Category Archives: Usual Rubbish

Carry that weight.

What the hell. You mean I can’t just stack the bricks like building blocks? I have to cement them together … with real cement? Jesus, this is harder than I thought. Maybe I’ll do the ditch-digging instead. That sounds easy.

Oh, hi. Just having a little tête-a-tête with my vocational guidance counselor. Sure, I know what you’re thinking – I’m a little long in the tooth to start a new trade, right? Well, if tooth length had anything to do with it, I might try dentistry. No, this is just another of those exercises Big Green runs through from time to time when we’re trying to find our asses with both hands. It’s kind of an experiment in anarcho-syndicalism, but don’t tell the magistrate – it’s only the 10th and we’ve got a dozen demerits already this month.

As you know, Big Green is not a company, not a partnership, not a corporation … not even a non-profit (though we certainly have the financial means to be a non-profit … meaning we don’t make any profit). We are a musical collective, all for one and one for all. So by necessity, we have to share the burden of work that no one particularly likes to do. You know, work that SHOULD be done by a ROBOT if we HAD such a convenience …. MARVIN. Marvin (my personal robot assistant) decided to take a week in the Seychelles. I didn’t know he had the shekels for that little junket, but apparently he’s been saving up.

Is that REALLY how it's done?Okay, so we live in this crumbling hammer mill, see? And it’s mostly made out of bricks and mortar, see? In fact its hey-day was in the 1930s and 40s, when people ended most of their sentences with “see”, see? Nyah. Well, it needs some patching done here and there, and well … I was last pick, just like with the basketball teams in gym class. So it was off to the brickyard to get some of their wares, then back here to start patching, only to return to the brickyard because I forgot to buy cement, then got all the way back before realizing that the bags of concrete I bought were dry powder, not some kind of play-dough like substance. THAT’s when I started thinking about digging those ditches.

Well, there’ s a lot a man like me can do. But most of it involves sleeping. Zzzzzzzzz…..

Light on.

Okay, commence recording. The light is on, folks. No, not THAT light! That’s the freaking microwave! That just means your burrito is cooked. I mean the production light. Jesus.

Oh, hi. Yeah … we’re working on some more music, but it’s not obvious what exactly we’re working on. Is it an album? An EP? A single? Some throwaway tunes for the podcast? Anyone’s guess. All I know is that the light goes on and I start playing. When it goes out, I stop. Sometimes it flickers on and off, and that makes my job a bit harder. I see that and I drop in a lot of eighth-note rests – it can sound kind of funky if you close your eyes (and your ears, too).

We’ve made something of a habit of recording over the decades. Given that we’re not a performing band at this point, at least not in the conventional sense, recordings pretty much amount to our “performances”. But recording has been a bit of an obsession over the years, from Matt’s reel-to-reel and cassette tapes, to 4-track cassette, to recording in various studios, to acquiring an 8-track Tascam DA-88 deck, then a 16/24-track Roland VS2480 workstation, and now a Cubase system. Hey … we’re archivists. Why fight it?

Is the light on? As part of our THIS IS BIG GREEN February podcast, I included a couple of old numbers drawn from demos. One of those was digitized straight from a standard audio cassette, simply because we never owned the original media it was on – a 2500-ft reel of half-inch audio tape from 1986, probably now nothing more than cinders. The 1981 recording (Silent as a Stone) was taken from a reel-to-reel stereo dub – you can hear the tape (or my playback machine) failing at the end. That song came from a session where we recorded four songs, including one of mine and one of Matt’s. The 1986 version of “Slipping and Sliding” was recorded on an 8-track reel-to-reel machine as part of a 4-song demo; that I only have an audio cassette of.

So here we are again, toiling away on audio artifacts that someone will happen upon years from now and scratch their heads over. Which is pretty much how we find listeners. It’s a process that works on geological time, basically, like making feldspar. (Hmmmm … good idea for an album title. Feldspar … )

Inside February (again)

Jesus, Marvin. When I told you to release the podcast, I didn’t mean put it on the end of a stick and hold it over your head. I meant “release it” in a more modern, technical sense. Are you sure you’re a robot? Oh, okay. That’s news to you. Whoops.

Well, it appears that Marvin (my personal robot assistant) has learned where his last name came from. Red letter day for him, at least. Me? I have to walk you through a podcast you probably haven’t heard because my mechanical friend thinks the act of dropping an episode is something akin to playing lacrosse. No matter – push on!

Here’s what we have in this month’s THIS IS BIG GREEN podcast:

Ned Trek 36: Grope in the Fold – This installment of our now long-running Ned Trek series (a parody mashup of classic Star Trek, Mr. Ed, and that thing they call the Republican party) commandeers a second-season (1967) script entitled “Wolf in the Fold”. Action includes some first-rate screaming, a gripping courtroom scene, and numerous instances of Mr. Ned telling Perle to shut up. Simply can’t be missed.

Marvin blew it, man.Put The Phone Down – Matt and I sit down for our usual rangy discussion of whatever floats into either of our tiny brains. This month’s random topics include a recap of the Ned Trek episode you just heard; a brief riff on a local meat market and its longstanding sausage-based slogan; Matt’s recollection of a backstage fight between actors playing Buffalo Bill and Jesus Christ in a locally-produced musical back in 1978 or so; Our thoughts on the unusual, perhaps singular, playing style of our late friend and one-time guitarist Tim Walsh; Some news of beavers and sweet potatoes …. and so on.

Song: Two Lines – A Ned Trek / Sulu song from a couple of years ago; one of my personal favorites. Sulu sings of the anguish of only having two lines in any given episode. Chorus features common two-line speeches from Sulu’s role in classic Star Trek.

Song: Silent as a Stone – Deep archive pick. This song long predates our Big Green moniker, but it’s still us. Recorded in the long departed Music Workshop studio in Utica, NY (producer: Bill Scranton) back in 1981, this very weird little number features some of that insane Tim Walsh guitar work Matt and talked about. Head scratcher, but that’s how we sounded in 1981.

Song: It Should’ve Been Me – Closer on our 2013 album Cowboy Scat: Songs in the Key of Rick. Just because.

Song: Don’t Tell Rick – A song we produced after Cowboy Scat. It’s basically a plea to our audience of five not to tell Rick Perry about the album; particularly about the lyric in “It Should’ve Been Me” about playing with his dong. Still working on the video.

Song: Slipping and Sliding – Our cover of a Little Richard number. (Don’t tell Rick!) This is another deep archive pick, from our very first recording as Big Green – a demo tracked at Ned Danison’s brother’s garage studio back in 1986 or so. One of the songs we did in those days.

Peace out.

Fire rockets.

What do you mean what am I listening to? Music. What the hell do you think? It’s my abandoned storage room. You got a problem with that? You do? Hmmm. Okay.

Well, here we are – another February at the abandoned Cheney Hammer Mill, and let’s just say things are getting a little slow around the Big Green collective enterprise. For the world is frozen and I have touched the sky. (Wasn’t that almost a Star Trek episode?) ‘Scuse me while I kiss the sky – how about that? Anyway, not much to do this month except catch up on my reading and listen to some tunes. I made the mistake of cranking up some traditional jazz – Lenny Breau, to be exact – and our mad science advisor Mitch Macaphee took exception to that. Not a jazz fan he. I think he’s partial to Wagner. Porter Wagner.

Actually, it’s not just the music that has Mitch acting ornery. He’s been at sixes and sevens ever since that Space-X launch of the “Falcon Heavy” and the subsequent touchdown of its twin booster rockets. I have never seen Mitch so glued to a television set (except that time he Nice ride, Mitch.was cooking up a new kind of super glue and, well, inadvertently glued himself to the television set). I may be going out on a limb, but I think the thing that is sticking in his craw is the notion that another private rocket launch would be so successful. He also has a strange fixation on the Elon Musk space car. I think he wants to hijack that ride and take it to Pluto.

I try to mollify Mitch with my assurances that, though the Falcon Heavy was a huge success, we DID do at least five interstellar tours by virtue of his spacecraft expertise. Sure, we were almost killed about a thousand times and, sure, we were stranded on strange alien worlds for weeks on end, but those are mere footnotes. The REAL story is that we didn’t make a dime on ANY of those tours. THAT’S what’s got ME all worked up. I don’t know what the hell MITCH has to complain about. (Phew. You can see why my effort to reassure Mitch kind of fell flat.)

Okay, so … keep an eye on the hammer mill. If you see the nose cone of a rocket sticking up out of the courtyard, give me a call.

Song listlessness.

Did you look in the silo? Okay. How about the forge room? No? Then take a look, for crying out loud. Not a moment to spare.

Well, I am proud of myself. It took all weekend, but I pulled together an exhaustive list of all of the songs Big Green has ever written, from our very first days to the present. Yes, I left out the future, but two out of three isn’t bad. Besides, predicting the future is hard. Don’t know if you noticed. That’s why we leave it to people like Kreskin … and Criswell. (You remember Criswell, right? Criswell predicts!)

Trouble is (and there is always trouble here at the abandoned Cheney Hammer Mill) Now that I’ve completed the list, I … well … can’t find it. I would describe it to you, but you probably won’t find it either … unless you have a gift of prophecy, again, like Criswell. Well, I don’t have a mentalist here at the mill. Though it’s fair to say that most of our entourage are mental, in the colloquial sense. My only resource in situations such as this is Marvin (my personal robot assistant), who most assuredly does not have a gift of prophecy, but he does possess some of the finer qualities of a bloodhound when it comes to finding lost things.

Amazing!How do you sniff out a list? Not sure. He took a look around the courtyard. No luck. He did turn up some promising papers in the forge room, but alas, they were forgeries. Another twelve hours of exhaustive search and I will resort to recreating the list from scratch. That part’s easy. Just start from “Sweet Treason” and work your way forward. (That original recording of Sweet Treason is a little scratchy, come to think of it.)

Why am I undertaking this seemingly pointless task? Well … not sure. When you’ve got a lot of songs and even more time on your hands, you try to find ways of busying yourself. Maybe when I finish the list, I’ll just sit in my room and play our entire canon from beginning to end. Probably about 300 songs, but that’s a wild guess.

Oh, excuse me. MARVIN? DID YOU TRY MITCH’S LAB? BE SURE TO WEAR YOUR BLAST SHIELD!

Twang it.

Okay, so the strings have been changed. Congratulations. Only trouble is, there’s four strings, not six. What is this freaking thing, a banjo? No banjos in my house! Well …. maybe one, but that’s it!

Wow, I guess you caught me laying down the law with Marvin (my personal robot assistant), who has been standing in for my guitar technician over the last week or so. Not a role he was born to play, that’s for sure. His rudimentarily prehensile claws can barely hold on to a guitar let alone change a set of strings. I think this time around, he quit the task at four strings just because it’s so damned impossible. (I gave him Mission Impossible.)

Why would I ask Marvin to change my guitar strings? Well, he should stretch a bit beyond his comfort zone, you know? He’s got to make something of himself one day, and with all of the automation happening throughout our global economy, I’d say he’ll have plenty of opportunities. If Factory tuned to concert pitch.that sounds odd coming out of a confirmed collectivist, just bear in mind – Marvin doesn’t have any material or animal wants or needs. He runs off of a little breeder reactor in his chest cavity. I think it looks like a cake frosting pipe with some arteries painted on the outside – it bobs up and down and makes a noise that recalls to mind a beating heart. (Oh no, wait … that’s an episode of Lost in Space.)

Actually, Marvin has volunteered to serve as the self-driving part of our self-driving car. All we need to do is add the car part. I tried to explain to his tiny brain that the car part is the hard part because it involves substantial cash outlays and various other activities that are difficult to perform when you are “off the grid”, if you catch my meaning. Still, it would put us in the forefront of independent bands if we started traveling about in a van driven by an automaton. This could be our ticket to stardom … or at least start-um. (You have to start somewhere.)

Back to the guitar strings. I am trying to teach myself a few songs on guitar so that I can start busking. Or at least do some virtual busking, as a professional busker, not a hobbyist. (Like I need a hobby, right?) The guitar case will be open, hungry for unwanted coins, at a subway stop near you.

Hiatus be damned.

Yes, I know the phone is ringing. Just let it ring, for crying out loud. Don’t people know we’re on vacation? Jesus Christ on a bike, try to take a week off around this joint! What? Oh … okay. It’s the neighbor’s phone. Stupid neighbors!

Hey, out there. You caught us taking a brief hiatus between the nothings that we have going on. (You can tell I’m on vacation because I say “hey” when I mean “hi” … though that might also make me an NPR correspondent.) Everybody needs a little down time. We tend to have a little more than most people. In fact, you could argue that Big Green is a bit like a downtime reservoir. People come here to waste time; that’s what makes the abandoned Cheney Hammer Mill such a regional treasure. (And one man’s trash, well … you know the rest.) That’s understandable – sometimes taking a hiatus can be heavy lifting. That’s how people end up with hiatal hernias. (I’m just going to leave that right there.)

Do not disturbOkay, so … when you’re on vacation, you end up doing a bunch of stuff you don’t ordinarily have time for. For me, that usually involves surfing the web, and in my idle wanderings a stumbled across another Big Green. No, I don’t mean another BAND called Big Green – lord knows, there are at least one or two of those. This is a nutrition advocacy organization that works out of Detroit. Which means they are actually doing something USEFUL with our name, which is more than I can say for us. They’re helping to feed people; we’re wasting time with stuff like this. Case closed.

I haven’t told our mad science advisor Mitch Macaphee about the other Big Green because I don’t want him to start doing what he always does, which is stew on something until smoke comes out of his ears. He sees threats everywhere, including the forge room at the mill, which mostly contains broken down machines and iron filings. When he wanders through there at night, he sees silhouetted in the darkness the hunched profiles of creatures he either invented or destroyed during his long, evil career. I can see how that might be unnerving, especially when you misplace your anti-depressant tabs the morning before. (We encourage Mitch to take his Paxil regularly. It’s a kind of self-defense.)

Well, that’s what we did on OUR winter vacation. And you?

Stage fright.

I like to play it in C. Mostly because it’s an easy key, okay? You got a problem with easy? Huh? All right then – WE’LL DO IT LIVE!

Whoa, was that mic live? Sorry, everyone. Caught us in the midst of what passes for a band meeting here in Big Green land. (And I don’t mean Canada, which kind of looks like a big Greenland.) As you probably know, everything I say gets transcribed into this blog, so you are truly getting a slice of life here. I obviously don’t do a lot of talking, or this blog would be waaaaay longer. No sir – I just talk for about fifteen minutes, twice a week, and you can read it all here. Hot off the presses!

Okay, that’s a lie. See what happens when I don’t want to talk about something? That “something” is, well, playing live, which is something we don’t do a whole lot anymore. Not saying we won’t do it again, God no. Only, well … we’re a little older than we were forty years ago, and Matt and I are kind of settled in our ways. The mansized tuber has put down roots, and Marvin (my personal robot assistant) doesn’t move as fast as he used to, owing in large measure to rust and loose The hell it is!contacts. (Yes, that’s right, lady robots – he wears contacts.) So it’s not stage fright. More like existential angst.

Funny thing is, when we DID play all the time, we sometimes played other people’s music. And one of those songs was Stage Fright, by The Band. So you could say that the reason we don’t play local clubs and dance halls is Stage Fright, but that would be suggesting that this particular song plays an important role in our repertoire, and we don’t remember how to play it. Yes, I play it in C, but everyone else remembers it in A or D or some other dumbass key. I think I’m right, they think I’m crazy – stalemate! And if that were the only song we play, well … we couldn’t play.

Well, we got that straightened out. Now … on to the Badfinger set. Oh, doctor.

Inside December/January.

Did you toss it up there? Good. High enough for everyone to reach, I hope. Sometimes you have to warm the arm up a bit, like the old windmill baseball pitch, then let it fly, and hopefully it lands right in the sweet spot. That’s pretty much all you can do. Server technology is tricky as hell.

Oh, hi. As you may or may not know, we posted our Holiday/New Year episode of our podcast, THIS IS BIG GREEN, this past week, and already it’s generating serious buzz. No, seriously … I try to listen to it, and all I get is a buzz. (I’m told that’s my ear buds.) Now, if YOU listen to it, you’re likely to hear the following:

NED TREK 35: The Romney Christmas Special / Ned Trek Reunion Special. Well, we tried to make an extravaganza this year, and obviously failed. Then we tried to get the lousy show up in time for Christmas, and, again, we failed. However, it has been posted in time for New Year’s, and this special Ned Trek is certainly worthy of a holiday as nondescript as New Year’s. The intention was to put together something that resembles one of those lame reunion specials for The Brady Bunch or The Manson Family (hint: one of those is fake), including some unknown hireling actor playing Jan (or in our case, playing Perle). Also featured is Jimmy Sweetwater, the guy inside the Nixon robot (not the voice actor). The “special” is variously hosted by Gladston Goodstein (aka Peter Lorre), Dr. Carl Sagan, and Lee Majors.

Embedded in the show are six Big Green songs, including:

Romney Christmas Special Theme Song – A ludicrous little number featuring Nixon, Kissinger, actual Perle, Ned, Willard and other voices. Covers some of the thematic underpinnings of this failed adventure in audio entertainment.

Christmas Business – Another Willard number capturing the true confiscatory spirit of the holidays. Refreshingly brief.

Sorry, man. You're not needed this year.Plastic Head – This song is a slight redo of a number Matt did for his 1988 Christmas tape, this version sung by Ned. All about a vehicular encounter with a roadside Christmas miracle coupled with metaphysical transposition. Just listen – you’ll get it.

Bobby Sweet – A new song, roughly about America’s gun culture. At Christmas.

Christmas To End – This is another retread of a song Matt wrote for one of his gift tapes, this one from 1994, re-recorded as a Sulu song. Let the war on Christmas begin … again.

He Does It For Spite – Re-recording of a song from Matt’s legendary 1990 Christmas tape, about a spoiler spirit from the great beyond. True story.

PUT THE PHONE DOWN. Matt and I talk about … uh … I don’t know what. We do bad accents, talk about beavers, sing weird songs, and generally make merry by the standards of this dark time. Hope you enjoy listening to it as much as we enjoyed making it. (And hopefully a whole lot more.)