Tag Archives: Anti-Lincoln

Usual Rubbish

Twelfth Month.

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2000 Years to Christmas

Did you hear that just then? That faint sound of bells ringing in the distance? That can only mean one thing …. the elementary school up the road is having a fire drill again. Third one this week.

Oh … and of course, it’s December again, the month of joy and celebration. Which means, in this year of our lord 2020 (which happens to be the year of YOUR lord 2020 as well), we are fast approaching the first anniversary of the twentieth anniversary of the release of our first LP, 2000 Years To Christmas, a space odyssey … I mean, an album by Big Green. Now when I say “LP”, I mean “CD”, actually, because we never pressed vinyl on any of our records. That’s for the heavy wallet brigade, my friends, though we have considered converting Marvin (my personal robot assistant) into some kind of record-cutting machine. (For the record, he’s not keen on the idea.)

Yeah, so here we are, a year later, still flogging the thing. And why not, right? Our first album is 21 years old. It can buy a drink in New York, maybe two. (If it can find an open bar, of course.) But even more significant is the fact that the album is themed to the season. It is, after all, a Christmas album in a way – not a collection of traditional carols and popular songs, but an alt-rock album written on the theme of Christmas. That’s why December is such a special month around the abandoned Cheney Hammer Mill, our adopted squat-home. Of course, there’s also the arrival of heavy snow, which typically comes through sections of the roof that are no longer quite as roofy as they used to be. That makes December extra special, too.

Aw, come on, Marvin!

Now, I don’t want you to think that we’re just huddled here in our drafty mill, sifting over the artifacts of a career that’s long since gone sour. Nothing could be further from the truth. We’re not huddled at all – not in this era of social distancing. Nay, we’re standing a respectable distance apart from one another as we sift. In the hammer mill, that amounts to 17 and a half feet. (We’ve got extra floor space, so it only makes sense to err on the side of distance.) We’re working on some remixes this winter, trying to refurbish some songs that we recorded in a hurry over the past few years. And I think Anti-Lincoln is working on a new shepherd’s pie recipe, though I’m not sure where he got it from. Never heard of a pie made of digestive biscuits and peanut butter. (By pure coincidence, that’s what was lying around the kitchen this week.)

Anywho, have a great December. This year is almost over, people. Damn.

Usual Rubbish

String theory.

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2000 Years to Christmas

Hmmm, yeah. We’re getting close to the expiration date on THAT little scam. Hard to sustain that 20th anniversary narrative for more than a year, right? And hell, we missed the International House tenth anniversary. And people are beginning to figure out that our Volcano Man recording is not the famous one from the comedy movie. What’s the next grift, Lincoln? And how do we keep it secret? Thank god almighty Marvin isn’t typing this conversation into the blog … right …. Marvin …. ?

Oh, damn! Uh …. we were just working on the … um … lines for a play we’re writing about corrupt musicians. Fictional corrupt musicians. Pretty convincing, huh? Sure, like most writers, we draw on life experience. I mean, your first play is bound to be a veiled autobiography, right? It’s hard to imagine a band getting by on grift alone. It’s simply not remunerative enough, for one thing. Then before you know it you’re squatting in abandoned buildings, like maybe an old mill somewhere in upstate New York. Fighting the cockroaches for crumbs. One of these days we’re going to win one of those fights, after which we will all dine sumptuously. Or at least anti-Lincoln will – his favorite snack is stray crumbs, which, if you think about it, is the antimatter equivalent of chicken fricassee, the posi-matter Lincoln’s favorite snack. It all adds up, doesn’t it?

Okay, well … you’ve got us dead to rights. Whatever we may be as musicians and songwriters, we are utter failures at making money in any legitimate way. The closest thing we’ve come to steady day-labor was probably that two or three weeks when we rented the man-sized tuber out as an ornamental plant for a local bank lobby. (We convinced them he was a ficus. They may know all about money over there, but they’re no ornamental plant experts.) Then there was that brief period when we lent Marvin (my personal robot assistant) out to the Police Department as a traffic direction automaton, though that was only useful when the town had blackouts. (Marvin’s inventor Mitch Macaphee went so far as to contrive a couple of power failures just to increase demand on his robot creation.)

Nice work, tubey ... I mean, ficus!

These revenue streams have dried up, unfortunately. Man-sized tuber and Marvin are practically in open revolt. Who can blame them, right? It’s not like we take it upon ourselves to rent our aging bodies out as manikins, substandard as they might be. We can scrape just about enough money together each month to buy guitar strings. God help us if we ever need bass or piano strings! Once in a while we get a residuals check from interstellar MP3 sales, but it’s not enough to keep the lights on. What’s the solution? Another …. interstellar …. tour? No, that would be madness! After that last disaster a couple of years ago? Forget it! I’m not piling into another one of those slapped together space barges so that I can be piloted by a madman to some remote asteroid venue where there’s nothing to breathe but radioactive methane. That’s final.

Okay, Marvin – stop typing. Now …. when do we ship out for Aldebaran?

Usual Rubbish

Foot stomping.

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2000 Years to Christmas

Start with a one, and a two, and a three, and a … ouch! Damn it, man … I can’t do this in slippers. I need my stomping shoes!

Oh, hi. Yeah, it’s us again, making music again, or dying in the attempt. One thing you can say about this crazy rock music kick, if it ever catches on, is that it’s all about the rhythm section. It’s pretty simple once you get started. And after you learn how to spell “rhythm”, you’ve taken the first step to glory. Then all you need is a sense of timing and some good stomping shoes … and a decent drummer. And of course a bass player. Yes, yes … and rhythm guitar. Oh, yeah … piano. How could I forget that one? Well … maybe it isn’t all that simple after all. But it is contagious, my friends. Mucho contagious.

Listen to me rambling like an idiot. Maybe it’s sleep deprivation, or just bad air. Maybe some of that west coast forest fire ash is making its way back east. Whatever. Our project this week is an attempt to find the rhythmic core of every song we do. First, we get someone to strum the chords on a guitar. That might be Marvin (my personal robot assistant), except that he can’t even hold a guitar unless it’s in a zero gravity environment, like the deck of the Jupiter Two. So maybe anti-Lincoln …. or my brother Matt, who can actually play a guitar. (No, that’s too easy.) Then we pull out the rhythm arranger. Now I know you’re probably picturing a computer workstation of some kind with a pad controller midi-ed into it. Well, dream on, my friends. Our rhythm arranger is a bunch of pots and pans arrayed in a circle, and the rest of us beating on them with wooden spoons. (It’s just about getting the flavor, right? Then we bring in the drummer.)

Strum that thing, Marvin.

Is this a fools errand? More than likely. But what other kind of errand are we likely to run … I mean, aside from sending Mitch Macaphee, the world’s third greatest mad scientist, down to the corner store to buy some batteries? You musicians out there know how this works. You just try a bunch of different things, different combinations of instruments and patterns, until something starts to gel. You don’t know how it happens, but it always does. Of course, you have to stir the mix properly, and make certain the water is hot enough, then refrigerate three hours before serving. But enough about Mr. Wiggle. I’m sure you’re just dying to know more about our creative process. Well, I’ll tell you, my friend …. so are we. That’s why we’re sitting around our makeshift living room in an abandoned hammer mill, banging on pots and pans. It’s a conjuring trick.

Next week: how to make Jello. Again.

Usual Rubbish

Hangups.

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2000 Years to Christmas

Never mind, Lincoln, I’ll get it. Hello? Yes, this is the Cheney Hammer Mill. Who is this? Hello? HELLO? IT’S COMING FROM INSIDE THE HOUSE!

Actually, that’s probably not true. I just like to get the pot boiling a little bit before I start typing in earnest. Yes, like so many of you, we at the abandoned Cheney Hammer Mill get an unending stream of fundraising and advertising scam calls, each and every day. I’ll tell you, it’s hard to get about the work of an unemployed pop band if you’re getting interrupted every twenty-five minutes by a furiously ringing telephone. There are things that Big Green must not do to remain Big Green – these telemarketers are trying to take that away from us, and I won’t have it, do you understand?

I know what some of you are thinking right now. “Joe,” you’re thinking (and by the way, thank you for calling me by my given name) “Why don’t you just get an answering machine?” Good question, nameless interloper. The fact is, we already have an answering machine …. it’s called Marvin (my personal robot assistant). We just place the handset on his left shoulder and punch a few buttons, and our callers will be greeted by a tinny, stilted voice that sounds like an audio ransom note – words cut from different magazine articles and pasted together. Marvin then records their comments and plays them back to us while standing on one wheel. Sure, he squeaks and rusts more than your typical telephone answering machine, but hell … he’s here and willing to do the work, right?

Wrong number again? What a bunch of freaks.

Okay, so … now you’re thinking, “But, wait a minute, Joe. How come you guys have so much time on your hands that you can spend a pile of it worrying about stupid shit like this?” That’s an even better question, which is a short hand way of saying that I have no idea. The simple fact is, we can’t play in public spaces, we don’t have broadband so we can’t play remotely, and we’re in the midst of our Summer music production doldrums, which is to say that none of us feels like doing anything other than sleeping through September. But then every time I try to get a few extra winks, that phone starts ringing again. So, it turns out that your implied statement above is absolutely correct – we have done fuck-all this summer, and we’re getting antsy.

Somewhere, a phone was ringing. Sounds like a bad novel from the 70s.

Usual Rubbish

Safe and sorry.

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2000 Years to Christmas

You look like a freaking bank robber. Don’t you have anything else you can use? Try turning it inside out. Yeah, that’s it. Huh. Looks worse. Never mind, man …. it’s pointless.

Oh, hi. Just running though our safety protocols here at the abandoned Cheney Hammer Mill in upstate New York, our long-time squat house. You never know when disaster may strike. Well …. that is, you never know in advance. I mean, you know when it strikes because it hits you right in the face. Anyway, the point is, we’re finally living up to the Boy Scouts of America creed: Be prepared! Your scout leader may be an abusive POS, so by all means … be prepared! (True fact: When I was a kid, I used to mix up the Boy Scouts with the Boys Clubs of America. But that was mostly because of television advertising – I never came within ten feet of either organization.)

Right, so we are taking precautions in the Hammer Mill. The executive committee of the Big Green collective (i.e. myself, Matt, and anti-Lincoln) decided on a mandatory mask policy. This didn’t go over well with the posse, particularly (and this seems a little surprising to outsiders) anti-Lincoln himself, who vowed to fight the decree to his last breath. After we supplied him with some Kentucky bourbon, he tied a bandana around his head and tried to get it over his ample nose, but no luck. He looked like a cartoon bandito from a corn chip commercial, and of course, we laughed, even though it’s a very serious situation …. very serious indeed, young man!

What the hell is that, Lincoln?

So, yeah, we’re protecting ourselves from COVID-19, like everybody else. We’ve got group members with pre-existing conditions … like Marvin (my personal robot assistant), who tarnishes easily. But there are other dangers as well. No, I’m not talking about the landlords, though I do have my eye on them. There’s also fire. That’s right, fire. Here we were, considering a move up the Mohawk River to the abandoned Charlestown Mall, and just this past week, it burned to a cinder, sending toxic smoke into neighboring communities from Utica to Westmoreland to five other places you’ve probably never heard of. “Don the masks,” Mitch said, forgetting that there’s no one here named Don. “Marvin, the masks!” I corrected him, and Marvin started handing them out to all and sundry.

We’ll let you know when it’s safe to breathe easy. That’s right, Central New York …. you’ve got a friend.

Usual Rubbish

Xmas again.

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2000 Years to Christmas

I don’t know. Why don’t we just toss it out into the street and see if anyone happens upon it? Wait … that was our original marketing strategy? Did it work? Huh. I thought not. Oh, well … maybe twice is the charm.

Oh, hi, silent majority of Americans who read this blog on a regular basis. I didn’t recognize you at first with that mask on. You just caught us in the middle of a marketing strategy session – we’re trying to shift more physical and digital copies of our first album, 2000 Years To Christmas, a full twenty years after its release. (I’m sure you’ve noticed the banner. Yeah, that was us that put that there.) We’ve got discs stacked in the basement of the hammer mill, discs serving as ashtrays and drink coasters, discs nailed to the walls of the bathroom in a psychedelic mirror-room kind of effect – freaky! We’ve handed them out, tossed them out, used them as Frisbees, table hockey pucks, sacred amulets, etc. Everything but sold them. Yes, as capitalists, we’re abject failures. We’re the worst robber barons ever!

Well, it’s time to embrace our failure and make it our own. Now that it’s aged a solid two decades and made its way into countless music services, we’ve finally gotten around to posting 2000 Years To Christmas on YouTube. I’ve handed the task off to Marvin (my personal robot assistant), and he has assured me that he will upload the songs in a timely fashion. Of course, his wifi connection is a little wonky, and we can’t afford decent internet around this joint, so we have to rely on him rolling on his gimbals past the public library so that he can tap into their free wifi long enough to send another music video skyward. That necessarily involves circling the library a few times, maybe five, maybe seven for the longer songs. Eventually, the librarian comes running out of the building, swinging a yardstick at Marvin and telling him to get the hell out. I’ve programmed Marvin to comply, so he does so … then comes back later. (I programmed that into him, too.)

He's dead, Lincoln. And he's fictional!

Is this a reasonable strategy for a band in this era of COVID lockdown? Hell, I don’t know. Are there any reasonable strategies? We’re just pushing shit out there, hoping someone hears it and gets some enjoyment out of it. Or not. Either way, putting an album on YouTube is the functional equivalent of dropping it in the middle of the street and hoping someone happens upon it. So you could say we’ve been consistent from the get-go with this album.

I know some of my colleagues disagree with this approach. “Get a manager”, they holler, “like that blonde guy on the Partridge Family!” “I think he’s dead,” I’ll respond, but they are undeterred. “Did you try to call him,” they say. “Did you send him a postcard? His name is Reuben Kincaid!” Hoo man. I guess I’ll have to write that postcard if I ever want to get anti-matter Lincoln off my back. I just wish to hell someone would tear him away from his classic TV channel.

Usual Rubbish

Walled-off salad.

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2000 Years to Christmas

I don’t have any walnuts. Apples? Nope, none of them either. Celery? Who the hell eats CELERY? Aside from anti-Lincoln, that is. (He’ll eat anything except chicken fricassee, the real Lincoln’s favorite dish.)

Yeah, well … it was bound to happen. This sequester, social distancing business is getting pretty old. I know what you’re going to say (just call me Kreskin) – But you guys are always cooped up in that abandoned hammer mill! you’ll say, what the hell’s the difference? Such an insolent question! Actually … yeah, you have a point, but watching all these crazy people get even crazier because of home confinement is prompting us to get kind of sick of it too, if only for appearances sake. I mean, I don’t want to be that guy … you know, the one that isn’t climbing up the walls, even though he hasn’t been able to go golfing since last November. Of course, I’m genuinely not that guy, but you see where I’m going with this, right? No? Fuck. I was hoping you could tell me.

Anyway, that’s me. What about my fellow hammer mill-dwellers? Well, they are going stir crazy. Nothing to do with the quarantine. It think they’re just sick of my stir fry. You see, I’ve somehow ended up as the mill cook by default. The job originally fell to Marvin (my personal robot assistant), as that seemed well within the scope of his job description. (“Other duties as assigned,” it says in big red letters.) Anyway, when he set a tossed salad on fire last week, he was out, and because he reports to me, they handed me the apron. I let a few days pass to see if they’d forget about it, but they didn’t, and well …. they were getting kind of hungry, so I put the kettle on. I’ve had worse assignments. Like selling insulated windows over the phone. Sheesh, what a gig!

I think it needs more fire.

Ever try to make something out of nothing? Well, if you haven’t, come on down the Cheney Hammer Mill kitchen. We’ve got some ginger root that’s been lying around the pantry for about five years. There’s a half jar of mustard. Two digestive biscuits. Half a pint of club soda. Oh … our neighbors sent over some carrots. Um … that’s about it. I’m making a casserole. By that, I mean … I’m throwing a bunch of random stuff in a pot and putting it on the fire. I might stir it a couple of times, but again … they didn’t like last night’s stir fry, and I’m getting a little sensitive about the criticism. Mitch Macaphee had the gall to put a review of my cooking up on Yelp. Ripped me a new one, the bastard. Hell, he‘s the mad scientist …. why doesn’t he just invent a decent dinner? TAKE WHAT YOU CAN GET, YOU SHIFTLESS MOTHERS!

Ahh, I feel much better now. Soup’s on!

Usual Rubbish

Summer projects.

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2000 Years to Christmas

Gardening? God, no. I don’t know the first thing about it. And no, I’m not going to build you another gazebo. The first one burned down, fell over, and was washed into the sewer. Not doing that again, dude.

Yeah, I know – it’s not quite summer yet. Still, we’re trying to get our summer projects all lined up … mostly because there’s very little else to do around the abandoned Cheney Hammer Mill, particularly during this COVID-19 isolation time. Nothing happening, so we make lists of things that might happen. That makes sense, right? Anyway, I don’t think I have to tell you what Matt’s summer project is. Here’s a hint: it starts with an F and ends with an “alcon”. It flies around and lives on the side of tall buildings. It … oh, damn it, see for yourself! (Utica Falcon Project site) THAT’S my brother’s summer, people, and good on him.

The rest of us, well … mostly at loose ends. Antimatter Lincoln is dreaming of his revenge, though the dream is a bit murky, as I still don’t know who he wants revenge against. (He just says he swore he’d “keel” him, whatever that means. Some nautical reference, perhaps.) Mitch Macaphee plans to spend the summer packing up all of his experiments on Proxima B, now that it’s been discovered by non-evil Earth scientists. He was hoping to keep this big, rocky Earth-like planet under wraps, I think. Seriously, the dude would steal the Moon if he thought he could get away with it. (Actually, he claims to steal it every month, bit by bit, until it’s completely gone. Cute trick.)

Is this Proxima b or Proxima c? I always get them mixed up.

What about Marvin (my personal robot assistant)? Funny you should ask. You see, Marvin is an automaton, a service cyborg. He has no agency, you see. You simply program Marvin to do a certain thing, and off he goes. Sometimes, yes, he gets it wrong. (Actually, the “sometimes” is more indicative of how often he gets things right, but that’s another story.) If we programmed him to ride in circles all summer, that’s what he would do … though he wouldn’t be at all pleased. And me? I’m trying to resist gravity, but not so hard as to fly off into space. (Not that there’s anything wrong with that.) I’m also recording some older songs that never got onto any of our projects. We’ll see how it goes at the end of the summer – if they don’t suck, I’ll post them. If they suck …. yeah, I’ll probably post them anyway. You guys know me better than I know myself.

So, recording, archiving, bird-watching, revenge … we’ve got it all here at the hammer mill. This is going to be some summer.

Usual Rubbish

About the ‘cano.

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2000 Years to Christmas

There’s always the chance it could be legitimate. Why not? Must we always be so damn cynical? What happened to those happy-headed funsters we used to be back in 1978? Wait … we were never happy-headed funsters? Well … at least that explains what happened to them.

Once again, you catch us in the midst of a philosophical debate, an exquisitely complex conundrum that has confronted us in our COVIDian solitude. Well, perhaps I’m being too generous. Let’s just say we’re having a little difference of opinion. Nothing too weighty, you understand – after all, these are austere times, and we’re trying to be economical with our emotions (as we have little else to be economical with). Why don’t I describe the debate we’re having here at the abandoned Cheney Hammer Mill, and you can decide whether it rises to the level of a philosophical discussion? That I shall do.

As you know, when it comes to the matter of commercial success, Big Green is a smoking failure. We are so obscure, you’d think we spent the last thirty years trying to be unsuccessful (which, I suppose you could argue, we did). Nevertheless, we have resorted to various forms of representation. The first was Hegemonic Records and Worm Farm, the Indonesian corporate label that nearly clapped us in irons and threw us in a dungeon somewhere in Jakarta. Then we mutinied and set up our own label, Hammermade … but of course, that’s just a name, so we’ve had to work with actual distribution companies to get our albums out where people can find them (or not find them, as the case may be). That means we use the same digital distribution networks that most acts use, though i suspect those with decent representation and name recognition realize a better return on their streaming plays, downloads, etc., than we do. Fuckers!

In any case, every week or so we get stats from our distributor, and our numbers are usually somewhere halfway down the toilet (except for around the holidays, when Pagan Christmas takes off like a rocket, thanks to our pagan listeners). Then last week, we saw higher than usual numbers on the track Volcano Man, from our second album, International House. My initial reaction was the same as my reaction to everything else: “What the hell?” Marvin (my personal robot assistant) was immediately of the opinion that the song had finally found its mythical audience – that elusive unicorn of a loyal listener cohort that has been the stuff of speculation since we first donned our Big Green hair-hats and bark suits. (Marvin’s little video screen flashed the word “eureka”.)

That's what we're talking about.

Hey … you expect robot assistants to be a little over-enthusiastic, right? But then Anti-Lincoln and Mitch Macaphee, our mad science advisor, jumped in on Marvin’s side, so Matt and I had to disabuse them of their delusional optimism. Turns out there’s a rational explanation for everything – there’s a new song/video called Volcano Man that’s from an upcoming Will Ferrell movie entitled Eurovision Song Contest: The Story of Fire Saga. People were obviously looking for that Volcano Man and not our Volcano Man, which is quite different, though similarly ridiculous. Marvin’s not convinced – he thinks it’s all a coincidence. Anti-Lincoln is leaning more towards a conspiracy theory, which is totally like him. Not sure about Mitch – he’s moved on to another project.

Where was I going with this? No place special. Always wanted to go there.

Usual Rubbish

Hands out.

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2000 Years to Christmas

Huh. Still promoting the Christmas album, eh? Think that’s wise? I mean, it’s freaking May, man. What’s that? Okay. I’ll just stand over here, then, and not say anything.

Oh, hi. I was just talking to our advertising manager, a Mr. Antimatter Abraham Lincoln, esq., who spent some time as a railroad lawyer, I hear, and has since moved into marketing and PR. Perhaps a bit less mentally challenging for him, I suspect. Anyway, Anti-Lincoln has some very passionate opinions about what works and what doesn’t work. Interestingly, they don’t appear to have anything to do with standard measures of success, like sales, cash flow, etc. I’m not sure what he’s measuring, frankly. In as much as he is an anti-matter being, it’s possible that the less successful something is, the more of a success he considers it to be. If that’s the case, then Big Green is on top of the world in his book.

Yeah, trouble is … we’re on the bottom of the world in everyone else’s. I know, I know – the top and the bottom of the world are both cold, cold places, and nobody stays there long without a key to the ice station. Then there’s the radiation pouring through that ozone hole, and … um … I’ve lost the thread of this metaphor. Anyway, like every other band in America, we’re freaking dead in the water, hijacked by COVID-19, our gigs canceled, our audiences loathe to gather (and with good reason), our technicians fighting the cat for scraps. Many musicians have taken to the internets with virtual performances, either passing the virtual hat or running shows behind a pay wall. And many are discovering how little money there is in the internets. Shake it upside-down, and all you get is some gum wrappers and pocket lint.

Lincoln ... seriously. Give it up, man.

Some of you are aware that we of Big Green are old hands at the internet. Sure, we started life as an old-school, thrown-together, play-in-the-park-gazebo type of band. (That was in the Before Time, before the Awful Things.) We limped along in that mode for a number of years, then had a re-birth in the late 1990s as a virtual band, launching our first web presence in 1999, along with a page on the now-defunct mp3.com site (a domain that has been replaced by some exploitation pop culture news aggregator). This blog is just the most recent iteration of the garbage we’ve been posting since then. Trust me, no one knows better than us how little money there is to make on the internet. The thing will NEVER fly. But still … Anti-Lincoln will try. Unlike his posi-matter doppelganger, he really only cares about personal gain, not the fate of mankind … and some personal gain. He’s a gold-digger, old dishonest Abe.

Hey, everyone needs a hobby. Hobbies we got. Work? Not so much.