No, man … I think it starts like this. Or maybe it’s a little slower than that. But it’s in E for sure. What? It’s in A? Are you sure? Damn ….

You know, I’ve never been very good at total recall. I don’t think my time at the Cheney Hammer Mill has improved my memory, either. So, what the hell am I talking about? Well … I’m gonna tell you. Marvin (my personal robot assistant) and I have been pulling out the old numbers. No, I don’t mean numerals in Old English script. No, I don’t mean stale joints. I mean songs, damn it!

Sorry. That came out a little stronger than I meant it to be. Suffice to say that we’ve decided to take a few hours to dust off some items from our back catalog. It’s a catalogue of mostly Matt’s songs, as he is the more prolific writer, by far, but regardless of authorship, there’s a lot of shit in there. (And by “in there” I mean in a recondite side room of the hammer mill where they used to keep the machine tools.)

Invisible chestnuts

Now, of course, we have a process. Marvin finds a song in the machine room. He dusts it off, as I suggested earlier, and hands it to me. Because we don’t write songs out in standard notation (or any other kind, for that matter), it’s a little hard to get a grip on a thirty-year-old song, particularly when it only exists in the vaguest metaphysical sense.

I’ve often (or perhaps never) said that Marvin’s sole super power is his ability to carry around insubstantial things. Once I saw him pushing an invisible hand cart stacked ten high with invisible cases of Nehi cola. That makes him the ideal automaton for the job of retrieving song ideas from the dustbin of history. Lord knows, there’s likely to be a chestnut or two in there. Perhaps more.

Entering fram-a-geddon

Okay, so once Marvin trundles in with a brass armload of decades-old songs, I get right to work. I pick up my superannuated Martin guitar and start twanging until the neighbors begin throwing things. That typically takes as long as five or six minutes. Then I close the window and start over, slapping the strings with my thumb and fingers like I just don’t effing care.

Why, you may ask, don’t I use a pick? Very simple, my friends. I don’t freaking know how, that’s why. Also, you can drop a pick, but try … just try to drop your thumb. Not so easy, is it? And before you ask, yes, my right thumb gets sore and calloused and all the rest of it. And yes, my chaotic framming sounds kind of extra twangy. But a dude has to do what a dude has to do. And dis dude does dat ding. (Yes, I said that. I’m ashamed of it, but I did, in fact, say that.)

Time for the round up

Like I said earlier, there are a few of my songs in that basket. One of them is called “Good Old Boys Round Up”, which was slated for our second album, International House, but never got off the ground. I think we started to record it, but it went all pear shaped. Not that there’s anything wrong with the shape of pears, but … anyway.

I’ve been jangling that sucker a bit and will likely do some “live” virtual recordings of that and other selections, then post them somewhere, somehow, maybe with some video, who the hell knows? Well … you’ll be the first to know.