Where’s the summer podcast? I don’t freaking know. Must have left it in my other pants. What am I, Kreskin? Maybe. I hear HE has more than one pair of pants.
You see, here’s the problem with living in the abandoned Cheney Hammer Mill. (And I should add here, it’s not the ONLY problem.) It’s goddamn hard to stay on a schedule. You can set up your little wall calendar or get one of those day planners at the stationery store. (Personally, I prefer stores that move around, like food trucks. Mmmmmm …. food trucks ….) Or you can vault bravely forward into the 21st Century and set your schedule on some phone app. Well, we’ve got none of that here. Nothing like it. Anti-Lincoln puts a mark on the wall every morning, but frankly, after a decade of that, it just looks like patterned wallpaper.
I guess what I’m saying is that we haven’t posted a new THIS IS BIG GREEN podcast in four months because, well, we lost count of the days. And days turned into weeks, weeks turned into months, and what the hell – here we are. That’s very nearly the truth, but like everything around here, it’s more complicated than that. The current episode of Ned Trek is a musical, so we’re in production – STILL – on I think seven songs. (Like I said, I lost count.) A couple of them have been mixed. I’m still working on rhythm tracks for the rest. We’re testing out a new system, and that’s been a bit of a process. Our tops won’t spin. Hey … just GET OFF MY BACK!
That wasn’t for you. There was a carpenter ant on my back. I’ve never been able to understand why they are named for something that is almost the precise antithesis of what they do for a living – namely, eat your house alive. (Carpenters, last I looked, build you house alive.) It’s another example of what we call the “Pelican Cove Principle” – naming things for either (1) something completely inappropriate to the thing named, or (2) something you destroyed to build the thing. For example: Pelican Cove was a tony bedroom community that had no pelicans and no cove, so it complied with principle (1). Then there’s Applewood Drive back in my hometown – a road built through an ancient stand of heirloom apple trees which were, of course, ripped out to make room for McMansions. You get the idea.
Well, there you go – I wasted another morning, didn’t I? That’s why we’re so far behind. Back to the basement with me.
Right, so … what to do with that hole. We did bring Marvin (my personal robot assistant) up from the flames of hell this past week, after having lowered him down the well on an impromptu reconnaissance mission. He had little to report, though apparently he saw openings in the tunnel walls that led to large caverns underground. It’s possible that, for all his trouble, Mitch just built us a back door to Howe Caverns. I suppose NOW we’ll be getting busloads of middle school kids parked out in front of the mill, waiting for a chance to take the underground boat ride or step on the quartz heart-shaped platform where some crazy-ass couples chose to have their weddings.
When you are effectively a pop duo … and I think Matt and I constitute the duo part, at least … you need to rely on others sometimes to do some of the heavy lifting. Marvin can do some stuff. I’ve gotten Antimatter Lincoln to shake a tambourine more than once – that’s about his speed. The man-sized tuber is pretty good at holding things up, like a table. These are all things we would otherwise have to do ourselves, so it’s not like I’m ungrateful. But man … a shred of musical ability would come in handy right about now.
Now before you get alarmed, let me qualify this. Mitch is not … repeat, NOT … at the point of launching any rockets. He is principally an electrical engineer, so he’s always cooking up gadgets that bend time/space or generate black holes – that along with a lot of buzzing, whirring, and flashing. (Remember that he invented Marvin, who does a fair bit of buzzing, whirring, and flashing of his own.) In fact, I’m not convinced that Mitch hasn’t found a non-spacecraft method for traveling to other planets. And I am not talking about soul travel here, brother (though that would be an excellent name for a travel agency). There’s the time he hooked up that surplus department store revolving door to Trevor James Constable’s orgone generating device. That’s how we got Antimatter Lincoln. That was awesome.
Okay, well … 50 songs is a lot for an album, even one of ours. Here’s where both the spacial and the semantic relationships actually come into play. What the hell is an album, right? It used to be an LP with a limited capacity; then a cassette, same deal; CD, same deal. In the digital music age, those limitations have vanished. No more four-disc box sets, right? It’s just a big virtual bag of MP3 or .wav files. So both the semantic and the spacial constraints are history, man. That means the only constraints on what to include in our next album are those pertaining to aesthetics and good judgment. (In our world, that means no freaking constraints at all!)
Okay, I’m not going to dip into one of those “things were simpler in the old days” reveries, but what I’m describing are both first-world problems and 21st Century foibles of a type that would have baffled us back when we started this moth-eaten music collective known as Big Green. When we first started using that moniker in 1986-7, we were working with people out around Albany, NY. Matt was writing songs like a mad man, just as he does today. Only there was no internet, no smartphones, no simple way of getting your music out there other than standing on a stage or hawking home-made cassette tapes at the local record shop. Kids these days!
exchange for discarded hammer handles from the last century.) So naturally we are left to forage for talent a little closer to home. And when I say “talent”, I’m using the word in a very generic, denatured sense. Bodies with working digits is what I mean.
The simple fact is, when we are producing a piece of music, our only resource is ourselves. We can’t go out and hire people to score and perform orchestral parts – that’s prohibitively expensive …. in that it would cost more than the fifteen bucks I have hidden in the mattress. No, sir …. Big Green forages for what it needs, plucking banjos and bagpipes from the junk pile of music history. That’s part of our thing, actually – found sound made with found instruments. What the hell … if we didn’t do that, we would have to get another thing.
Trouble is, we spend so much time on 
Next up in the internal audition queue was, well … Marvin (my personal robot assistant). This didn’t go very well either. Picture that scene in Room Service when the Marx Brothers are trying to pass customs with Maurice Chevalier’s passport, attempting to imitate him convincingly. Marvin was like Harpo with the phonograph strapped to his back. He’s got a bunch of scratchy recordings stored in his internal hard drive (or tape drive – he is getting a little long in the tooth), and when he sings he selects individually sung words from that entire library. It’s great if you want a mashup, but …. I don’t.