Tag Archives: 2000 Years To Christmas

Christmas bot.

Oh, Christmas bot, oh, Christmas bot! It’s hard to see just what you’ve got!

heres-bobYes, yes … we’re polishing up the holiday songs here at the abandoned Cheney Hammer Mill. T’is the season and all that. What, you’re not familiar with the dirge of the Christmas Bot? Small wonder. We just made it up. What kind of songwriters would we be if we resorted to used Christmas Carols? It would be a total cop out. So we are resolved to write lame Christmas numbers each and every December, five minutes before we hastily record them and throw them up on the internet. You’re welcome!

Legend has it that every year around this time, the sound of holiday ridiculousness wafts out of the old abandoned mill by the old abandoned canal in this old abandoned town. What an asinine legend. Just the sort of thing you’d expect in this lame backwater. Whoops – should have closed the window before I said that. Now all the neighbors know that I have NOTHING BUT CONTEMPT FOR THIS NEIGHBORHOOD!

Okay, well …. It’s probably obvious to all of you that I not only do not like having neighbors here at the mill. And it may seem to you that I am trying to drive them away with my obnoxiousness. That couldn’t be farther from the truth. We are trying to drive them away with the obnoxiousness of our raucous Christmas music. That’s probably the best way to scare away undesirables. Trouble is, we can’t keep it up for long enough to reach critical obnoxiousness mass, so we resort (as we always do) to Marvin (my personal robot assistant), who makes a fairly decent stereo system when he really tries. He just plugs his sorry ass into a couple of stereo speakers, plugs a memory stick into his ear, and cranks it up to twelve.

Unethical? Not a bit of it. We have no ethics, no code. That’s what Big Green is all about. THAT’S WHY WE’RE ABOARD HER. Do I hear a “no” vote?

Prepping for the big one.

Remind me to tell Marvin (my personal robot assistant) not to leave the lights on all night. We’ve got the environment to consider. If we don’t care about mother earth, who the hell will? Besides … they freaking keep me up.

No, not THAT strange ... Oh, yes, my friends. Even here at the Cheney Hammer Mill we are preparing for the impending holiday season. Not without some trepidation, of course. Lord knows this time of year puts people into a kind of feeding frenzy, hyperactive shopping fever, whatever. They lose their reason. They get impatient and even nasty. It’s a rough world out there, man. So why would we add our madness to the pile? No reason. Just looking for a way to keep busy.

So, what are we planning? Nothing much. Another podcast episode. Couple of new recordings. A bag of crisps. Some flashing lights. I don’t know, what do YOU think we should do? We only know how to do one (or two) things. One of them is, well, play strange music. Not Anthony Braxton strange, but strange none the less. Okay, well … as you know, we did a Christmas album once, like …. fifteen years ago. It was called 2000 Years To Christmas. And we’ve written, recorded, and released other Christmas themed songs since then, including a few last year.

This year, we’ve got a few more. All we have to do is get off of our sorry asses and record them. Then write, record, and post a holiday pageant of sorts. Can’t say what the dimensions of said pageant would be, but it should probably be a big one. Should be song and dance numbers. Special guests should drop by unexpectedly, then perform carefully prepared duets with us. Perhaps wearing ridiculous getups and other worldly charm bracelets. They might even bring choruses of singers with them to join in! And presents!

Or maybe not. This is beginning to sound expensive. Which reminds me … did Marvin leave the water on in the mud room? We’re not made of money, you know!

Next on the list.

Let’s see. Step three hundred seventeen. Plug lead E7 into jack B47. Check. Step three hundred eighteen. Remove cap from light-pipe cable and insert into port F1. Check.

Finished yet? Nearly ready.Oh, my goodness. Didn’t know you were reading this. Bet your eyes are glazing over. I’m just working through the instructions for this do-it-yourself project studio. It came in a big, flat box, some assembly required. In fact, quite a bit of assembly required. That explains the bargain-basement price. That fellow in Bangalore seemed very anxious to unload this little gem. At least he was an engineer – I am, at best, technically challenged, and at worst, a danger to public safety. Have you ever manually wound a transformer before? I know I haven’t.

Typically I would leave such menial tasks to Marvin (my personal robot assistant), but as you may have noticed from the last few postings, he has been making himself quite scarce. Last week he took a trip to Cincinnati to visit the National Museum of Robotics and Animatronics. Didn’t even know such a thing existed. Anyway, he was gone for about five days, came back with a few scratches and a cardboard pirate hat for his trouble. I know … it sounds suspicious to me as well, but there are certain questions you just should never ask of your personal robot assistant.

Why are we building our own studio? Well … the one we have right now is getting a little long in the tooth. I expect you know this, as I’ve mentioned it often enough. Big Green has recorded one album (2000 Years To Christmas) on an eight-track Tascam DTRS system, two albums (International House and Cowboy Scat: Songs in the Key of Rick) on a Roland VS-2480 with various peripherals. The eight track machine is basically a doorstop. The VS-2480 is 13 years old and is not well. It’s choked with projects and has no practical means of exporting data. We are still recording on that system, but just around the edges … gently, gently. Hence … the do it yourself studio. Either that or a Kickstarter Campaign. Still scratching our heads on that.

Head scratching, step three: Press nail of index finger on scalp and move finger back-and-forth.

Missing month.

Could have sworn I left it around here someplace. Have you seen it, Marvin? Oh, right. You’ve deactivated yourself for the holidays. Sounds nice … enjoy your break. How ’bout you, mansized tuber? Oh, yeah. He planted himself in the courtyard, out of earshot. Smart move. Wish I’d thought of that.

What am I searching for? The lost month of June, that’s what. It was here a minute ago, seems like, and now, POOF! Gone-zo. And with it, apparently, the June episode of our podcast, THIS IS BIG GREEN. Okay, well … it’s not quite as mysterious as that. Our promised June episode is still in production, and not quite finished. Part of the reason is that we are lazy slags, but aside from that, frankly, it’s been a very complicated episode. A full-on, hour long episode of Ned Trek incorporating no less than six original Big Green songs. I am only now finishing out the songs, adding some incidental parts, mixing, etc. Working like a dog over here. (Well, a lazy kind of dog, anyway.)

Like a dawgOkay, I know what this sounds like. It sounds like pretty much every month this year, right? January’s podcast got pushed into February, March’s into April, April’s into May, and now June has evaporated. Four shows in six months is not exactly a land speed record, even for Big Green, so what can I say. As we try to raise our production values from the sub, sub-basement where they reside to the dank level of goodness just above that, we are finding that it takes a bit more effort than just plain sucking.

This is kind of how Cowboy Scat: Songs in the Key of Rick was born. We started out with a bunch of hastily recorded sketches, then started tracking those, making them marginally more complex until they reached the same level of quality (or lack thereof) as our officially released albums, International House and 2000 Years to Christmas. We’re beginning to do the same deal with these Ned Trek songs, though they make the Cowboy Scat numbers seem, well, normal by comparison. This is some weird shit, man.

Stay tuned … we will post sometime soon. If it takes longer than we anticipate, we might toss in a clip show or something. Another cop out! Say it ain’t so, Joe!

Moving to Ironia.

If there’s one thing I can’t stand, it’s people who arbitrarily find something to complain about. Especially when it involves pointless grousing about other people. I HATE PEOPLE LIKE THAT.

Right, you guessed it. I was being ironic just then. Some people do that for a living. Me? I’m ironic in my spare time. Actually, it’s not merely a matter of personal whim. We’ve just taken on a marketing consultant recommended by our somewhat lackluster label, Loathsome Prick Records. I would tell you her name, but she told me her name must never be spoken. In any case, she – I will call her “Noname” … which rhymes with Edamame in my tiny mind – is going to help us “position” Big Green in the international indie music marketplace. That’s something our label tells us we need to do, like, RIGHT NOW.

Okay, so… part of that new positioning is that we should start being more ironic. I know what you’re going to say, and I am appalled… APPALLED that you would even think of such a thing! No, really… I know that we’ve been living, breathing, writing, playing, singing, exemplifying irony for more than two decades now. I know that our entire first album, 2000 Years To Christmas, and its follow-up, International House, were both frantic fits of festering irony. Trouble is, from a marketing perspective, none of that counts. It’s more about being seen to be ironic. “Noname” is insistent that we apply at least half of each waking hour working on ostentatious displays of irony.

My response to that has been, well, typical for me. I put Marvin (my personal robot assistant) on the case. Never send a man to do what a personal robot assistant can do for him – that’s what I always say, without a hint of irony. I asked Mitch Macaphee to program some irony into his sorry ass, and Mitch obliged, punching numbers into his little hand-held remote, pointing it at Marvin and saying the magic words: Obey! Obey! Marvin wheeled out the door and into the streets of Little Falls, dodging shoppers on a mission to ironyland. Sure enough, when we went out to the grocery store for some day old bread, there was Marvin, in front of Magillicuddy’s Hardware, ringing a bell and wearing a Santa-style hat, an old paint bucket on the sidewalk in front of him. Was he raising money? God, no. He was demonstrating the absurdity of a world in which robots in Santa garb can panhandle out of season without even raising an eyebrow. In short, he was practicing… that’s right …. starts with an “i”.

Here’s something else that starts with an “i”: I’ve had it with this for the nonce. Noname be damned, I’m hitting the sack. (Or perhaps merely mocking those who do so in earnest. Who can say?)

Tall tales.

Gather ’round the fire, folks. Everybody got their hot chocolate? Not too, hot, right? Make yourselves comfortable. Got some serious yuletide bloviating to do.

As I mentioned last week, all of our little elves have been laboring under harsh working conditions in the basement of the abandoned Cheney Hammer Mill, hammering together the disjointed fragments of Big Green’s Christmas Podcast. A thankless job, to be sure, but somebody has to do it (at a substandard wage). Next year maybe we outsource to Sri Lanka in honor of Mitt Romney’s eventual nomination. Or not. Anyway…. Christmas…

It occurs to me, listening to our holiday audio extravaganza, that our explanations of the songs included in the podcast are, shall we say, somewhat wanting. So what the hell… I’m going to give you the low-down on all of them, just so that you can be a more informed listener. That’s how we roll over here at Big Green – full disclosure at all times. Why, you may ask? Well… I’d rather not say.

Okay, so here’s the story below the music. I’ve included the time markers so that you can work your way through our 2 and a half hours of blather:

Merry Christmas, Jane (Part 2). [at 1:40] One of the numbers from our first album, 2000 Years To Christmas. Some reviewer on GarageBand thought it sounded like Neil Young, but that’s probably mostly the instrumentation. What’s it about? Damned if I know. It was a year-later rejoinder to Matt’s “Merry Christmas, Jane”, which also appears on 2000 Years To Christmas. (Little known fact: There is, indeed, a “Merry Christmas Jane, Part 3” that has never been properly recorded. Maybe next Christmas, children.)

Dark Christmas.  [at 1:10:30] This is an outtake from the 2000 Years To Christmas album – one of the handful of completed songs that didn’t make it onto the disc. What’s it about? I’m still trying to work that out, but it’s sung in the voice of someone who is trying to pull someone out of their holiday slump.

Christmas Sport. [at 1:24:35] Matt’s musical reflection on the warm holiday tradition of shooting everything that moves. Another new recording.

Christmas Puzzle. [at 1:33:00] Matt wrote this about a classmate of his in grade school who was a bit disappointed with his secret santa gift. (He actually explains this better on the podcast.) The original recording was made more than a decade ago and recently enhanced with new vocals, percussion, and a remix.

Jit-Jaguar. [at 1:51:47] We recently recorded this number about the political fortunes of a local officeholder who, disappointed at the results of a recent election, calls upon a Japanese sci-fi movie automatonic superhero to assist with his vengeance on the people who rejected him.

Evening Crab Nebula. [at 2:14:29] A new recording made with the help of “Cousin” Rick Perry; a tale of hope and caution. Hope for political advantage; caution about taking biblical stories too literally. Contains the only known instance of a rhyme with the word “Nebula” in a pop song lyric.

There we go, kids. Lame explanations, I admit, but… lame is better than nothing. Have a happy.

Yule be sorry.

We don’t have a garage. This is an abandoned hammer mill, built when people didn’t have cars. There is no garage here, get me? Now DON’T CALL HERE AGAIN! (Click! buzzzzzzzzzzzzzzzzzzzzzzzz…. )

Got to love these small town managers. It’s bad enough that they pass an ordinance against squatting in abandoned properties (something Lincoln is convinced is aimed directly at us, lawyer that he is); now they’ve got one against all night parking. Thing is, we – that is to say, the core members of the musical collective known as Big Green – don’t even have cars. We’re not parking overnight on the street because we’ve got nothing to park. No, no –  they’re complaining about the big, blimp-like space vehicle we rented for our recent interstellar tour, which is still hovering over the mill like some kind of sales promotion. (The owner has yet to pick it up.) The town would hang tickets on the thing if they could find a ladder long enough. (They’re talking to the fire department right now. This could get ugly.)

So many distractions. How the hell is a man supposed to produce a podcast? Matt and I have yet to finish our Christmas episode, and time is running short, as you all know. We may have to …. cancel … Christmas. There’s nothing I can do; it’s this weather…. Oops, sorry. I started channeling Rankin-Bass’s “Rudolph the Red-Nosed Retail Bonanza”. I mean Reindeer. It’s not about the weather at all. It’s about time, it’s about space, about two men in the….. D’oh! Damn you, 1960’s television! Get out of my head!

Okay, to be fair, it’s not like we haven’t made any progress on our Christmas episode of THIS IS BIG GREEN. We have done the basic tracks for at least two previously unreleased Big Green Christmas songs. We are going to resurrect an outtake from our 1999 album 2000 Years To Christmas – another previously unreleased Big Green song – specifically for the occasion. There will be other musical oddities, including yet another performance by Cousin Rick Perry, governor of Texas, presidential candidate, and… and…. something else. I can’t remember the third thing. Oops.

So listen, mo-fo’s, we’ve got some work to do. A present to wrap, if you will. I’m taking the phone off the hook.

Homearriving.

Yeah, there’s some in here, too. Yep, all over the floor. Jesus Christ on a bike. Where are all the freaking buckets? Why don’t squatters have landlords … with buckets?

Oh, hi… Yes, Big Green has made its triumphant return to Earth from its somewhat less-than-triumphant [INSERT NAME HERE] Interstellar Tour 2011, pulling our rental spacecraft into a low, low … very low parking orbit (approximately 100 feet above the Earth’s surface) over the Cheney Hammer Mill, our abandoned mill of a home in upstate New York. And, as will happen when one leaves one’s home for a stretch of weeks, some maintenance issues have emerged to greet us, providing us with distraction even before we’ve had the chance to remove our tour galoshes. They say all roofs leak, but I doubt they all leak this badly. My converted hammer assembly room suite looks like a freaking swimming pool. I think I see fish.

Right, well… that’s the kind of problem you expect. What I didn’t expect was to have to deal with obstinate bandmates after our return as well as throughout the tour. I’m thinking specifically of … wait for it! … Marvin (my personal robot assistant). You may have thought I was going to say the mansized tuber, but really… he’s no trouble, hanging out in his specially climate-controlled terrarium, working his smartphone with both roots, tweeting pictures of himself in a methane sauna on Neptune. (Very therapeutic for cruciferous beings.) No, no… Marvin gets the prize this week. He has refused to leave the circa 2001: A Space Odyssey rent-a-vessel we took on this latest tear through the solar system. He has developed what Mitch Macaphee (our mad science advisor) calls “Hal 9000 Syndrome”. It’s a bit like Stockholm syndrome, except, well, a lot less congenial.

Okay, so Marvin is refusing to open the pod bay doors. This is not a tragedy. We’ve got too much on the agenda to care, frankly, so he can float up there, 100 feet above our heads, and play Captain Bligh to his brass heart’s content. Matt and I have a Christmas podcast to produce, and time is running thin… I mean, short. (Premise is running thin.) Lord knows we want to have an action packed episode of THIS IS BIG GREEN posted before the fat elf flies – an episode full of new recordings, old yuletide favorites, an outtake from our “classic” (i.e. elderly) album 2000 Years To Christmas, and just the sort of incoherent ramblings you expect from us.

No, no…. you don’t have to thank us. Just send buckets. Lots of buckets.

Home for the helladays.


We’ll be home for Christmas? Only in your dreams.

Yes, I know… we should do the decent, right? Be with our families, etc. Alas, technology makes clueless monkeys of us all. This horrible rust-bucket leftover from some forgotten interplanetary invasion we rented as transport during our interstellar tour has blown yet another gasket or some such thing, per our mad science advisor Mitch Macaphee. He used a lot of big words, none of which I’d ever heard before (though Matt was familiar with several of them… strange…). The upshot is, we’re chugging along at subnormal speed, making our leisurely way back to Earth from the Kuiper Belt – last stop on the ENTER THE MIND: THE ULTIMATE BIG GREEN EXPERIENCE interstellar tour.

So… like my cat Macky, we’re making the best of it. Marvin (my personal robot assistant) has fashioned a Christmas tree out of whatever was available. The mansized tuber has been coaxed out of his terrarium to serve as the aforementioned  “whatever was available”. John’s playing “Oh, Holy Night” on his four-string banjo. (I keep singing “Oh, Holy Shit!” to annoy him, but still he is not annoyed.) Lincoln and Anti-Lincoln are dec’ing the halls with clumps of Neptunian seaweed, considered a delicacy on Titan and a form of currency in the Kuiper Belt. (If you’re wondering how we were paid for all those performances on those tiny asteroids, wonder no more.) Yes, it’s quite festive out here in deep space.

Me? I’m telling holiday stories to anyone who will listen. Thing is, no one will listen. Actually, as rock bands go, we’ve got a lot of holiday related material. There’s our first album, 2000 Years To Christmas, of course, featuring 13 songs that use Christmas as raw material for songs that are about other things entirely. Few people know that that is the tip of the iceberg. During his salad days (i.e. back when he was rich enough to afford salad), Matt wrote and recorded about 60 or 70 songs themed on Christmas as cassette gifts for friends, relatives, etc. 2000 Years To Christmas is a sampler from that body of songs. Trust me, there are a lot more where that came from.

Fact is, we finished 16 songs for that project, so there are 3 unreleased numbers. One day … maybe next Christmas … you may find them under your tree. (Or under indictment.) In any case… have a happy.