Category Archives: Usual Rubbish

Late to the party.

2000 Years to Christmas

Here comes another one, hot off the presses. Just in time for the presidential election. Wait, what? When did that happen? Five months ago? I’ll be damned.

Oh, hey there. Just plying our usual trade here in Big Green land. (For those of you listening to an audio version of this blog, I don’t mean Greenland’s big sister; I mean the land of Big Green, the indie rock combo from space. Or from time. From somewhere not here and now, suffice to say.)

I’m guessing more than a few of you think we just while away the hours, conversing with the flowers here at the abandoned Cheney Hammer Mill, where flowers grow up through the cracks in the shop floor. Well, I hate to disillusion any of our legions of followers, but we are far more industrious than that, my friends – far more. (Someone on the internet once claimed we were the laziest band in music. I almost fell out of my string hammock when I heard that one.)

Long-time listeners know that Big Green’s most recent material is mostly topical, ripped-from-the-headlines kind of stuff. And when I say “headlines”, I don’t mean today’s paper. More like last month’s paper … or last year’s. You see, the thing is, whatever the political situation may be at any given time, when things go septic, we start writing songs about it.

That’s the genesis of our second album, International House, which was basically our document on the Bush II administration. Then there was Cowboy Scat: Songs in the Key of Rick, which was made up of songs about the life and times of 2012 presidential candidate Rick Perry, our honorary cousin. Since then, we’ve written and recorded scores of songs for our podcast feature Ned Trek, many of which were about right-wing politicians in general and Trump in particular.

Huh. I guess it's time to release our song about that awesome blimp.

Okay, so you get the topical part. Now here’s the rest of the story – we’re always freaking late to the party. We released International House in the waning days of the Bush Administration – like, the last couple of months. And when did we release Cowboy Scat: Songs in the Key of Rick? In 2013, a year after Rick Perry dropped out of the presidential race! So in keeping with our long tradition of being far, far behind the curve, we are just now in the process of pulling together some songs from our Ned Trek collection, including a number that focus on Trump, months after the fucker left office. As Mr. Ned himself would say, “What the hell!”

In any case, we’ll keep you posted on any new releases from Big Green over the next year or so. In the meantime, we’re looking at posting International House on our YouTube channel, as that’s the only one of our albums that is not available on the YT. Look for the latest on our Twitter feed or our Facebook page. (There, Marvin – I’ve name checked all of our social media properties. Are you happy now?)

Ear candy.

2000 Years to Christmas

Turn it down, the radio! No, that’s too low. Now turn it up again. Ah, that’s perfect. What’s that you say? It’s not a radio? But it has dials and lights and noise comes out of it. This is strange.

Oh, hi. I was just contemplating a new advance in audio science called the Eight Track Cartridge Player – a bold invention that enables you to copy a two-sided, long-playing record onto a medium that’s broken into four equal parts … so inevitably, one or more of the songs on the LP will be randomly broken in half somewhere in the middle. Or there will be big unexplained periods of silence at various points on the album. Or both. That IS a step up. Now if we could just get a record album onto some kind of medium that would allow us to play the whole thing from beginning to end without any of that nonsense, skip to another track instantaneously, fast forward, etc. Wait …. WHAT??

You know, the thing about living in an abandoned hammer mill is that you’re so isolated from the outside world, you almost literally become unmoored in time. Even your mad science advisor loses track of what decade it is, and starts inventing things that have already been invented in previous times, thinking they are his or her own ideas. Not that anything like that would ever happen around here. Okay …. in fact, that HAS happened around here, truth be told. This week it was the eight track cartridge deck. Last week it was the bicycle. My guess is that, by sometime next week, he will have installed one of his new tape decks in his ramshackle bike and start riding it around the valley, cranking up the tunes, and swearing at the gaps at key points in whatever album he’s listening to. Fun times!

Wow, Mitch. Another breakthrough.

Now, if we could get Trevor James Constable’s patented Orgone Generating Device working once again, we could actually turn a profit on Mitch Macahpee’s retread inventions. How, you may ask? Well …. think of how we managed to bring antimatter Lincoln into our midst – through a time portal generated by Trevor James’s invention. So, Mitch could take his re-invented eight-track machine, set the Orgone Generating Device (or OGD) to 1957, and drop in at SONY to show those fuckers how it’s done. Of course, they would buy up the patent almost immediately, then he could move forward in time to a point when sales are sufficient to shower him with remuneration, which he could then haul back to the future to share with us. Or maybe he would just use the profits to buy himself a tony house in the 1960s and forget our sorry asses. Hmmmm …. maybe not such a good idea.

SCRATCH THAT, MITCH! TRY INVENTING THE BLENDER NEXT – I’D KILL FOR A SMOOTHIE RIGHT ABOUT NOW.

Steady Cam.

2000 Years to Christmas

Try to stand still, man. You’re shaking the picture. It looks like there’s an earthquake going on, like Big Green meets the last days of Pompeii. That was a volcano? Okay, so …. Big Green meets the big one. Or Big Green bites the big one. Now that’s more believable.

Oh, hi, Big Green fans. Sure, we know you’re not “fans”, exactly … just casual acquaintances who drop by every once in a while to see what’s on fire at the mill this time around. We’ll take it! Sorry to disappoint – there’s nothing on fire at the moment. I’m, of course, not counting the perpetual St. Elmo’s fire that our mad science advisor Mitch Macaphee has had burning in his lab since the day he got here. (And no, I don’t mean he has a VHS tape of the movie running in perpetuity – he actually has a plasma corona discharge simulator in his lab … running in perpetuity. I think he likes the glow.) No, we’re having a normal week for once. Though our normal is, well, not particularly normal. More nermal than normal. Nothing blew up, that’s basically it.

As you know, we’ve been trying – like many other bands – to adjust to the virtual marketplace in this era of Coronavirus shutdowns and social distancing. And like many bands from a previous era, we’re having more than our share of difficulties. Doing performances on Zoom, for instance, is less than optimal, even for musicians who have some facility with digital technologies. For people like us, it’s just hopeless, and we have had to resort to other, less frequently used technologies, like long cardboard tubes, or old-style megaphones, or just hiring someone to carry our tunes around in a bucket. (Fact is, nobody in this town could carry a tune in a bucket to save his or her life.) For people used to just standing on a stage and letting the music happen, for better or for worse, this pandemic is …. well …. lethal!

Can you try to get both me AND the piano into the shot ... Scorcese?

This week, though, we stumbled upon another option. Marvin (my personal robot assistant) has a body cam built into him. I think his inventor, Mitch Macaphee, was imagining he could sell Marvin to the police for use as a ludicrous robo-cop of some sort, but that didn’t pan out. Anyhow, Marvin can be our camera operator, and because he’s set up for wi-fi, we can route him into our hacked modem, push the signal up to the main fiber hub, and send our music out to thousands of potential listeners. Unfortunately, he doesn’t have the capacity to record anything, so we have to do all of our songs live. And damn it, the fucker just can’t stand still. Every time we count something in, he starts rolling around. I think he’s trying to pull off a crane shot or something. We keep telling him to stop watching music videos so much, but these are COVID times, and frankly, he’s got little else to do.

Okay, so when you see a performance from us, if it looks a little shaky, that’s NOT because we live in a fault zone. It’s artistry at work, my friends. Cinematic artistry.

Burning Verses.

2000 Years to Christmas

Got the toaster plugged in? No, not THAT toaster. I mean the kind that pops up CDRs. Yes, it needs juice – what the hell century are you living in? Jesus Christ on toast. No, that WASN’T my breakfast order!

There are times, my friends, when it feels like I speak an entirely different language from my flopmates. And this is one of those times. Now that the nice weather has returned to upstate New York, you might think that we would venture forth from the abandoned Cheney Hammer Mill, our adopted squat-house, and enjoy the five minutes of sunshine we get each year, whether we need it or not. Well, you would be wrong to think that. God, no – Big Green is still cooped up inside this dump, trying to decide how to slice and dice the mountain of makeshift recordings we’ve done over the past five years under the rubric of Ned Trek. Now, is that any way to spend your summer? (All five minutes of it?)

What’s the urgency? Well, I can’t answer that, except that there appears to be some line of code in Marvin (my personal robot assistant)’s programming that requires him to do an exhaustive inventory of our work product every seven months. That’s all well and good, except that we are – as you likely know – the most disorganized band in the history of music, so our efforts to accommodate this half-crazed automaton fall more than a little bit short. Story of our lives, right, people? We just write ’em, play ’em, and record ’em. What happens after that is not our department. So as a consequence, we’ve got songs lying around the mill, knee-deep in parts, jumbled together in a hap-hazard fashion – an auditor’s nightmare, to put it succinctly. Every seven months, it makes smoke come out of Marvin’s brass head. (Note to audience: that’s NOT supposed to happen. Marvin is battery operated – no emissions, period.)

Slave driver!

Take Ned Trek (please!). We had something like 40 episodes of the show, posted as a feature on our long-running podcast, THIS IS BIG GREEN, with a “rebroadcast” on a separate feed as simply Ned Trek. Something like half of these shows were musicals, which means that they included five or more original songs – sometimes as many as 8 in a single episode. After five years of production, more or less, we have about 100 Ned Trek songs in total. Marvin wants us to funnel them all into disc-length (80 minute) albums, like we did with Cowboy Scat: Songs in the Key of Rick (another product of THIS IS BIG GREEN technology). That sets us up for a conundrum – do we (a) put all of the songs onto multiple discs, or (b) cherry pick the ones we like best (or hate least) and consolidate them on maybe two discs? Just a preliminary sort brings us to five or six discs total – that’s just nuts. Even Marvin can’t count THAT high.

Well, whatever we decide to do, the next thing we’ll need to do is try to find people who still listen to CDs. (We save that hardest shit for last.)

Assault with Batteries.

2000 Years to Christmas

Look, I don’t have any space in my room for this goddamn thing. And no, it can’t go in the freaking studio – it’s cramped enough in there as it is. Christ, why do you think we’ve been playing all those Cramps covers? Tight as a tick.

Yeah, that’s right – we’re having a bit of a disagreement again here at the abandoned Cheney Hammer Mill in upstate New York, our adopted home. (When they say beloved bands have gone to a farm upstate, this is where they go, my friends.) Nothing new around here. Tempers wear thin after a Winter like this one, am I right. I said, AM I RIGHT? Damn it, this COVID shutdown is even making hermits like us feel claustrophobic. Even the mansized tuber, not exactly a social butterfly, has gotten so cagey he’s decided to resurrect his long-neglected Facebook account. And hell, if he’s just dying to do something useful, I told him he should just do all of our posts while I sit back in an abandoned easy chair and enjoy some expired cider from a bell jar glass. Life of Riley.

What are we arguing about? Here’s the beef: the international space station recently jettisoned a space pallet full of spent batteries, sending it down towards an almost certain burn-up reentry. Sounds like a bit of mundane space news, right? Well, not to Marvin (my personal robot assistant). Like the rest of us, he likes to make use of discarded bits and bobs. Come to think of it, that’s principally what Marvin is made of. And so when he heard this story, it was like he discovered the pot of gold at the end of the Van Allen belt. Marvin may be a lifeless piece of tin (don’t tell him I said so), but he’s smart enough to know that even spent batteries have a little juice in them. So he appealed to his creator, Mitch Macaphee, our mad science advisor, and talked him into pointing his tractor beam (actually, Trevor James Constable’s abandoned orgone generating device) at the discarded space pallet so that he could drag it to earth.

Here she comes, Mitch. Steady, now ...

Okay, so Mitch cranked up the tractor beam, and the whole Mill started to shake like a leaf. Before long, we could see this bloody thing hovering over the building, emitting an unearthly glow, like an aura. Mitch somewhat expertly guided the thing into our central courtyard and landed it with a dull thud. It was hot as a toaster oven on a late-Summer Saturday morning in 1974, just after the kids had breakfast and before dad shook off his hangover enough to start hollering again. (Okay … that simile went a little sideways.) But by the end of the afternoon, Marvin was able to retrieve some of the spent nickel-hydrogen batteries and install them into his personal recharging station (which, I swear, looks like a jukebox). Now he wants me to find somewhere in the mill to stow the space pallet, but I keep telling the stupid automaton that it’s too damn big.

We need a pallet garage. One of the bigger ones. Where’s my Sharper Image catalog?

Banjogeddon.

2000 Years to Christmas

So, wait a minute. You say the Chicago tuning is like the top strings on a guitar? Is that so? What about the standard plectrum tuning? Oh … and I think I turned the peg too many times … unless it’s supposed to sound like that. My bad.

Oh, hi. Just caught me in the middle of a session. No, it’s not the kind of session we usually have here at the abandoned Cheney Hammer Mill (our adopted squat-house in upstate New York) – something a bit more prosaic. As always, Big Green is making do with whatever is around us at any given time. When we made 2000 Years To Christmas, for instance, we were short on effects, so we had to use the mill’s steam HVAC system to get some decent reverb. Then, when faced with a shortage of horn players during the sessions for International House, we had to retrofit the mill’s HVAC system so it could be used as a brass section. And when our mastering deck broke down in the middle of mixing Cowboy Scat: Songs in the Key of Rick, in a moment of desperation we routed the tracks through the HVAC system, which may explain why that album sounds the way it does. (There has to be a reason.)

Right, so we’re sorting through the songs we’ve written and recorded since 2013, mostly Ned Trek related numbers, with an eye to enhancing the tracks before attempting to release them to the public. And in more than one case, it seems like we’re a little light on the stringed instruments. Only trouble is, our guitars are all out at the guitar laundry …. I mean, the tech. The only thing we have left is a four-string banjo left here by the “Old Ones.” (How many centuries ago? Even Ruk doesn’t remember.) The strings are made of some nameless substance that I’m afraid may have once been a living thing. The tuners are worn away to nubs. There isn’t a good thing to be said about the remains of this instrument. In other words, it’s a perfect addition to our next album … whatever that may be called. (Something with banjo in the title?)

Hey, that's great, Abe.

I have to tell you, it’s been close to a decade since I last played a banjo. (And what’s worse than that, even then, I never knew how to play the effing thing.) That’s why I’m working with our resident expert, Antimatter Lincoln, on how to at least tune the instrument. He prefers the Chicago tuning, being a former resident of antimatter Illinois (or Sionilli, as they call it). After that, he started giving me some pointers. Things like, “Don’t cross the street with your eyes closed,” and “Keep your feet under your knees at all times,” and who could forget, “Avoid the Ford Theatre on April 15, 1865.” No pointers on how to play the banjo, but he did rip into a couple of songs while I was in the room, and let me tell you … he makes me look like a good banjo player. (Notice I said “look” and not “sound”.)

This may end up with some kind of dueling banjos standoff between me and Anti-Lincoln. Who will prevail? Music, my friends … that’s who.

Spring Chills.

2000 Years to Christmas

Throw another log on the fire. What’s that? No more logs? What the hell. Then break up one of those lobster traps. We haven’t caught a single lobster in twenty years of squatting in this mill – can’t understand it. Stupid trap!

Oh, hi. Yeah, you caught us looking for alternative sources of fuel again. It’s pretty much a full time job for the likes of us here at the abandoned Cheney Hammer Mill. It takes a lot of fuel to heat a big old barn of a place like this, even with the entire west wing collapsed and the north wing taken over by lunatic neighbors. In this current cold snap, we’ve resorted to burning whatever wood we can get both hands on. Brother anti-Lincoln has even started pulling up the floorboards in his personal apartment. Inasmuch as it’s on the third floor, this is making navigating around his living space more and more of a challenge. (He’s devised a system of ropes, but I believe he’s thinking of throwing those into the fire as well.)

Now, plenty of people have asked us, “Hey, Big Green …. since your name is Big Green, why don’t you install some solar panels on the roof of the Cheney Hammer Mill?” To that I respond, good question, plenty of people. We resort to something like passive solar energy – opening the blinds on sunny days and rubbing our hands together furiously. And sure, we could ask our mad science advisor, Mitch Macaphee, to fashion some kind of perpetual energy machine, but our Mitch is a temperamental artist – if he invents a perpetual energy machine, it’s because he saw a hole in the world shaped like such a machine, then carved something out to plug that hole. Selfish human concerns, like avoiding hypothermia, are of no interest to him. He’s looking at the BIG picture … and that picture is big enough to block his view of yours truly.

Pedal faster?

We tried to get in touch with our cousin, Rick Perry, former Energy Secretary and Governor of Texas, as well as subject of our third album, Cowboy Scat: Songs in the Key of Rick, but he hasn’t taken any of our calls. So much for pulling strings. (Hey …. maybe we can pull strings to generate electricity … ) There is another option besides resorting to the assistance of celebrity relatives – getting one of those energy generating recumbent bike thingies. Just hook that thing up and go. We could get Marvin (my personal robot assistant) to pedal the thing, and that would produce enough juice to power a block of space heaters as long as your arm and thick as your ass. For the record, Marvin’s not crazy about the idea, and suggested I might consider doing it myself as a way of shedding some of the COVID pounds I’ve put on over the past year. Still, it’s one way of getting through March without ending up having to be picked up with a pair of ice tongs.

This will be easy. Just set up the bike, plug it into the wall, and pedal backwards. I don’t know why everyone doesn’t do it.

A little background.

2000 Years to Christmas

Nah, that doesn’t look all that great. Maybe move it a bit more to the left. How about a fill light or two. Is that any better? No? Right … start again.

Man, oh Manischewitz! This age of virtual meetings and electronic communications is annoying in the extreme. You freaking can’t do anything in person anymore. For the first few months we managed to keep a low profile by simply sending Marvin (my personal robot assistant) out to do our various tasks, like shopping, garbage removal, pretzel bending, molecule counting, and other odd jobs. Then last August, Marvin started reading Thomas Piketty, discovered the value of his labor and chose to withhold it from us, now that he considers us soulless capitalist exploiters. In response to Woke Marvin’s job action, we’ve had to go on Zoom, go on Google Meet, go on Skype, go on Facetime, go on, go on, go freaking on. Ever try doing your grocery shopping on Zoom? Don’t.

Hey, a lot of bands do whole concerts via these web-based video conferencing apps. That’s largely because, well, there’s no place else to freaking play – everything’s shut down and chances are good that a lot of the rickety establishments that supported plain-clothes bands will have fallen over backwards by the time people feel safe enough to venture out on a Saturday night again. Fortunately, we haven’t had to resort to such tactics. Mind you, I’m not ruling it out, but for the time being, we content ourselves with spending the pennies we make via streaming services on little bits of cheese, crumbs of bread, and a log for the fire. You may ask how we’ve managed to live so extravagantly off of what an indie band can make from web streams. The answer may surprise you. (It certainly would surprise me, because I haven’t the foggiest idea how we do it.)

Like my background?

So yeah, when we need to talk to a promoter or the people who own our squat house, we do the teleconferencing thing. The biggest challenge, from my perspective, is finding a backdrop that faithfully amplifies the kind of image you want to project to the world. For instance, authors often have their books prominently displayed behind them. Representative Lauren Boebert makes sure to have a jumble of assault weapons randomly dumped on a shelf behind her as she speaks. I myself had to think long and hard about what objects would best represent my values to anyone interacting with me over Zoom. I thought maybe a stack of sandwiches, but we don’t have anything like that lying about long enough to make it into the picture. I don’t know – maybe I should go with the Boebert approach, except a little more intimidating than just some poorly maintained long guns. Something that will make my interlocutors thinks TWICE about contradicting me.

Or maybe I should just show them dilapidated interior of the abandoned Cheney Hammer Mill. If that doesn’t scare the hell out of them, nothing will.

Red Planet.

2000 Years to Christmas

Come in, Rangoon … I mean, Marvin. Jesus, this is hard! C-Q, C-Q … Marvin, do you read me? Come in, come up, come over …. come on, man! Hey … is this thing on?

Oh, hi, out there in the land of Big Green listeners, readers, etc. It’s your old friend Joe, locked away here in the abandoned Cheney Hammer Mill, our longtime squat-house concealed in the forested hills (or hilly forests) of central New York state. An easy place to seclude yourself in … to. No one would ever think of looking for you here. That’s largely because, well … no one ever thinks of looking for anyone or anything here. In fact, most people don’t even know this place exists. (Except for you, of course … because you keep coming back.) What better redoubt in a time of COVID, right? Complete isolation …. the secret to good health. Who knew?

So, what are we about this week? Well … people have to occupy themselves somehow. That applies to everyone – washed out musicians, animated vegetables (mansized tuber), antimatter ex-presidents (anti-Lincoln), and of course, mad scientists (Mitch Macaphee). And it is in the settled order of things that some people’s pass times have a greater effect on those around them than those of their fellow time-passers. So when Mitch knocks about the mill looking for something to do, he’s partly looking for someone to do it to. In this case, it was Marvin (my personal robot assistant), who, I feel it’s important to point out, was created by Mitch in the first place. And if he can create him, he can … well … you know. Do I have to draw you a picture? I do? Damn it!

squx.

All right, so Mitch got a little obsessed this week, watching the goddamned television. They did multiple stories on this Mars Rover “Perseverance” mission, how it was going to land, how risky it was to enter the Martian atmosphere, how forbidding the terrain on the red planet promises to be, etc. Each mention of this NASA mission seemed to make Mitch madder and madder. It was like watching one of those old pressure cookers heat up, the dial on the top flipping over to red, steam pouring out of every join. Anyway, long story short, he decided to stuff Marvin into a makeshift rocket and send him to Mars ahead of the NASA rover. Marvin’s mission: take a selfie with the rover and post it somewhere that NASA scientists could see it, just so that he could rub it in their face that he had gotten there ahead of them. Yep … Mitch seriously wants to own those fuckers, and he’ll do it if it’s the last thing Marvin ever does.

That’s why I’m cranking away at our distressed old ham radio, hoping to raise Marvin’s personal communication channel. (Not that it’s worth much, as Marvin is famously non-verbal.) If I raise him, I’ll let you know.

Frankensong.

2000 Years to Christmas

I thought you said it was organic. What do you mean “all natural” – that’s a vacuous term. Everything’s natural, goddamn it. Yellow cake uranium is natural, but that doesn’t mean you should serve it at a birthday party.

Cheese and crackers, I don’t know what’s the matter with my squat-mates. They think anything that’s not on fire is good for you, even if it was recently on fire. That’s what happens when you spend the better part of twenty years loitering in an abandoned hammer mill, staying three steps ahead of the property owning capitalists, two steps ahead of the bourgeois lawyers that represent them, and one step ahead of the police that guard their wealth with clubs and guns. It’s kind of like Stockholm syndrome, except that we’ve been taken hostage by our general lack of resources, and my associates are now trying to squeeze every molecule out of the toothpaste tube. (I don’t mean metaphorically – they literally want that last molecule!)

Anyway, they’ve taken to eating GMO rice and GMO corn and whatever else because that’s what’s lying about. Not the best reason to eat something. There are a lot of old hammer heads strewn throughout this mill in various states of corrosive decay – they wouldn’t eat those, would they? (Or WOULD they?) Actually, Anti-Lincoln might sample the hammer heads for some extra iron, but I digress. If I can’t discourage my flop-mates from eating franken-food, then so be it. The trouble is, when you share you place with a mad scientist, the wheels can come off of the lunch cart very easily. Hell, I wouldn’t be surprised if he turned out to be making muffins out of yellowcake and feeding them to Marvin (my personal robot assistant), who doesn’t have the tools for digesting actual food but seldom refuses a handout from his creator, Mitch Macaphee.

Got any old songs you don't want?

There’s a lot of scavenging going on in this mill. It’s a sign of desperation setting in after months of lockdown, economic hardship, and bad weather. We’ve even taken to plugging together fragments of songs in an effort to make new music out of something that was abandoned months, years, even eons ago. (Well … perhaps not eons. Ages, maybe.) Ah, ’tis an impoverished soul indeed that cannot pull even a slap-dash song out of his or her ass, but such are the times we live in. I’ve got idea tapes lying all over the place. Some of them are incoherent, the product of leaving a cassette machine next to my bed so that if a song comes to me in my sleep I can sing it into the condenser mic and drop back off to dreamland without missing a beat. That almost invariably results in a tape full of drowsy mumbling followed by a respectable snore. Still …. even that can be useful in a mashup, dance mix, whatever. Hey … a frankensong is better than no song at all … or maybe not. IT’S ALIVE!