Tag Archives: Cheney Hammer Mill

Bigelow 4-9-0.

No, you can’t have it. I’m not going to say it again. NO. Keep it up and you’re going to bed without your sawdust ration. I said NO, damn it! Oh, god …. all right.

Well, there you have it, friends of Big Green. That’s how mad scientists get what they want – nag, nag, freaking nag. Mitch Macaphee can keep at it for longer than any four year old. Next thing you know I’ll be taking him to Water Safari. Such a child! And I ask you, what’s worse than a child with the power to reverse gravity? Nothing I can think of.

What was Mitch asking for? Glad you asked. I blame NPR, frankly. They did one of their glib as fuck little morning stories about something called the Bigelow Expandable Activity Module (or BEAM), a kind of collapsible space station section that can be puffed out like a popcorn kernel when they have some use for it in orbit. Handy little thing, really, and Mitch can see linking two or three of them together and mounting some ion drive propulsion units on one side or the other. It’s complicated, of course, but it all comes down to the simple fact that he wants one, he wants one, HE WANTS ONE!

I said NO, damnit!Actually, in point of fact, he wants two or three. And well, they’re expensive, for chrissake. Mitch has no sense of cost. I can’t even talk him into buying some generic knock off BEAM from China; no, he wants the brand name version. It’s essentially a quality argument … I get it. But what the hell, man – you’re an inventor. Why don’t you invent some freaking money for once?

I guess Mitch is picturing a kind of wagon train to the stars. He’s probably given up on our plan to do another subterranean tour, or wagon train to the Earth’s core, if you will. Again, typical ADD scientist: first he’s all excited about the hole he burned through the mantle, then a few days later he doesn’t even want to look at the thing. Of course, he may have a point about the BEAM. Our last few interstellar tours have been, well … less than stellar, particularly with regard to the accommodations. Finally, someone came up with a space trailer with some leg room. Maybe we DO have to have one.

Okay, okay … I give up, Mitch. Let’s see if it’s listed on Amazon yet. (My guess is that it’s not available in stores.)

All in favor.

Do we have a quorum? No? Where’s Matt, then? Oh, right …. watching the falcons. That’s fine. The mansized tuber can sit in for him for the time being. Okay, tubey … raise your right, uh … taproot.

Oh, hi. Caught me in the middle of a production meeting. We’re trying to work out who is going to be the first down the hole … I mean, the elevator to the center of the Earth. Since this is a question that affects all of us, it must be decided in council. That’s right – we are not tree dwellers here, my friends. We are civilized people, okay? And we are familiar with the principles of self governance. At least we know there are such principles. And if you don’t like them, well … we have other principles.

I’ve described Big Green as a creative collective more than once. That’s not far from wrong, though the creative part is a little sketchy. Nevertheless, we are very much a worker-run enterprise, operating out of an abandoned hammer mill, wearing recovered skins from the carcass of a failed industrial economy. Think of us as post-apocalyptic commie minstrels, sharing everything we scrounge together (including our lack of money). Routine matters, like opening windows or walking across the street, are passed by simple majority vote, but more weighty matters – like who is going to move that very heavy refrigerator across the room – require a consensus of four fifths plus one, with an extra vote on alternate Tuesdays.

All in favor, say aye.You might think such a flat structure would lead to some kind of anarchistic free-for-all or frequent proxy fights. Not a bit of it – we all get along swimmingly, particularly on occasions like last weekend when the skies opened up and we had 3 feet of water on the ground floor of the abandoned Cheney Hammer Mill. Not that it’s trouble free. I can remember one management meeting when Mitch Macaphee, our mad science advisor, fashioned three or four robotic arms so that he could win every show of hands. He already has Marvin (my personal robot assistant) as a proxy. That’s when we went to voice votes.

The simple fact is, when you don’t have much to divide, it’s a lot easier to be equitable. Everybody gets an equal slice of nothing. And everyone gets a say on who will be the first to explore the Earth’s core. Fair is fair.

Yardstick.

Yeah, it’s up there. How can I tell? I just look out the window, dude. I look out and I see exactly nothing. That’s how you know it’s Snowmageddon. Simple, right? Trouble is … I’m on the third floor.

Yeah, the abandoned Cheney Hammer Mill (our squat house) was buried in snow this past Tuesday night, and Mitch is responsible. I know it seems like I blame everything on our mad science advisor, but that’s only because he’s behind everything that happens, at least in some measure. Like that full moon we had last week. Did you see it? It was kind of ghostly, like the clouds had wrapped around it, but you could still see the full disc. Mitch’s part in that? Not certain, but my guess is that he was working the cloud machine that night. (He should really be advising a 1970s arena rock band, but I digress.)

The sad thing is that his cloud invention could be a boon to mankind and animal kind alike … if he would only use it for good instead of evil. That’s a bit unfair, actually – Mitch is amoral, not immoral. Madness has no reason, but it can have a goal … and this week, I suspect the goal may have been snow and more snow. And as I believe I mentioned earlier, he has a cloud machine. Not good.

Hey ... I think it might have snowed.There is one other piece of incriminating evidence. The big nor’easter was named Stella, and that was the name of Mitch’s old girlfriend from back in the day. He doesn’t talk about her much, but Marvin (my personal robot assistant) has dished a bit of back story on Mitch’s wild years. Now I know that doesn’t sound like Marvin, but you would be surprised what’s stored in those creaky, tape-medium databases he holds inside that brass hide of his. (Before you ask, no, there are no audio recordings – just metadata of phone calls, that sort of thing.) Folks: never date a mad scientist. Seriously.

So, let me be the first to apologize about the storm. I’ll probably also be the last to apologize, since Mitch never apologizes for any of the catastrophes he causes. Crazy as fuck means not having to say you’re sorry.

Where’s my jetpack?

Ridiculous. It’s the 21st Century and we’re still moving about like gorillas, feet peddling the ground in a manner similar to our shrew-like remote ancestors. Mitch: get working on that little problem, will you? There’s a good chap. What’s that? Ummmm … I believe that would be a physical impossibility. Got any other suggestions?

Like many of his frothy colleagues, our mad science advisor Mitch Macaphee doesn’t take direction real well. I’ve rambled on more than a few times in this blog about how sensitive he is, so I probably shouldn’t bait him with idle requests about revolutionizing human locomotion or swapping meiosis with mitosis. The man’s busy, god damn it! He cranks out inventions like brother Matt puts out songs. And when I say “like”, I don’t mean exactly like it. Mitch’s battles are fought in the laboratory, not the prize ring … I mean, not the wildlife sanctuary. But I digress.

I don’t know how my mind gets stuck on these issues. Maybe it’s living in this abandoned mill for the better part of twenty years. After a decade or two, you start rattling around like bird shot in an oil drum. Your mind gets going, then you trudge around the mill, singing dirges. Next thing you know, you’re contemplating your very footsteps. Then it hits you – This is the twenty first century? Where the fuck is my jetpack? John Robinson had one back in fictional 1997! This is real-ass 2017 and I’m still stomping around like an ape. How is that fair?

Finally!Sure, you might say I have a distorted view of the future; that I’m stuck in a 1966 notion of what 1987 should look like. Be that as it may, jet packs would be a real step up from our current modes of transportation. And not any more impractical than some of the suggestions I’ve heard bandied about lately, like ski-resort type gondolas carrying people between a post-industrial mill town and what’s breezily described as a “harbor” that’s really just a wide spot in the Barge Canal. And yes, I know that jet packs have their challenges – all back-mounted rocket boosters do. But where would be without challenges, right? Where?

You’re right. I’ve been bumping around this mill waaaaay too long.

What you hear.

Man, it’s windy again today. That’s what I’m hearing, right? Oh, okay … Anti-Lincoln is just practicing his bass clarinet. Right. Sounds like wind. Lots of wind.

Hey, look …. I know living with other people can be annoying. But we try to be tolerant around the abandoned Cheney Hammer Mill and let one another live up to his or her true self. And when they achieve that hard-won moment of self-realization, we all point fingers at them and laugh derisively. Particularly when they take up some wind instrument they have no hope of mastering. (Happens more often around here than you might suppose.) That’s what we call “positive reinforcement.”

I don’t want to give the impression that we of Big Green have something against innovation and initiative. Lord, no. The fact is, we rely on other people’s innovation and initiative to make up for our woeful lack of those qualities. We’ve made plenty of recordings that have random horn-like instruments honking in the background or someone plunking on a banjo in a lackluster way. Naturally, we don’t hire session musicians for this. (Very few of them are willing to work in ThereThere's a multitude in this place!exchange for discarded hammer handles from the last century.) So naturally we are left to forage for talent a little closer to home. And when I say “talent”, I’m using the word in a very generic, denatured sense. Bodies with working digits is what I mean.

Take Cowboy Scat: Songs in the Key of Rick. (Please.) Little known factoid: Many of the horn parts on that album were played by Marvin (my personal robot assistant) and Anti-Lincoln. We used trained monkeys for some tambourine parts. And when I say “trained”, I’m using the word in a very generic …. oh, never mind. Actually, I played the freaking tambourine. I just made it sound like I’m a trained monkey. Though frankly, most people playing the tambourine sound like trained monkeys. Not that there’s anything wrong with that. The point being …. we may look like a band of three people, but there’s a virtual multitude involved in everything we do. (Now by “virtual”, I mean literally “in essence or effect, but not in fact”.)

Got all that? Good. Maybe you can explain it to me (and the virtual multitude).

Hold on.

Electrodes to power, turbines to speed. Turn the key and …. nuts! Nothing again. Hey, Mitch – you’re a mad scientist. Make yourself useful. Get this freaking car to run, willya?

Oh, hi. Just working through the usual nonsense. Trying to get a car going. Working on a broken amp. Turning all the chairs in the house upside-down. (We do that to discourage visitors from staying too long.) There’s never a lack of useful things to do, and lucky for us we have a lot of help. Mitch Macaphee, for one, can be counted upon to invent some new way of dealing with minor annoyances, like invasive insects or gravity. Ooops, did I say gravity? I wasn’t supposed to mention that one. It’s going to be a surprise. A BIG surprise. HA-HA-HA-HAAAAAA!

Well, THAT took a dark turn. Anyway, aside from Mitch tinkering with … uh … continental drift, we have the able services of Marvin (my personal robot assistant) who can, among many other talents, life very heavy things. He picked up a whole desk set the other day … one of those three-pen jobs, all by himself! Tomorrow I’m going to have him replace the Kleenex in all of the dispensers distributed throughout the hammer mill. Yeoman work, to be sure. (I would do it myself, but I am not a Yeoman.)

Uh, Mitch ... Gravity again?I suppose you’re wondering where your podcast is. Well, I was getting to that. THIS IS BIG GREEN has been coming together slowly. We did the voices for the next episode of Ned Trek last week, then we’ll need to do some editing and dubbing, etc. We’re probably looking at another couple of weeks, during which time I will frantically try to dig up some not-too-uninteresting material from our archives. There will likely be a few more Wayback Wednesdays on tap, so stay tuned.

I am sure some of you have already said, “Y’know, if you didn’t waste so much freaking time doing useless shit, you’d have finished the podcast by now.” My response is a simple one: “Freaking” is not a word. It’s a cop-out, my friend. Say what you mean and mean what you say. That’s our motto ’round the mill. Call it a mill motto. Call it anything. I’m getting back to that dumb-ass car.

Old continent, new name.

A little higher. Little more. That’s it. Right, now … slowly lower the winch. That’s got it. Okay, a little too fast. Too fast. I said TOO FAST! Oh, Jesus. Right … order another banner. No wonder I never get anything done.

Oh, hello. Forgive me if I always seem surprised when you come along. I’m inclined to forget about the blogging version of the “fourth wall” and the fact that others can see what the hell I’m doing (or not doing). Today you’ve caught me and Marvin (my personal robot assistant) in the midst of constructing Big Green’s new YouTube Channel, hot off the presses. You see, for the longest time we’ve been pointing our listeners/readers/browsers, whatever, to my personal YouTube channel, which has over the last few years become choked with political content, obscure linguistics and philosophy of mind lectures, comedic bullshit, and so on. It finally dawned on my dim little brain that the band needed its own space for video content, and hey presto – a summer project was born.

Why not, indeed?

The timing of our YouTube launch is not entirely an accident. As I mentioned in previous posts, I have been trawling through old tapes, discs, etc., listening to and watching recordings of performances from our terrestrial live performance days back in the 1990s. Over the past few weeks, I cut up a video demo we recorded back in March of 1993 with the guitarist we worked with at that time, the amazing Jeremy Shaw. The video is standard def, 4:3, and a little strange. We taped these performances in a practice room somewhere in Utica – as I recall it was a loft-like space within a couple of blocks of the Police Department headquarters. (Could explain why we look so polite.)

There are some cheesy visual effects inserted at the time of the recording – basically presets in the camera our videographer was using. (The videographer was a dude named Angel whom we met through a mutual friend.) They add a certain trippyness to the whole business, but no matter. Hilariously, the rehearsal space was a typical rock band man-cave environment circa 1993, with cheesecake posters on the walls and overstuffed ashtrays. (Just behind my illustrious brother you’ll notice the incongruous sight of some babe posing for the camera.)

Shipkeeping.

That one? Sure, why not? It’s been a few weeks. And I guess you could say that 25 years is a few weeks … because, well … it is.

For whatever reason this week, I am reminded of one of Matt’s songs from yesteryear, a number called “Don’t Give Up The Ship”. It’s probably because the Cheney Hammer Mill is leaking like a sieve, but that’s nothing new. Or maybe it’s because we’ve finished mixing the podcast songs (all eight of them!) and I’m starting to trawl through our old tapes for lack of anything better to do. Just call me Riley. The guy with the life.

As I’ve said here before, we’ve got a million of ’em (songs, that is), but unlike the late Prince, they are not all exquisitely recorded and salted away in a vault. No, friends … they are poorly recorded on 4-track cassette, mostly, and chucked into the cramped, musty vault called my skull. “Don’t Give Up The Ship” is a Quixotic riff centered on Perry’s flag, and it’s always had a lot of resonance with me, frankly. Here’s a sample of the lyric:

Well it grieves me when I see you
On some moldy homemade raft
You’ve no life jacket, there’s not precautions
You’re spinning downstream and you’re laughing

Well I’m not about to stop you
I’ve not the will and I’ve not the means
Still I stand here like I’m waiting
A world without you I’ve never seen
You say, “Read it off the flag …”

Don’t give up the ship, says the flag that
flies above the turbulent waves
Don’t give up the ship, be a fool and
hold the course away from the shore

Ahoy.We’ve got a lot of back pages, and a lot of archival recordings from our various periods. I’m not talking about the Precambrian here – well, not exactly. More like the 1980s, 1990s. Our earliest incarnation of the band that became Big Green was probably 1979, about a year after I took up bass as an instrument. We’ve got studio recordings from 1981, ’82, and ’91 or so. I’ve got live recordings from 1993, mostly (Matt may have some earlier material squirreled away somewhere), most of which are pretty rough.

I also stumbled upon a video that was shot by the friend of a friend. It’s essentially a demo, kind of a videotaped rehearsal. I digitized it this past week and will set about cutting it up and posting some excerpts. It’s a pretty good representation of where we were musically around the time we were playing with the very fine guitarist Jeremy Shaw, who now works his butt off all over the country.

BTW – We dropped an advance mix of one of our podcast songs, “Romney and You Know It“, last week on Soundcloud. Check it out. (Look for the podcast episode this coming week.)

Hanky land.

What the fuck, was that a week just then? I know I’ve said this before, but time seems to be speeding up. I should ask Mitch Macaphee if the Earth is spinning any faster than a few years ago … and if HE has anything to do with it. (Always worth asking.)

Well, it’s been kind of quiet around the abandoned hammer mill for the last week. Just the sounds of quiet toil. Ah, the joys of wage slavery! Not much to report. Matt’s been out in the field, tending to his various populations of beast and bird. We’re working on the next album, punching up some of the Ned Trek numbers, albeit slowly. Marvin (my personal robot assistant) is learning Swahili in his spare time (or perhaps Kinyarwanda … he can never make up his little battery-driven mind about anything.)

Besides recording, what have we been doing as a “band”, specifically? Well, if you REALLY want to know, probably the best way is to listen to the second half of our podcast THIS IS BIG GREEN – the part where Matt and I spend about an hour talking about nothing and next to nothing. For instance, our most recent episode featured the following weighty items:

  • What a way to wake upImagining Henry Kissinger trying out for the Monkees back in the late sixties, like Charles Manson did. Hanky’s Monkees, it might have been called. Or perhaps not. (This stemmed from our recollection of an earlier episode when we pondered whether or not Davy Jones might have been killed by primate poachers.)
  • Waking up and finding that not only are you in the Pleistocene era, but you are in fact Charles Nelson Riley.
  • Giving a rough-edged rendition of the Popeye theme song.
  • Way too many lame imitations of Peter Lorre (if you can imagine such a thing).
  • Once through the “Happy Anniversary” version of the William Tell Overture to mark our podcast’s 4th anniversary.

I know, it’s hard to imagine that any single podcast could contain so many wonders, but it’s true. And honestly, it’s just like hanging out with us in the Cheney Hammer Mill basement. Just as riveting.

Tonight’s the night.

That's it, over there.Well, shut my mouth. There appears to be some kind of celebration taking place up the street from the Hammer Mill. Maybe we should mosey on over there. Or maybe not. This street’s getting a little rough. (I don’t mean crime-wise. I mean the pavement’s in pieces, as in potholes the size of a Buick … some with Buicks stuck in them.)

It’s a natural fact – we need to get out more. Big Green is getting house bound, or mill-bound, if you will. Part of it is our reluctance to play gigs anywhere on planet Earth. That is, admittedly, a failing of ours. Mea culpa. I don’t know why we don’t perform on our mother world. Maybe it’s the gravity. My keyboards weigh a ton on earth, but when we play, say, Phobos, I can pick them up with one hand. Sure, there aren’t a lot of music fans there … none, in fact, but setting up is a breeze!

We’ve been asked to consider playing a club or a college here on Terra. Why, just last week, Marvin (my personal robot assistant) said we should set up in the old man bar on the corner and jam until they boot our sorry asses back into the road. Inartfully put, perhaps, but his corroded tin heart was in the right place. So the other night I dropped in at that joint, sat there and stared at the piano for a couple of hours. I didn’t make any noise, so I left. I’m going back again tonight to see if there’s a different outcome.

Old man bar on Earth, zero-gravity lounge on Neptune – it doesn’t make much difference to us where we play, so long as we know what the hell we’re playing. I’ve never been good at set lists, but I know that if someone on stage picks the songs, it’s less likely that we’ll have to play a bunch of stuff people ask us to play. Like something by the Scorpions, for instance.

Whoa, is that the time? Time to go out in the street and be sociable. Talk soon.