Tag Archives: Cheney Hammer Mill

Broken windows.

2000 Years to Christmas

That putty’s too dry. You can’t do anything with it now. What’d you do, leave it out in the sun? Well, that’s your problem right there. Sun, hot. Sun HOT.

Oh, hi. Just another summer’s day here at the abandoned Cheney Hammer Mill in upstate New York, Big Green’s longtime adopted home (squat house). Truth be known, we don’t always squat here – sometimes we stand bolt upright. I know that breaks with protocol for squat houses, but hell … we’ve got a lot of head room in this mill. Those old nineteenth century hammer-meisters must have been pretty tall; either that or they all worked on horseback. (I seem to remember one promoter we had once who wanted us to play our music on horseback. He also wanted me to change my name to Tex Piadro. Don’t remember why we let him go, but …. we let him go.)

Well, as anyone who has ever lived in an old apartment building knows, when it comes to structural flaws or things that leak, you’re basically on your own. If you’re a legit renter, you can call your landlord, and s/he will send a) a friend who owes some money, b) a brother in law who purports to be a handyman, or c) his or her own ass with a monkey wrench and a prayer. Our situation is different, of course – being squatters, we have no one to complain to when the place is falling apart around us. But the upside of that is, no useless hacks hammering away at some home maintenance problem they haven’t got a clue about addressing. As squatters, we become the useless hacks. That’s called self-reliance, kids. Look it up.

They obviously need some work. (The windows, that is.)

There’s a lot wrong with this hammer mill. Not for nothing did they abandon it. You would have thought they’d convert it into some kind of multi-vendor consignment mall or indoor craft fair, like they typically do with old mills up here, but frankly the place is just in too rough a shape. (I think it’s more of a rough hexagon than anything else.) We’re trying to do something about the leaky windows, as that’s the most annoying problem right now. Marvin (my personal robot assistant) has been called into service as a wind-break and rain shield. Basically, we told him to hold up a stretched out garbage bag in front of the window and … well, just keep holding it.

Then Mitch Macaphee, our mad science advisor, started getting busy with the window putty. Don’t know where he found the stuff, but I for one have never seen putty that glows in the dark before. When I asked Mitch about that, he just gave a dry little cackle and kept working. Fair enough.

Revival.

2000 Years to Christmas

Looks pretty moribund to me. Did you kick the tires? Here – take the ignition key and give it a few cranks. Nothing? Right. This will be harder than I thought.

Hey, hello. Welcome to the abandoned Cheney Hammer Mill in central New York state, an out-of-the-way corner of an out-of-the-way place if ever there was one. (And there was one.) Still in the midst of an archive summer – not that much of a novelty around this place. Seems like every summer I find myself diving through boxes and bins of old tapes, moth-eaten notebooks, forgotten scraps of paper, and old biscuit tins filled with souvenirs of a bygone age. You know what they say about idle hands. Don’t you? Hell, I don’t know what they say. I was hoping you’d tell me. Something like, idle hands build false … idols. Who knows?

Actually, it was Marvin (my personal robot assistant) who reminded me that we haven’t posted an episode of THIS IS BIG GREEN, our podcast, in over seven months. Something of an oversight, I’d say. Like most musicians in these pandemic times, I chalk it up to COVID-19, but that’s not really the reason. You know the story, right? Just too much other shit to do. Anyway, Marvin has talked me into reviving the podcast, and not a moment too soon. The RSS feed was getting too rusty to send anything over. If we’d waited another month, it would have seized up entirely. We have blown the whole impulse stack trying to start it up again. Sure, we could have mixed the matter and antimatter cold, but it’s never been done. How’s that for a reason?

You search the biscuit tins. I'll revive the podcast.

As some of you know, I have, in fact, started yet another podcast – it’s called Strange Sound, and it’s a long-running political rant … something like the audio version of my, well … political rants. Anyway, that soaked up some of my time and energy. Of course, there’s ongoing maintenance of the hammer mill. Not that I actually do any of it, but it is something that’s happening, and it does take time. (Just not mine.) Then there are local relationships to keep up. You can’t overstate the importance of this – If we don’t work our butts off to mollify our neighbors, they’re likely to come after us with pruning hooks. Have you ever been pruned by an angry neighbor? One time is enough, believe me. Finally, the hammer mill’s roof is in terrible shape, and I have to spend practically every rainy day changing the buckets under the leaks. It feels like bailing out the titanic sometimes, only with less cheesy music.

Well, we’ll see if anything comes charging down that RSS feed. (Keep your ears open.)

Old stock.

2000 Years to Christmas

Huh. Is that what it actually sounded like? Don’t remember that at all. That’s probably down to drug use, I guess. Like all those Dead concerts I never went to. (At least I don’t remember going to any.)

Hello and welcome to another chapter of Archive Summer, with your host, Joe of Big Green. (Kind of a medieval sounding name, right? I am Cleetus of Taberg!) As I mentioned in previous posts, there’s precious little for band members to do during this time of COVID-19 social isolation, unless you’re into performing online … and have a decent internet connection. We could try to do streaming performances, but it would sound like one of those old novelty greeting cards that plays a tinny little loop of “Happy Birthday” when you open it. (Except we would NEVER play Happy Birthday. Copyright, you see …. those fuckers are litigious as hell! In fact, I shouldn’t even say the name of that song, let alone play it.)

You wouldn’t think that, living in an abandoned hammer mill, we would have much of an archive, but that’s where you’re wrong. DEAD WRONG. God no, we carry every piece of flotsam and jetsam from our previous lives along with us, like traveling hoarders. None of it’s worth anything, of course (we hocked all of that years ago), just sentimental value … with the emphasis on mental. The fact is, when you’ve been a “recording” group as long as we have, you tend to have a lot of recordings lying around. Some of them go back to the 1970s, but those are pretty rough and, well … just never mind about those. They’re a bit like those tight-fitting velour shirts dudes used to wear back then – not something you want to advertise. Like most bands, we started life badly imitating people we liked, then started to piece together the ad-hoc approach to music that Big Green is now known for. (To the extent that we’re known, of course.)

Uh, Marvin ... this is a microwave. The DA-88 is downstairs.

Our back catalog includes a mountain of stuff. Super early songs recorded straight to stereo on cassette machines and beat-up living room reel-to-reels. Faux “multi-track” recordings pieced together by bouncing tracks from one cheap recorder to another. A lot of Matt songs recorded on his first four-track cassette deck and subsequent similar machines – there are literally more than a hundred of these. Then we got an 8-track Tascam DA-88 deck in 1995, and we recorded 2000 Years To Christmas on that, among other things. (I’ve got some cassette submixes of unfinished songs from that system). In 2001 we moved to a Roland VS-2416 deck, which we used to make International House and most of Cowboy Scat: Songs in the Key of Rick. For the last few years, we’ve been using Cubase Artist to record the Ned Trek songs, most of which you can hear on our THIS IS BIG GREEN podcast (now on hiatus) or our Ned Trek podcast. Needless to say, there’s a ton of unreleased material, and I have Marvin (my personal robot assistant), trawling through all of it, looking for, I don’t know, caramels hidden in piles of shit. (Sounds delicious!)

Hey, it’s summer, right? We’ll start posting stuff again soon … but for now, another mint julep. (That’s a drink, Jim.)

Xmas again.

2000 Years to Christmas

I don’t know. Why don’t we just toss it out into the street and see if anyone happens upon it? Wait … that was our original marketing strategy? Did it work? Huh. I thought not. Oh, well … maybe twice is the charm.

Oh, hi, silent majority of Americans who read this blog on a regular basis. I didn’t recognize you at first with that mask on. You just caught us in the middle of a marketing strategy session – we’re trying to shift more physical and digital copies of our first album, 2000 Years To Christmas, a full twenty years after its release. (I’m sure you’ve noticed the banner. Yeah, that was us that put that there.) We’ve got discs stacked in the basement of the hammer mill, discs serving as ashtrays and drink coasters, discs nailed to the walls of the bathroom in a psychedelic mirror-room kind of effect – freaky! We’ve handed them out, tossed them out, used them as Frisbees, table hockey pucks, sacred amulets, etc. Everything but sold them. Yes, as capitalists, we’re abject failures. We’re the worst robber barons ever!

Well, it’s time to embrace our failure and make it our own. Now that it’s aged a solid two decades and made its way into countless music services, we’ve finally gotten around to posting 2000 Years To Christmas on YouTube. I’ve handed the task off to Marvin (my personal robot assistant), and he has assured me that he will upload the songs in a timely fashion. Of course, his wifi connection is a little wonky, and we can’t afford decent internet around this joint, so we have to rely on him rolling on his gimbals past the public library so that he can tap into their free wifi long enough to send another music video skyward. That necessarily involves circling the library a few times, maybe five, maybe seven for the longer songs. Eventually, the librarian comes running out of the building, swinging a yardstick at Marvin and telling him to get the hell out. I’ve programmed Marvin to comply, so he does so … then comes back later. (I programmed that into him, too.)

He's dead, Lincoln. And he's fictional!

Is this a reasonable strategy for a band in this era of COVID lockdown? Hell, I don’t know. Are there any reasonable strategies? We’re just pushing shit out there, hoping someone hears it and gets some enjoyment out of it. Or not. Either way, putting an album on YouTube is the functional equivalent of dropping it in the middle of the street and hoping someone happens upon it. So you could say we’ve been consistent from the get-go with this album.

I know some of my colleagues disagree with this approach. “Get a manager”, they holler, “like that blonde guy on the Partridge Family!” “I think he’s dead,” I’ll respond, but they are undeterred. “Did you try to call him,” they say. “Did you send him a postcard? His name is Reuben Kincaid!” Hoo man. I guess I’ll have to write that postcard if I ever want to get anti-matter Lincoln off my back. I just wish to hell someone would tear him away from his classic TV channel.

Walled-off salad.

2000 Years to Christmas

I don’t have any walnuts. Apples? Nope, none of them either. Celery? Who the hell eats CELERY? Aside from anti-Lincoln, that is. (He’ll eat anything except chicken fricassee, the real Lincoln’s favorite dish.)

Yeah, well … it was bound to happen. This sequester, social distancing business is getting pretty old. I know what you’re going to say (just call me Kreskin) – But you guys are always cooped up in that abandoned hammer mill! you’ll say, what the hell’s the difference? Such an insolent question! Actually … yeah, you have a point, but watching all these crazy people get even crazier because of home confinement is prompting us to get kind of sick of it too, if only for appearances sake. I mean, I don’t want to be that guy … you know, the one that isn’t climbing up the walls, even though he hasn’t been able to go golfing since last November. Of course, I’m genuinely not that guy, but you see where I’m going with this, right? No? Fuck. I was hoping you could tell me.

Anyway, that’s me. What about my fellow hammer mill-dwellers? Well, they are going stir crazy. Nothing to do with the quarantine. It think they’re just sick of my stir fry. You see, I’ve somehow ended up as the mill cook by default. The job originally fell to Marvin (my personal robot assistant), as that seemed well within the scope of his job description. (“Other duties as assigned,” it says in big red letters.) Anyway, when he set a tossed salad on fire last week, he was out, and because he reports to me, they handed me the apron. I let a few days pass to see if they’d forget about it, but they didn’t, and well …. they were getting kind of hungry, so I put the kettle on. I’ve had worse assignments. Like selling insulated windows over the phone. Sheesh, what a gig!

I think it needs more fire.

Ever try to make something out of nothing? Well, if you haven’t, come on down the Cheney Hammer Mill kitchen. We’ve got some ginger root that’s been lying around the pantry for about five years. There’s a half jar of mustard. Two digestive biscuits. Half a pint of club soda. Oh … our neighbors sent over some carrots. Um … that’s about it. I’m making a casserole. By that, I mean … I’m throwing a bunch of random stuff in a pot and putting it on the fire. I might stir it a couple of times, but again … they didn’t like last night’s stir fry, and I’m getting a little sensitive about the criticism. Mitch Macaphee had the gall to put a review of my cooking up on Yelp. Ripped me a new one, the bastard. Hell, he‘s the mad scientist …. why doesn’t he just invent a decent dinner? TAKE WHAT YOU CAN GET, YOU SHIFTLESS MOTHERS!

Ahh, I feel much better now. Soup’s on!

Summer projects.

2000 Years to Christmas

Gardening? God, no. I don’t know the first thing about it. And no, I’m not going to build you another gazebo. The first one burned down, fell over, and was washed into the sewer. Not doing that again, dude.

Yeah, I know – it’s not quite summer yet. Still, we’re trying to get our summer projects all lined up … mostly because there’s very little else to do around the abandoned Cheney Hammer Mill, particularly during this COVID-19 isolation time. Nothing happening, so we make lists of things that might happen. That makes sense, right? Anyway, I don’t think I have to tell you what Matt’s summer project is. Here’s a hint: it starts with an F and ends with an “alcon”. It flies around and lives on the side of tall buildings. It … oh, damn it, see for yourself! (Utica Falcon Project site) THAT’S my brother’s summer, people, and good on him.

The rest of us, well … mostly at loose ends. Antimatter Lincoln is dreaming of his revenge, though the dream is a bit murky, as I still don’t know who he wants revenge against. (He just says he swore he’d “keel” him, whatever that means. Some nautical reference, perhaps.) Mitch Macaphee plans to spend the summer packing up all of his experiments on Proxima B, now that it’s been discovered by non-evil Earth scientists. He was hoping to keep this big, rocky Earth-like planet under wraps, I think. Seriously, the dude would steal the Moon if he thought he could get away with it. (Actually, he claims to steal it every month, bit by bit, until it’s completely gone. Cute trick.)

Is this Proxima b or Proxima c? I always get them mixed up.

What about Marvin (my personal robot assistant)? Funny you should ask. You see, Marvin is an automaton, a service cyborg. He has no agency, you see. You simply program Marvin to do a certain thing, and off he goes. Sometimes, yes, he gets it wrong. (Actually, the “sometimes” is more indicative of how often he gets things right, but that’s another story.) If we programmed him to ride in circles all summer, that’s what he would do … though he wouldn’t be at all pleased. And me? I’m trying to resist gravity, but not so hard as to fly off into space. (Not that there’s anything wrong with that.) I’m also recording some older songs that never got onto any of our projects. We’ll see how it goes at the end of the summer – if they don’t suck, I’ll post them. If they suck …. yeah, I’ll probably post them anyway. You guys know me better than I know myself.

So, recording, archiving, bird-watching, revenge … we’ve got it all here at the hammer mill. This is going to be some summer.

About the ‘cano.

2000 Years to Christmas

There’s always the chance it could be legitimate. Why not? Must we always be so damn cynical? What happened to those happy-headed funsters we used to be back in 1978? Wait … we were never happy-headed funsters? Well … at least that explains what happened to them.

Once again, you catch us in the midst of a philosophical debate, an exquisitely complex conundrum that has confronted us in our COVIDian solitude. Well, perhaps I’m being too generous. Let’s just say we’re having a little difference of opinion. Nothing too weighty, you understand – after all, these are austere times, and we’re trying to be economical with our emotions (as we have little else to be economical with). Why don’t I describe the debate we’re having here at the abandoned Cheney Hammer Mill, and you can decide whether it rises to the level of a philosophical discussion? That I shall do.

As you know, when it comes to the matter of commercial success, Big Green is a smoking failure. We are so obscure, you’d think we spent the last thirty years trying to be unsuccessful (which, I suppose you could argue, we did). Nevertheless, we have resorted to various forms of representation. The first was Hegemonic Records and Worm Farm, the Indonesian corporate label that nearly clapped us in irons and threw us in a dungeon somewhere in Jakarta. Then we mutinied and set up our own label, Hammermade … but of course, that’s just a name, so we’ve had to work with actual distribution companies to get our albums out where people can find them (or not find them, as the case may be). That means we use the same digital distribution networks that most acts use, though i suspect those with decent representation and name recognition realize a better return on their streaming plays, downloads, etc., than we do. Fuckers!

In any case, every week or so we get stats from our distributor, and our numbers are usually somewhere halfway down the toilet (except for around the holidays, when Pagan Christmas takes off like a rocket, thanks to our pagan listeners). Then last week, we saw higher than usual numbers on the track Volcano Man, from our second album, International House. My initial reaction was the same as my reaction to everything else: “What the hell?” Marvin (my personal robot assistant) was immediately of the opinion that the song had finally found its mythical audience – that elusive unicorn of a loyal listener cohort that has been the stuff of speculation since we first donned our Big Green hair-hats and bark suits. (Marvin’s little video screen flashed the word “eureka”.)

That's what we're talking about.

Hey … you expect robot assistants to be a little over-enthusiastic, right? But then Anti-Lincoln and Mitch Macaphee, our mad science advisor, jumped in on Marvin’s side, so Matt and I had to disabuse them of their delusional optimism. Turns out there’s a rational explanation for everything – there’s a new song/video called Volcano Man that’s from an upcoming Will Ferrell movie entitled Eurovision Song Contest: The Story of Fire Saga. People were obviously looking for that Volcano Man and not our Volcano Man, which is quite different, though similarly ridiculous. Marvin’s not convinced – he thinks it’s all a coincidence. Anti-Lincoln is leaning more towards a conspiracy theory, which is totally like him. Not sure about Mitch – he’s moved on to another project.

Where was I going with this? No place special. Always wanted to go there.

Hands out.

2000 Years to Christmas

Huh. Still promoting the Christmas album, eh? Think that’s wise? I mean, it’s freaking May, man. What’s that? Okay. I’ll just stand over here, then, and not say anything.

Oh, hi. I was just talking to our advertising manager, a Mr. Antimatter Abraham Lincoln, esq., who spent some time as a railroad lawyer, I hear, and has since moved into marketing and PR. Perhaps a bit less mentally challenging for him, I suspect. Anyway, Anti-Lincoln has some very passionate opinions about what works and what doesn’t work. Interestingly, they don’t appear to have anything to do with standard measures of success, like sales, cash flow, etc. I’m not sure what he’s measuring, frankly. In as much as he is an anti-matter being, it’s possible that the less successful something is, the more of a success he considers it to be. If that’s the case, then Big Green is on top of the world in his book.

Yeah, trouble is … we’re on the bottom of the world in everyone else’s. I know, I know – the top and the bottom of the world are both cold, cold places, and nobody stays there long without a key to the ice station. Then there’s the radiation pouring through that ozone hole, and … um … I’ve lost the thread of this metaphor. Anyway, like every other band in America, we’re freaking dead in the water, hijacked by COVID-19, our gigs canceled, our audiences loathe to gather (and with good reason), our technicians fighting the cat for scraps. Many musicians have taken to the internets with virtual performances, either passing the virtual hat or running shows behind a pay wall. And many are discovering how little money there is in the internets. Shake it upside-down, and all you get is some gum wrappers and pocket lint.

Lincoln ... seriously. Give it up, man.

Some of you are aware that we of Big Green are old hands at the internet. Sure, we started life as an old-school, thrown-together, play-in-the-park-gazebo type of band. (That was in the Before Time, before the Awful Things.) We limped along in that mode for a number of years, then had a re-birth in the late 1990s as a virtual band, launching our first web presence in 1999, along with a page on the now-defunct mp3.com site (a domain that has been replaced by some exploitation pop culture news aggregator). This blog is just the most recent iteration of the garbage we’ve been posting since then. Trust me, no one knows better than us how little money there is to make on the internet. The thing will NEVER fly. But still … Anti-Lincoln will try. Unlike his posi-matter doppelganger, he really only cares about personal gain, not the fate of mankind … and some personal gain. He’s a gold-digger, old dishonest Abe.

Hey, everyone needs a hobby. Hobbies we got. Work? Not so much.

Fiddle stick.

2000 Years to Christmas

I don’t get it. How come the top string is bigger than the bottom string? And what are all these little machine knobs for? My fingers hurt!

Oh, hey. You know, you’re never too old to learn in this crazy world we live in. I like to think of every day as a journey of discovery. Just this morning, I lifted myself out of the sack and discovered that someone left the bathroom tap running all bloody night. Then I waded into the kitchen and discovered a three-foot gap in the floorboards, big enough to drop a pickle barrel into. And I don’t mean one of those consumer-style barrel-like jars they sell in the specialty shops … I mean a real goddamn hogshead. Almost fell into the son of a bitch. Now THAT would have been some discovery!

Well, in these days of social isolation, when you’re locked up inside your domicile for days at a time, you need to find distractions of one kind or another. And it tends to go that the longer you’re locked away, the more elaborate the distractions need to become. Marvin (my personal robot assistant) spent the first weeks of his isolation building simple Lego structures. (I mean real simple, like a thing that looked like three Legos plugged together.) By week three, he had moved on to erector sets. Now he’s taking spare bricks from a less well-maintained section of the mill and he’s building some kind of edifice, slapping cheap-ass mortar between the bricks in a kind of ham-handed (or ham-clawed) fashion. Hey … Marvin builds things. That’s what I’ve discovered.

Hey! Lemme try it!

Me, I decided to immerse myself in music. I pulled out a Lenny Breau album and began to think it may be a good idea to pick up my old acoustic guitar from time to time. Of course, when I did, I realized that I hadn’t changed the strings in about three years, so it sounds a little thuddy. Somehow I don’t think new strings would make that thing sound more like Lenny Breau. So I actually started playing the freaking thing. That was week two. Week three, I was on to the fiddle. Week four, I took a drumstick to the fiddle to see if it would make a decent percussion instrument, since I was such a failure as a fiddler. (If I had been the Fiddler on the Roof, I would surely have ended up the Fiddler face-down on the Pavement.) Now I’m eying the glockenspiel. It’s either that or that dulcimer like gizmo Matt used to have – the thing no one could freaking play, no how. Still … it’s a challenge!

Yeah, you’re right. I have to get out more. This mill ain’t big enough for the one of me.

There’s this baby, see?

2000 Years to Christmas

So what the what? And is that really the way it ends? God damn it. Six bucks down the drain. And in THESE hard times! All right … time for Planet of the Apes.

Oh, hi. We’re just endeavoring to entertain ourselves here in the abandoned Cheney Hammer Mill, our COVID-19 quarantine site in this time of pestilence and putrid infection. What better way than to make use of Netflix or some other streaming service, eh? Except … well, we don’t have anything like that, as we are as poor as church mice … except that even THEY have the run of the donation basket and the leftover sandwiches from the parish volunteer society luncheons. In other words, we’re poorer than church mice. Just think of us as Mill Rats, scrounging for crusts and little fragments of entertainment. (Call me crazy, but when the mouth sits idle, the eyes need to work overtime.)

Well, fortunately, we have our mad science advisor Mitch Macaphee, inventor of Marvin (my personal robot assistant). I asked him this week if he could engineer some kind of hack that would allow us to watch Netflix movies for free. He retreated to his laboratory, then came up with a kind of solution. Actually, it was like those old rabbit ear antennae they used to put on old-school television sets … except much, much bigger. Fifteen feet tall, actually. A little intimidating, to tell the God’s honest truth. Anyway, Mitch planted it on top of our borrowed walnut console TV and hooked it up to the coax. He messed around with the array a little bit, squinting at the static-choked screen as he worked. Suddenly, a stable image appeared. It was the movie 2001: A Space Odyssey. We hooted a bit, congratulating Mitch, but he quickly explained that this was not, in fact, Netflix, but actually the reverberations of ancient transmissions of movies that have been bouncing around the solar system for the past fifty years. Hey … potato, po-tah-to, right? What the hell difference does it make, so long as there’s something to occupy our down time.

Still kinda fuzzy. Try the vertical hold, Marvin.

So, we’re watching 2001, and it brings back memories of when it ran in theaters locally during my childhood. I went to see it with my dad, as I recall, who provided a running commentary about features of the moon and astronomical facts (many of which a father in the seats next to us repeated to his offspring). My sister, I believe, talked about seeing it and some dude was explaining the strange end to the movie to his companion, starting with the phrase, “There’s this baby, see? And that baby … is God, see?” Why am I thinking of this while watching this antiquated and quite strange movie? Well …. because it’s kind of freaking boring, and besides, the reception of television signals bounced off the Kuiper Belt is a little fuzzy to say the least. Yeah, I’m letting my wits wander. As long as they don’t get lost, it’s okay.

Well, that took care of Friday. What do we do with ourselves next week? Suggestions? Send them our way. (Play music, perhaps?)