christ on a tricycle. I thought there was some more of that plastic cheese sitting around. Never mind. Just give me another slice of plastic bread. Sigh.

Balogna ... now with more plastic!Oh, hi. Yep, it’s that time of year again. The ba-roke period, as our dear departed friend Tim Walsh used to say. Fighting the cat for scraps, except that we would never do that. In times of want, we have occasionally resorted to eating doll house food. Dibs on the plastic baloney! (Hey, don’t scoff … it’s actually not that much worse than tofu baloney.)

So, why exactly is Big Green wearing a cardboard belt this month? Why, you may ask, would a band with more than 300 songs under copyright need to scratch the floor for discarded fragments of past meals? It’s starving artist syndrome, my friends, pure and simple. Yes, we suffer for our art. Just the other day, I got my leg caught in a banjo string. Hurt like hell, dragging that banjo around behind me. Got a lot of dirty looks, too. Now I know what Paul McCartney was singing about when he did that Christmas record ditty called “Please don’t bring your banjo ’round” or something like that. Folks get real sensitive about that sort of thing, I’ve discovered.

Hey, well … I’ve wandered a bit, banjo or no. It got cold around the Hammer Mill last night, so we wrapped the place up a bit … at least the parts we live in. The unseasonable cold weather has at least given me the opportunity to finish my Ned Trek 20 script and pass it along to Matt, so that he can add about six pounds of weird to it. We’ve recorded our voice parts and are in the editing stage right now, so podcast fans … keep cool. We’re almost there, man. Don’t. Freak. Out.

Well, got to get back to my evening meal. Kind of chewy. Polystyrene really sticks to your ribs, though. (Though what it’s doing in the vicinity of my ribs I have no idea.)

Sweep up.

Oh, sweep up! I’ve been sweeping up the tips I’ve made! I’ve been livin’ on Gatorade, planning my getaway!

Grab a broom, hey willya?Apologies to Paul Simon. Actually, except for the Gatorade part, that sounds like the story of my life just lately. Trying to tidy up the cavernous squat house we call the Cheney Hammer Mill ahead of the coming winter months. Nothing worse than a dusty house when the snow is up to the rafters – ask anybody who’s spent a few frigid seasons here on the dark side of the year. So, just plying the old broom across the brick floor.

Marvin (my personal robot) is running the vacuum in the background. Not a vacuum cleaner, you understand – an actual time/space vacuum he created with the orgone generating machine Trevor James Constable left behind so many years ago. Amazing how that thing still runs after years of neglect, no one to tend its complex servos and circuit boards, not even our mad science adviser Mitch Macaphee, who used to tinker with the thing from time to time before he relocated to his new lab in Madagascar. (Don’t go there! It may no longer even exist, the way he messes with the space-time continuum.)

While I’ve been occupying myself with domestic duties, I’ve been listening to a one-off CD of some of our Ned Trek songs. They need a little work, but I don’t doubt that we’ll release them in some more finalized form one day. I’m contemplating a late year holiday release or two on YouTube, maybe a collection of Ned songs sometime after that. It’s adding up to a lot of material, actually – about 25 songs and counting, pretty much all of which have showed up on THIS IS BIG GREEN in draft form. I know, I know … sounds like another Cowboy Scat: Songs in the Key of Rick. Yep, well … that’s how we roll these days.

Hey, listen to me, right? Interstellar tour, new album, YouTube videos. Slow down, maestro, you move too fast. You got to … hoo boy, there’s Paul Simon again. Stop it, man. More later.

Plan ahead.

Is that where I left it? Oh, Jesus. Well … I’ll have to pick up another one, then. It’ll be long gone by now. Bloody inconvenient.

Work harder, not smokier.Oh, hi. Yep, I left my hand-carved walking stick at the bakery again. Second time this month. Last time, some old guy walked off with it … and yes, he was older than ME. Not exactly an heirloom, you understand. It’s actually just a branch that fell off the poplar tree in back of the Cheney Hammer Mill, by the canal. I cut some bits off of it, peeled back some of the bark, and voila! Cheap crutch.

Not that I need a walking stick. Fact is, I’ve been trying to stay close to the Mill as we plan our next interstellar tour. Nothing particularly ambitious, you understand – just a couple of the major star clusters, maybe a jaunt out to Aldebaran. (Matt’s not real crazy about that last one. The gravity’s a little strong for his taste.) I’ve asked Marvin (my personal robot assistant) to crunch some numbers on possible itineraries that might result in, I don’t know, a few extra shekels in our pockets. There’s some smoke coming out of his head, so he must be working on it. Good man.

Where’s the next episode of THIS IS BIG GREEN? Still in development, my friend. These things take time, particularly when you’ve got as full a plate like yours truly. Suffice to say that I am straining myself to the limit simply taking these few moments to write this post. Our production manager, the mansized tuber, is literally hitting me over the head for that script. Yes, tubey – I’m working on it! (Pssst … Don’t tell him I’m not.) It should be another extravaganza, perhaps unprecedented in its sheer stupidity. But don’t take my word for it …. Take …. someone else’s. Not sure where I was going with that.

Well, better get back to work. I’m typing, Tubey! Can’t you hear me typing??!

August down.

Hey, let's go to outer spaceMan, it’s so hot in here. Marvin, can you turn up the air conditioning? Oh, right … our air conditioning is a broken skylight. Sigh. Okay … break another skylight, then. Use my forty-foot pole … the one I use to keep my distance from things (and people) I don’t like.

Yes, friends … it is the end of summer, past the dog days. August is coughing up blood, writhing in the blistering sun. (Look on the bright side, brother.) Not much going on around the abandoned Cheney Hammer Mill, as you might have suspected. I laid down a piano part on perhaps one of the most ludicrous recordings I’ve ever played on. I saw some bluejays in the courtyard. What else happened? Not mucho.

Whoever said being a musician is tantamount to perpetual unemployment was on to something. (Hey … I think that was me.) You can see why we often opt for these less-than-optimal interstellar tours, in lieu of the more profitable terrestrial variety. Pretty simple, really … crappy work is better than no work at all. We are always open to seeking a new audience, even if that means holding our breath for weeks at a time. (There must be a better way to travel through space. Where’s Gene Roddenberry when you need him?)

Once we get finished with the current set of recordings, Big Green will likely take a romp around the known solar system; maybe a 2-week Autumn tour to promote … I don’t know, whatever we have to toss out there. Trouble is, on most alien worlds, the music fans have six or seven arm-like appendages, so you have to have a lot of product to keep them satisfied. Hell, they can absorb our entire canon and still have several arms free. We’ve got to get busy!

My hope is that, this time, wherever it is we’re traveling to, we have the assistance of Mitch Macaphee, our mad science adviser. His absence was sorely felt on our last, disastrous foray into the galactic hinterlands. Which proves that having a crazy driver is better than no driver at all. (At least out where there’s very little to crash into.)

Crackpot diary.

Twelfth day before the mast. I see a ship on the horizon. The Dutchman? Nay. ‘Tis nothing but a garbage scow. Or perhaps a pleasure craft that’s lost it’s way. Avast.

That sounds odd.Oh, hello, there. I was just engaging in a little imagineering, to borrow a term. It gets kind of quiet around this big old barn of a hammer mill, so you have to think of other things and more exotic places. I am certainly not alone in that. Marvin (my personal robot assistant) went on a flight of fancy this past week. I think he imagined himself a paper shredder in a busy office. Hard to tell, really, except that he kept muttering “stapling machine” to himself, as if he were talking to a neighbor. Then he would make this grinding noise, and confetti would blast out the equivalent of his blowhole. Not my choice of fantasy, but hey … whatever floats it, right?

I’ve taken a few moments between sessions to scroll back through some of the music we’ve made over the last year or so, under the name of Big Green but in support of the Ned Trek program segment of This Is Big Green. In the aggregate, it definitely constitutes a crackpot diary of sorts, kind of like Cowboy Scat: Songs in the Key of Rick, only even more bizarre, in a way. I think it’s the horse voice, and the fact that all of Mr. Ned’s songs have a kind of dressage horse dance meter to them. Then there’s those forties guys. Not sure what to make of them.

Is there an album in this? Glad you asked. I wouldn’t rule it out, but that goes into the project hopper alongside our long-planned “resurrection of songs past” album. We’re halfway between recording systems right now, still using our distressed old Roland VS2480 system with enhancements; hopefully moving to a standard open Mac-based system, perhaps Cubase. Whatever we can get to work for us. We’re semi-primitive, you know, so we have to try things for a while before we make a change.

More on that later. I’ve got to listen to some of those crackpot songs again and see if maybe there’s grounds for having one or more of us committed. They don’t do that so much anymore? Right. Just as well.

A la post.

Hey, it’s a nice day. Think I’ll spend it in the courtyard. Or maybe on the road to Old Forge. Or not. Any suggestions?

Kind of quiet around the Hammer Mill these days. Maybe it’s just the dog days of summer howling a little louder than usual. Everyone seems to be taking a pass on everything, regardless of how little effort may be involved. Even Marvin (my personal robot assistant) couldn’t be bothered to plug himself in to his wall recharger, complaining that it took too much energy. How does that make sense? Maybe in robot-ville, but no place else.

I’ve done some minimal work on recordings this week, pulling together one mix, tweaking another, enhancing this, pouring chocolate sauce on that. Exhausting effort, as you might imagine. Tonight brother Matt and I will work on this again, with brother Marvin and brother mansized tuber standing by to assist. As I mentioned before, we’re working on six new numbers that will appear in the next episode of Ned Trek, the Star Trek parody series we include in our now less-than-monthly podcast, THIS IS BIG GREEN.

Didn't you plug yourself in, Marvin?If you’re not familiar with this … um … form of entertainment, go to our podcast home page, scroll down to some of the earlier installments, and give it a listen. Ned Trek is usually the first item in the podcast. At some point, it may acquire a life (or podcast) of its own, but for now suffice to say that it is a monthly skit based on old “classic” Star Trek episodes, starring a crew of modern day neocons headed by Captain Willard M. Romney, his first officer and talking dressage horse Mr. Ned, and others. (Oddly, there’s one hold-over from classic Star Trek – Mr. Sulu, who basically plays the one sane person in the room.) It, well, makes us laugh, if nothing else. Pretty much the reason we do anything, I suspect.

Hokay, well … I’m kind of toasty after having played a set with Puttin’ On The Ritz up in Old Forge last night, so I’ll stick a fork in this. Be free.

Next stumbles.

Process that track. Delete that wave. Get a little drunk and then dig your grave. I don’t know, what is the work song equivalent of my current occupation? Most professions have been reduced to someone sitting in front of a computer terminal, tapping away and grimacing. Here at Big Green, we are no exception. As I am now demonstrating, by sitting in front of a computer and typing. And grimacing.

Well ... maybe not.Sure, I know, we should perform. I think that’s a marvelous idea. Right now, our performances are our podcast, THIS IS BIG GREEN, which appears nearly every month right here on this channel (check local listings). We could haul our sorry, superannuated asses down to the local gin mill and slog through some of our hundreds (yes, literally hundreds) of songs, most of which have never been heard outside a small circle of friends, and I wouldn’t rule that out. Maybe we’ll do some Stage-It performances, or something like that. Who the hell knows?

The main thing is (and this is important!) we are still making ridiculous music … still bizarre and asinine after all these years. Right now, the place to hear it is here. And as I look around at the clammy walls of the empty, abandoned Cheney Hammer Mill, our adoptive home, I am reminded of why we got into this in the first place… that spark of an idea that started Big Green decades ago, in a place far (well, not so far) away. That voice that came to me, early one morning, seeping into my cloudy, half slumbering consciousness, to whisper those inspiring words: “You need to make money somehow, you dope-ass loser … get a band going!”

Actually, it was louder than a whisper. And it wasn’t a disembodied voice; it was my roommate at the time, asking for my half of the rent. He was one of those guys who put labels on stuff in the refrigerator, each one sporting his name. To me, though, those labels always read “eat me”.

But enough about ME. What have you been up to, eh?

Tossed together.

Not much I can add to that, brother. How about another piano? No, no … not a different individual piano instrument, I mean another piano PART! Holy Jebus!

You are genetically weird.Oh, hi. Sorry about my outburst there. No, I wasn’t having an argument with my illustrious brother Matt, I was just rehearsing for our conversation later on today. I know it may seem strange, but I have to rehearse for just about everything that occurs in my life. Which is even stranger, in fact, because I almost never rehearse for gigs. In fact, you might describe me as downright hostile to the idea. (As a friend once famously said, “Rehearsal is just a crutch for cats who can’t blow.”)

Now I should say here, no one has ever accused Big Green of not blowing. That just never has been part of our DNA. Granted, we have some errant strands in there; some stray genes that make us more susceptible to, say, living in abandoned hammer mills (which, on a rainy day like today, is kind of like living in a water treatment plant) or keeping personal robot assistants … like Marvin (my personal robot assistant). Yeah, we have a lot of personal and genetic history to live down, but we soldier on. Damn the torpedoes! (No, I mean, really, damn them. Those suckers smart.)

Speaking of abandoned hammer mills, we’re hammering out some new songs for the next episode of the podcast. They started out to be “first-draft” essays of the kind we did in 2012 – those rough little numbers that ended up on Cowboy Scat: Songs in the Key of Rick in slightly less rough shape. But as we go, they keep getting more and more complicated. Recording is more like painting than sculpting, I have to say – you can keep slopping new paint over the old, sometimes until the canvas is inches thick with the stuff. When sculpting, you can only knock so many chunks off that rock before you’re left with … I don’t know … a smaller rock?

Hey, Matt … where’s my spatula? I’m going with the post impressionist look on this one. (Just practicing again. Love to hear the sound of my own echo in this old barn of a place.)

Loserville.

It’s the last train to Loserville and I’ll meet you at the station. Wasn’t that a Monkees song? No? Okay … that earworm crawled away decades ago.

Big GreenWell, here we are, kicking around the mill, just me and my shadow … and Marvin (my personal robot assistant). Brother and bandmate Matt Perry has taken up residence in some other abandoned structure. We get together for recordings, podcast sessions, etc., then he goes home to his shack and I to mine. The mansized tuber has planted himself firmly in the courtyard; I bring a bucket of swill out to him every couple of days. Livin’ the life, as they say.

As you can imagine, the utility costs here are fantastic. The abandoned Cheney Hammer Mill is, as I have said many times, a drafty old barn of a place, and most of the heat goes straight out the window (the same window, incidentally, that the rain and snow comes in through). Whoever is paying the fuel bills must be ripping his/her hair out by now. And then there’s the occasional rap on the door by, I don’t know, the bailiff, perhaps? U.S. Marshalls? If I looked more like Cliven Bundy’s militia crew, I wouldn’t worry about it much. But I yam what I yam, as the sailor said.

well-maybeIn all honesty, I’m considering moving back to a lean-to type housing arrangement, like what we had back at the beginning of this current chapter in the history of the Big Green musical collective. That’s probably more appropriate accommodation for the collective as it currently stands, which is to say … big enough for me, Marvin, and anti-Lincoln. A little tight for my taste, perhaps. And then there’s the question of plugging Marvin in for the night. (We need at least one outlet for his AC power supply and a second for my electric piano.  Oh, right … and one for my amp. Shit … my Mr. Coffee! Make that four.)

See what happens when you try to simplify? That’s when things start to get really complicated. Now pardon me … I have a podcast to finish, for chrissake.