Hmmm … leaving kind of a big footprint there, aren’t you, Anti-Lincoln? Seems like you’ve been feeding on a pretty good pasture lately, am I right? No? Ah, okay.
Well, the gravity’s back. Isn’t that good new?. And now all of us weigh about twenty pounds more than before. Just a little side benefit of Mitch’s latest project. (YEAH, MITCH … THANKS A LOT. Turn that gravity thing down a little, willya?) Something tells me we will need to replace the floor joists in this crumbling old ruin of a hammer mill … except that I don’t know how to do that and I wouldn’t know a floor joist if it hit me upside of the head.
Mitch has got this whole gravity thing figured out. He describes swarms of little invisible magnet-like particles he calls “gravitons”. Apparently these little critters swarm around you by the thousands, holding you down as the world spins out of control. Without their persistent intercession, we would all fly off into space, the earth shaking us off as it rotates on its axis. Mitch thinks of them as the quantum mechanical equivalent of guardian angels … which is the reason why he hates them with a mad man’s passion. He went into a bit of a rage last night about gravitons, swiping at the invisible particles like he was shooing away mosquitoes. At one point, he appeared to have caught one between his thumb and forefinger, but his triumph was short-lived – the little specter slipped away, eliciting a yelp from the mad scientist as if he had touched a hot stove.
Okay, so …. that guy’s crazy. And, as Mr. Spock once observed, madness has no reason … but it can have a goal. That’s what Mitch’s anti-gravity machine was all about. The device attracts gravitons like a bug zapper, apparently, though it doesn’t zap them … it just keeps them busy so that they can’t hold the rest of us down. (You always thought it was THE MAN that was holding you down, but no, says Mitch, it’s the gravitons!) Anyhow, it kind of worked for about a week, then something went bust. That happens a lot with mad science tinkerers like Mitch. Hell, Marvin (my personal robot assistant) has dozens of glitches, but hell … he’s family.
So we’re back on the ground, for the nonce. We’ll see what the weekend brings. I’ve got my bike helmet on, just in case.
Right, so … Mitch Macaphee has his own theories. And his theories usually lead to some nameless device that looks like a ham radio rig from the 1960s, with dials and meters and knobs and blinking lights. It makes a “woo-woo” sound. Sometimes he puts arms and legs on it and calls it Marvin (my personal robot assistant). Sometimes he throws a switch and things disappear … or appear. This time around, he adjusted the right combination of buttons, switches, lanyards, etc., to suspend gravity in the hammer mill. An anti-gravity machine, as it were. And that means more than floating hammers, my friends. Suffice to say, I haven’t had to use the stairs all week. If this keeps up, we may be battling obesity before long.
Well, I’ve wandered a bit. But the point I’m trying to get to is this: we tend to write happy little songs about big nasty things. This month we appear to be back on the fascist beat again. Next month, who knows? Some other grave subject matter that can be turned into a nursery rhyme or a mambo. That’s the way it works round these parts. Those are our principles. And if you don’t like them … we have other principles. (Yes, I’m a Marxist. My favorite is Groucho, but it’s not a strong preference.)
Of course, it’s not like it was in the old days. Way back then, we would write songs the old-fashioned way: by knocking branches against rocks for a few hours, then scratching the changes out in the dirt floor of our primitive caves. A little later on, the trombone was invented, though that was of little utility since none of us actually plays the trombone. (True story: Every time Matt tries to play trombone, he loses a tooth … which is just another way of saying that he only has a limited number of plays in him.) No, it wasn’t until the discovery of the Lowery Organ that we began to move forward expeditiously into an era of serious songwriting. Then we got silly. Super silly.
So, if I’m treating every songwriting project like the evolutionary ascent of man, that amounts to a lot of banjo-plucking primates. And that’s where many of my songs start out. I’ll find a chair somewhere in this big old barn of a place, throw my cheap-seat Martin D-1 across my leg and start playing the five chords I know best. If I stumble upon some progression or melody worth repeating, I can’t rely on memory alone. Fortunately, Marvin (my personal robot assistant) has an audio recording module, and if I can get him to stand still long enough, I can capture whatever the hell it is I’m working on and play it back later. If it happens in the middle of the night, the playback sounds like …. you guessed it …. banjo-plucking primates.
As you may have guessed, I am trying to re-acquaint myself with recording technologies after a summer of copying tapes and taping copies. A few weeks in that garden shed and it all looks like an undifferentiated tangle of wires and metal boxes to me. That’s kind of what our studios always look like, but the fact that I’m taking note of it now tells me that I’ve got some remedial learning ahead of me. Fortunately, with the assistance of Marvin (my personal robot assistant), I can reconstruct my keyboard workstation to a point where noise comes out of it and goes into the recorder thingy. Do that until the blue smoke comes out, and then you have a record. Or at least I think you do.
Okay, well the wind is kicking up a bit, and my little shack is swaying from side to side, making the set lists flap like little white flags nailed to the wall. It’s almost as if the place is hoping to surrender to our extreme weather. I’m going to pack up my ripped up duffel and scurry back into the relative safety of the Hammer Mill. Hopefully Mitch Macaphee, our mad science advisor, is not running one of those land drone experiments of his. Last week he was running some dog-like autonomous robot around the ground floor, programming it to shoot deadly lasers at anything that moved. Frankly I’m surprised I didn’t have more company out here in the shack.
Sit out here long enough and your mind starts to light on all kinds of things. Random stuff, like … why didn’t I get some handyman to fix the roof on this shed? It leaks like a sieve! Then there are thoughts of what might have been, the kind that creep around the corner when you’re sitting idle, then climb in through your ear and squat down on your brain. Why didn’t I call that handyman? Finally, you get the occasional flash of inspiration, like you’re seeing the world for the first time. Stuff like, I want to join the Space Force! or I want Marvin to join the Space Force! One or the other of those might be workable.
It’s an exhausting undertaking, particularly when you are as work-averse as I am. Still, I’ve made pretty good progress. I’ve gotten most of them transferred to digital, and now I’m pruning around the edges, looking for songs that I know exist but haven’t located on tape as of yet. I’m also trying to fit all of Matt’s Christmas song collections into appropriate buckets — he did about eleven of them, starting with a handful of songs in 1985 up through 1995. They represent a subset of his total output, but even so, it amounts to about 60 – 70 songs. I’m curating them so that at some point interested parties can listen to each year’s collection in its original sequence.
I’m guessing there’s a little pill we can take for stage fright. And there’s probably one we can take for 290 degrees below, too. I’m sure we’re not the only band to grapple with these types of questions. Why, I hear Mumford and Sons spent a week on Neptune waiting for a connecting flight to Proxima Centauri. Nobody said this was going to be easy, people. Look on the bright side. We have Mitch Macaphee, our own in-house mad scientist, who will no doubt contrive (or perhaps borrow from one of his fellow madmen) an appropriately appointed interstellar spacecraft. We’ve got, I don’t know … Marvin, who can … lift very heavy things. We’ve got the mansized tuber who … will not be joining us because he’s taken root in the garden. Okay, scratch that.