Tag Archives: Cowboy Scat

Late to the party.

2000 Years to Christmas

Here comes another one, hot off the presses. Just in time for the presidential election. Wait, what? When did that happen? Five months ago? I’ll be damned.

Oh, hey there. Just plying our usual trade here in Big Green land. (For those of you listening to an audio version of this blog, I don’t mean Greenland’s big sister; I mean the land of Big Green, the indie rock combo from space. Or from time. From somewhere not here and now, suffice to say.)

I’m guessing more than a few of you think we just while away the hours, conversing with the flowers here at the abandoned Cheney Hammer Mill, where flowers grow up through the cracks in the shop floor. Well, I hate to disillusion any of our legions of followers, but we are far more industrious than that, my friends – far more. (Someone on the internet once claimed we were the laziest band in music. I almost fell out of my string hammock when I heard that one.)

Long-time listeners know that Big Green’s most recent material is mostly topical, ripped-from-the-headlines kind of stuff. And when I say “headlines”, I don’t mean today’s paper. More like last month’s paper … or last year’s. You see, the thing is, whatever the political situation may be at any given time, when things go septic, we start writing songs about it.

That’s the genesis of our second album, International House, which was basically our document on the Bush II administration. Then there was Cowboy Scat: Songs in the Key of Rick, which was made up of songs about the life and times of 2012 presidential candidate Rick Perry, our honorary cousin. Since then, we’ve written and recorded scores of songs for our podcast feature Ned Trek, many of which were about right-wing politicians in general and Trump in particular.

Huh. I guess it's time to release our song about that awesome blimp.

Okay, so you get the topical part. Now here’s the rest of the story – we’re always freaking late to the party. We released International House in the waning days of the Bush Administration – like, the last couple of months. And when did we release Cowboy Scat: Songs in the Key of Rick? In 2013, a year after Rick Perry dropped out of the presidential race! So in keeping with our long tradition of being far, far behind the curve, we are just now in the process of pulling together some songs from our Ned Trek collection, including a number that focus on Trump, months after the fucker left office. As Mr. Ned himself would say, “What the hell!”

In any case, we’ll keep you posted on any new releases from Big Green over the next year or so. In the meantime, we’re looking at posting International House on our YouTube channel, as that’s the only one of our albums that is not available on the YT. Look for the latest on our Twitter feed or our Facebook page. (There, Marvin – I’ve name checked all of our social media properties. Are you happy now?)

Burning Verses.

2000 Years to Christmas

Got the toaster plugged in? No, not THAT toaster. I mean the kind that pops up CDRs. Yes, it needs juice – what the hell century are you living in? Jesus Christ on toast. No, that WASN’T my breakfast order!

There are times, my friends, when it feels like I speak an entirely different language from my flopmates. And this is one of those times. Now that the nice weather has returned to upstate New York, you might think that we would venture forth from the abandoned Cheney Hammer Mill, our adopted squat-house, and enjoy the five minutes of sunshine we get each year, whether we need it or not. Well, you would be wrong to think that. God, no – Big Green is still cooped up inside this dump, trying to decide how to slice and dice the mountain of makeshift recordings we’ve done over the past five years under the rubric of Ned Trek. Now, is that any way to spend your summer? (All five minutes of it?)

What’s the urgency? Well, I can’t answer that, except that there appears to be some line of code in Marvin (my personal robot assistant)’s programming that requires him to do an exhaustive inventory of our work product every seven months. That’s all well and good, except that we are – as you likely know – the most disorganized band in the history of music, so our efforts to accommodate this half-crazed automaton fall more than a little bit short. Story of our lives, right, people? We just write ’em, play ’em, and record ’em. What happens after that is not our department. So as a consequence, we’ve got songs lying around the mill, knee-deep in parts, jumbled together in a hap-hazard fashion – an auditor’s nightmare, to put it succinctly. Every seven months, it makes smoke come out of Marvin’s brass head. (Note to audience: that’s NOT supposed to happen. Marvin is battery operated – no emissions, period.)

Slave driver!

Take Ned Trek (please!). We had something like 40 episodes of the show, posted as a feature on our long-running podcast, THIS IS BIG GREEN, with a “rebroadcast” on a separate feed as simply Ned Trek. Something like half of these shows were musicals, which means that they included five or more original songs – sometimes as many as 8 in a single episode. After five years of production, more or less, we have about 100 Ned Trek songs in total. Marvin wants us to funnel them all into disc-length (80 minute) albums, like we did with Cowboy Scat: Songs in the Key of Rick (another product of THIS IS BIG GREEN technology). That sets us up for a conundrum – do we (a) put all of the songs onto multiple discs, or (b) cherry pick the ones we like best (or hate least) and consolidate them on maybe two discs? Just a preliminary sort brings us to five or six discs total – that’s just nuts. Even Marvin can’t count THAT high.

Well, whatever we decide to do, the next thing we’ll need to do is try to find people who still listen to CDs. (We save that hardest shit for last.)

Banjogeddon.

2000 Years to Christmas

So, wait a minute. You say the Chicago tuning is like the top strings on a guitar? Is that so? What about the standard plectrum tuning? Oh … and I think I turned the peg too many times … unless it’s supposed to sound like that. My bad.

Oh, hi. Just caught me in the middle of a session. No, it’s not the kind of session we usually have here at the abandoned Cheney Hammer Mill (our adopted squat-house in upstate New York) – something a bit more prosaic. As always, Big Green is making do with whatever is around us at any given time. When we made 2000 Years To Christmas, for instance, we were short on effects, so we had to use the mill’s steam HVAC system to get some decent reverb. Then, when faced with a shortage of horn players during the sessions for International House, we had to retrofit the mill’s HVAC system so it could be used as a brass section. And when our mastering deck broke down in the middle of mixing Cowboy Scat: Songs in the Key of Rick, in a moment of desperation we routed the tracks through the HVAC system, which may explain why that album sounds the way it does. (There has to be a reason.)

Right, so we’re sorting through the songs we’ve written and recorded since 2013, mostly Ned Trek related numbers, with an eye to enhancing the tracks before attempting to release them to the public. And in more than one case, it seems like we’re a little light on the stringed instruments. Only trouble is, our guitars are all out at the guitar laundry …. I mean, the tech. The only thing we have left is a four-string banjo left here by the “Old Ones.” (How many centuries ago? Even Ruk doesn’t remember.) The strings are made of some nameless substance that I’m afraid may have once been a living thing. The tuners are worn away to nubs. There isn’t a good thing to be said about the remains of this instrument. In other words, it’s a perfect addition to our next album … whatever that may be called. (Something with banjo in the title?)

Hey, that's great, Abe.

I have to tell you, it’s been close to a decade since I last played a banjo. (And what’s worse than that, even then, I never knew how to play the effing thing.) That’s why I’m working with our resident expert, Antimatter Lincoln, on how to at least tune the instrument. He prefers the Chicago tuning, being a former resident of antimatter Illinois (or Sionilli, as they call it). After that, he started giving me some pointers. Things like, “Don’t cross the street with your eyes closed,” and “Keep your feet under your knees at all times,” and who could forget, “Avoid the Ford Theatre on April 15, 1865.” No pointers on how to play the banjo, but he did rip into a couple of songs while I was in the room, and let me tell you … he makes me look like a good banjo player. (Notice I said “look” and not “sound”.)

This may end up with some kind of dueling banjos standoff between me and Anti-Lincoln. Who will prevail? Music, my friends … that’s who.

Spring Chills.

2000 Years to Christmas

Throw another log on the fire. What’s that? No more logs? What the hell. Then break up one of those lobster traps. We haven’t caught a single lobster in twenty years of squatting in this mill – can’t understand it. Stupid trap!

Oh, hi. Yeah, you caught us looking for alternative sources of fuel again. It’s pretty much a full time job for the likes of us here at the abandoned Cheney Hammer Mill. It takes a lot of fuel to heat a big old barn of a place like this, even with the entire west wing collapsed and the north wing taken over by lunatic neighbors. In this current cold snap, we’ve resorted to burning whatever wood we can get both hands on. Brother anti-Lincoln has even started pulling up the floorboards in his personal apartment. Inasmuch as it’s on the third floor, this is making navigating around his living space more and more of a challenge. (He’s devised a system of ropes, but I believe he’s thinking of throwing those into the fire as well.)

Now, plenty of people have asked us, “Hey, Big Green …. since your name is Big Green, why don’t you install some solar panels on the roof of the Cheney Hammer Mill?” To that I respond, good question, plenty of people. We resort to something like passive solar energy – opening the blinds on sunny days and rubbing our hands together furiously. And sure, we could ask our mad science advisor, Mitch Macaphee, to fashion some kind of perpetual energy machine, but our Mitch is a temperamental artist – if he invents a perpetual energy machine, it’s because he saw a hole in the world shaped like such a machine, then carved something out to plug that hole. Selfish human concerns, like avoiding hypothermia, are of no interest to him. He’s looking at the BIG picture … and that picture is big enough to block his view of yours truly.

Pedal faster?

We tried to get in touch with our cousin, Rick Perry, former Energy Secretary and Governor of Texas, as well as subject of our third album, Cowboy Scat: Songs in the Key of Rick, but he hasn’t taken any of our calls. So much for pulling strings. (Hey …. maybe we can pull strings to generate electricity … ) There is another option besides resorting to the assistance of celebrity relatives – getting one of those energy generating recumbent bike thingies. Just hook that thing up and go. We could get Marvin (my personal robot assistant) to pedal the thing, and that would produce enough juice to power a block of space heaters as long as your arm and thick as your ass. For the record, Marvin’s not crazy about the idea, and suggested I might consider doing it myself as a way of shedding some of the COVID pounds I’ve put on over the past year. Still, it’s one way of getting through March without ending up having to be picked up with a pair of ice tongs.

This will be easy. Just set up the bike, plug it into the wall, and pedal backwards. I don’t know why everyone doesn’t do it.

Cold Files.

2000 Years to Christmas

How long do we have to stay down here, man? It’s five below zero. Next time we’re bringing a can of sterno or something. Maybe one of those highway flares. Ah yes – blessed warmth.

Hey, out there in internet-land. Yes, here we are at the abandoned Cheney Hammer Mill, doing what we usually do – nothing much, interrupted occasionally by nothing whatsoever. We lead a sedentary life out here among the ruins of a former mill-driven regional economy, brought low by the greed of post-industrial corporate financiers. So I suppose it is they we have to thank for our adopted abode, right? I mean, if they hadn’t massively dis-invested in this community and moved all their operations to the Philippines ages ago, there wouldn’t be any abandoned Cheney Hammer Mill for us to squat in. So it’s an ill wind indeed that doesn’t blow someone some good, somewhere. Somehow.

What’s the nothing that we’re doing today? Ah, nothing much. Just digging through our piles of junk in boxes, looking for old recordings and unfinished projects begging to be reborn. I’ve recruited Marvin (my personal robot assistant) to serve as a kind of metal detector/divining rod, using his advanced sensor technology to scan for magnetic tapes or abandoned discs. When he comes close to either one of those types of objects, lights start flashing and his antennae start twirling around counterclockwise. Then a little mechanical bird pops out of a little door in his forehead and crows the hour. That’s when we all break for lunch. (Even if it happens at 10:00 at night. Lunch is whenever the birdy sings, that’s it.)

Joe: Hey, man .. You picking up any signals?

Marvin: squx.

You may ask if we’ve found anything interesting, to which I would reply, “Funny you should ask!” Actually, our time rooting through the basement was pretty much wasted. Hell, I could have looked on our old hard drives for music projects of every description, unfinished, abandoned, neglected, and so on. We started recording Rick Perry songs (later collected in our ridiculous third album, Cowboy Scat: Songs in the Key of Rick) in probably 2011, then went right into the Ned Trek songs, which number in the scores – probably 120 songs over the course of six years. In between all that, we started to resurrect some older material from the 1980s and 90s – songs we had done demos of but never full-on recordings. I’m not sure how many of those there are. We’ve played a few rough mixes on THIS IS BIG GREEN, our podcast, but some have never seen the light of day. Or the dark of night.

So now, when we’re bored, we rack up one of those old numbers, hit play and twiddle the dials until it sounds like something that’s not junk. If we do that long enough, we’ll send some of it your way. That’s just how we roll.

Old Stock.

2000 Years to Christmas

You’ve forgotten it again? Damn it, man! I hope you realize what this means. No, I mean, I really hope so … because I haven’t any idea what this means. Not a rhetorical question at all.

Oh, hey, everybody. I may be the only upstate New Yorker who says “hey” when he means “hi”. Or possibly not. In any case, hope all is well with you out there, beyond the walls of the abandoned Cheney Hammer Mill, our adopted home. The colder months are coming on up here in the great north country, and we’re still looking for things to burn for warmth. We ran out of old hammer handles years ago. Then went the stair railings. Next, we pulled up the Rochester floors in the old executive offices, just above the shop, and tossed them into the fireplace. Fuel got kind of scarce after that – I personally think it was a mistake to burn the fireplace mantel in the fireplace. Desperate times call for desperate measures.

Last week we were giving capitalism just one more try. Well, it didn’t work out, my friends. In a world that demands success, all we can offer is failure. But we’re offering it on splendid terms – no money down. In fact, buy now and you pay nothing for six full weeks! Oops. Forgot myself. Yeah, we don’t have a lot of new products to offer the world, just some old stock in the form of about 800 copies of our first album, 250 copies of our second album, and maybe 20 copies of our third. (It’s like we learned something as we went along.) I’m sitting on them now as I write this, and let me tell you … they make lousy furniture.

Chuck another log in there. Or something.

Hey … we’ll get through. We always do. Last year, when things got tight, we sent Marvin (my personal robot assistant) out to find a day job. He didn’t have a lot of experience, but he has that kind of honest, open face that people tend to trust, and somebody offered him an entry level position at a hot dog stand. Location? Wherever he pushed it. Three steps down from a food truck – maybe four – but food service none the less. I suppose if we find ourselves in a bind again this year, I can toss a chef’s hat on his brass noggin and see if he can’t get a job as a line cook in some space-themed eatery that doesn’t exist. (This IS upstate New York, for crying out loud.)

What’s that, Marvin? No. No, we can’t burn our CDs. The reason is simple – they’re more toxic when they’re on fire than when they’re being played on your stereo. Now, where’s that chef’s hat?

Old stock.

2000 Years to Christmas

Huh. Is that what it actually sounded like? Don’t remember that at all. That’s probably down to drug use, I guess. Like all those Dead concerts I never went to. (At least I don’t remember going to any.)

Hello and welcome to another chapter of Archive Summer, with your host, Joe of Big Green. (Kind of a medieval sounding name, right? I am Cleetus of Taberg!) As I mentioned in previous posts, there’s precious little for band members to do during this time of COVID-19 social isolation, unless you’re into performing online … and have a decent internet connection. We could try to do streaming performances, but it would sound like one of those old novelty greeting cards that plays a tinny little loop of “Happy Birthday” when you open it. (Except we would NEVER play Happy Birthday. Copyright, you see …. those fuckers are litigious as hell! In fact, I shouldn’t even say the name of that song, let alone play it.)

You wouldn’t think that, living in an abandoned hammer mill, we would have much of an archive, but that’s where you’re wrong. DEAD WRONG. God no, we carry every piece of flotsam and jetsam from our previous lives along with us, like traveling hoarders. None of it’s worth anything, of course (we hocked all of that years ago), just sentimental value … with the emphasis on mental. The fact is, when you’ve been a “recording” group as long as we have, you tend to have a lot of recordings lying around. Some of them go back to the 1970s, but those are pretty rough and, well … just never mind about those. They’re a bit like those tight-fitting velour shirts dudes used to wear back then – not something you want to advertise. Like most bands, we started life badly imitating people we liked, then started to piece together the ad-hoc approach to music that Big Green is now known for. (To the extent that we’re known, of course.)

Uh, Marvin ... this is a microwave. The DA-88 is downstairs.

Our back catalog includes a mountain of stuff. Super early songs recorded straight to stereo on cassette machines and beat-up living room reel-to-reels. Faux “multi-track” recordings pieced together by bouncing tracks from one cheap recorder to another. A lot of Matt songs recorded on his first four-track cassette deck and subsequent similar machines – there are literally more than a hundred of these. Then we got an 8-track Tascam DA-88 deck in 1995, and we recorded 2000 Years To Christmas on that, among other things. (I’ve got some cassette submixes of unfinished songs from that system). In 2001 we moved to a Roland VS-2416 deck, which we used to make International House and most of Cowboy Scat: Songs in the Key of Rick. For the last few years, we’ve been using Cubase Artist to record the Ned Trek songs, most of which you can hear on our THIS IS BIG GREEN podcast (now on hiatus) or our Ned Trek podcast. Needless to say, there’s a ton of unreleased material, and I have Marvin (my personal robot assistant), trawling through all of it, looking for, I don’t know, caramels hidden in piles of shit. (Sounds delicious!)

Hey, it’s summer, right? We’ll start posting stuff again soon … but for now, another mint julep. (That’s a drink, Jim.)

Retread.

2000 Years to Christmas

Huh. Ever had the feeling that you’ve lived a particular moment before? Or been someplace you’ve never been to before? No? Okay, well …. I’m having it right now!

Okay, now I don’t know how many of you out there have ever had the pleasure of producing an album that’s made up of songs you’ve already recorded. Show of hands? Let’s see …. five …. six …. ten …. and a few more way in the back. So maybe just fifteen of you. That’s fifteen out of five billion, okay? I think the point’s been made. And if I sound testy, well, it’s been a long goddamn day and I DON’T WANT TO TALK ABOUT IT RIGHT NOW.

Um ….. sorry. Anyway, my point is that making an album out of existing songs is like building a staircase from the pieces of your previous staircase. Which is what one of my landlords did once. Then my next landlord fixed a hole in the porch roof by tearing down the entire porch roof and throwing it into the gully behind the house. Don’t even get me started on what he did to the plumbing. But I digress …. again.

Okay, so you know how when you’re shopping at Costco or Hannaford or whatever, once in a while they throw a little something extra in your shopping bag, like a coupon or a hard candy or some discarded fruit? That NEVER happens? Okay … bad example. You know how sometimes you get something cheap and something even cheaper comes along with it? Well, in case you haven’t been paying attention, that’s how we’ve been handling our podcast, THIS IS BIG GREEN, for a number of years now. So with each free installment you get an episode of Ned Trek, and that thing often contains additional giveaways, like a brace of original songs, roughly recorded in our makeshift basement studio.

Hey, I think I've played this part before.

You just blew my mind.

You with me? Good. What we’re doing is taking some of those giveaway songs and hammering them into shape. After we do that, we’ll line them up in random order and call it an album. It’s kind of like what we did with our last album, Cowboy Scat: Songs in the Key of Rick, only our Ned Trek songs were a bit more considered (if no less ridiculous). We don’t have a title or a theme, just 80 or 90 songs to sort through and winnow down to maybe 15 or 16, maybe less. Some we’ll polish, others maybe re-record. Marvin (my personal robot assistant) thinks it’s deja vu all over again, but he’s just channeling Yogi Berra.

Hey, we all have hobbies, right? Not right? Okay. Not my day for being right.

Smash flops.

I don’t know – what do you think? It’s been a few weeks. Actually longer. Starting to lose track. When you’ve been at sea as long as we have, you forget what the shore looks like. Though if memory serves, it sure looks like shit.

Ah, forgive me. You caught me in the midst of my musings. My mind tends to wander as I squat here in the humble potting shed that sits in the courtyard of the abandoned Cheney Hammer Mill, our erstwhile squat-house now under occupation by hostile neighbors. (See what I mean? I can’t even write short sentences anymore.) Living here offers an opportunity to reflect on where we’ve been and where we’re going. Where we’ve been is nowhere. Where we’re going is, who the hell knows. And the midpoint between nowhere and who the hell knows is … I don’t know, fuck-all? Something nicer?

For some reason, this week we were talking about whether or not Big Green would do another album. After all, our last release was in 2013, when we dropped Cowboy Scat: Songs in the Key of Rick. And we haven’t forgotten what happened then … we dropped it and it broke into a million pieces. Then we dropped another one; that one broke into a million pieces. So we tried carrying the third copy around more carefully. That’s when one of those Texas rangers shot the thing so full of holes that now every copy has bullet holes in it. See for yourself!

SEe? Shot full of holes.

Anyhow, it’s not beyond the realm of possibility that we would put out another collection, particularly since we have tracked somewhere between 80 and 100 songs under the rubric of Ned Trek since we released our last album. (Sure, some of those numbers are meant for laughs, but what the hell …. Cowboy Scat wasn’t?) In fact, I myself can discern as many as three distinct albums in that big bag o’ songs, but given the amount of effort involved in preparing and releasing a collection, my guess is that we will start with one, albeit kind of a long one. (Again, Cowboy Scat was 21 songs. Yes … 21.)

I still haven’t given up on my notion of having an online jukebox. Everyone else has, of course. So maybe an album is the thing. Probably the best we can manage, living in a potting shed.

Inside August (2019).

Sure, it’s hard to put out a podcast when you’re sleeping in a potting shed. But hard shouldn’t stop you when there’s important work to be done. Unless it gets too hard. Then, well …. maybe you could do a blog post instead. Man … that’s roughing it.

Well, you may have already noticed, but our August 2019 installment of THIS IS BIG GREEN was posted this week, and unlike our July episode, this one includes Matt and a non-retread episode of Ned Trek. So if you scratched over the last TIBG, don’t miss this one. Here are some highlights:

Ned Trek 40: Day of the Dopes. Amazingly, we’ve reached the fortieth episode of our Star Trek political parody space opera. This episode is adapted from the classic Star Trek script, “Day of the Dove”, with not unexpected modifications and substitutions. Look for bad imitations of Bill and Hillary Clinton as well as other fripperies.

Put The Phone Down. We talked another green streak this time out, touching on fledgling falcons, turtle eggs, Monte Markham and Frank Zappa, among other things. Matt and I also take a moment to revisit the racist cartoons of our youth, from wartime Popeye to Johnny Quest. Quite an upbringing we had, right?

Song: Pagan Christmas, by Big Green. A selection off of our first album, 2000 Years To Christmas. It’s a rocking little number that I want my jockey to play. (Oh, wait … that’s another song. This one is about Christmas dinner.) Big favorite among the wiccan community, so we hear.

Prepare to launch podcast!

Song: For Your Majesty’s Amusement, by Big Green. This is one of the tracks off of our second album, International House. Kind of a subversive take on royalty of all descriptions, inspired in part by a scene from the movie Orlando. Any song that ends with people carrying torches has to have something going on, right?

Song: The Bishop, by Big Green. One of my favorite tracks from International House. I can tell Matt mixed this one, because it sounds pretty good. What is so important? Ask the Bishop.

Song: Aw Shoot, by Big Green. We’ve played this number from our third album, Cowboy Scat, before on the podcast. It’s partly inspired by the theme song from the bizarre-ass caveman movie Yor: Hunter of the Future. We do pretty bad Scandinavian accents, as you’ll hear.

Song: Box of Crackers, by Big Green. While it never appeared on one of our albums, Box of Crackers started life as a Christmas song, then morphed into something else. It’s a close relative of our song One Small Step in that they were originally produced as part of the same project. A period piece to be sure, but it still has some relevance re “Kentucky Mitch”.